Doctoral Lecture Recital: 2009-10-26 - Sun Hee Kim, piano

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Recital presented at the UNT Main Auditorium in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

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Kim, Sun Hee October 26, 2009.

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  • Main Title: Doctoral Lecture Recital: 2009-10-26 - Sun Hee Kim, piano
  • Series Title: Doctoral Recitals
  • Added Title: Lecture Recital: An Analytical Study: Applying Hindemith's Tonal Theory to Niels Viggo Bentzon's Third Piano Sonata, Op.44

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Description

Recital presented at the UNT Main Auditorium in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

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College of Music Recordings

The College of Music Recordings include doctoral, ensemble, faculty, guest, and senior recitals from the UNT College of Music. Access to these recordings is restricted to the UNT community.

Related Items

An Analytical Study: Applying Hindemith's Tonal Theory to Niels Viggo Bentzon's Third Piano Sonata, Op. 44 (Thesis or Dissertation)

An Analytical Study: Applying Hindemith's Tonal Theory to Niels Viggo Bentzon's Third Piano Sonata, Op. 44

Niels Viggo Bentzon (1919-2000) is the most significant composer in the post-Nielsen period of Danish piano music. Bentzon's Third Piano Sonata, Op.44 was composed in 1946 and is considered by Mark L. Lehmann to be one of the great piano sonatas of the twentieth century. Not only does this sonata reflect Hindemith's ideas, but it also reveals Bentzon's unique style that successively empowers his innovative features. By applying Hindemith's theory, this study offers a way of understanding this piece and demonstrates the relevance of Hindemith's theory as a tool for analyzing the sonata. Chapter 1 presents the significance of the study, the state of research, the purpose of the study, and method. Chapter 2 provides a theoretical analysis of Bentzon's Third Piano Sonata, Op. 44. With a discussion of each movement, this analytical chapter traces Hindemith's influences: Bentzon organizes the four movements with a clear formal structure, a mediant relationship between the first movement and the rest of the movements, and a motivic coherence of each movement. Also, this chapter demonstrates how Bentzon follows Hindemith's way of chord construction and harmonic progression. This chapter provides insight into Bentzon's original style that facilitates an understanding of the tonal organization of each movement and illuminates Bentzon's intensity of expression through the use of quasi-improvisational passages, texture, dynamic fluctuations, and treatment of the full range of the piano. The last chapter concludes with a summary of Bentzon's compositional style based on observations from previous chapters.

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Creation Date

  • October 26, 2009

Added to The UNT Digital Library

  • June 11, 2012, 10:20 a.m.

Description Last Updated

  • Nov. 10, 2017, 9:36 a.m.

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Kim, Sun Hee. Doctoral Lecture Recital: 2009-10-26 - Sun Hee Kim, piano, audio recording, October 26, 2009; Denton, Texas. (digital.library.unt.edu/ark:/67531/metadc86412/: accessed December 15, 2017), University of North Texas Libraries, Digital Library, digital.library.unt.edu; crediting UNT Music Library.