A Comparison of Methods for Sight-Reading Utilizing Collegiate Saxophonists

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The ability to sight-read well is held as a highly regarded and important skill in music performance and education. Over the past 90 years, researchers have investigated several aspects of music sight-reading, especially those attributes possessed by skilled sight-readers. A significant and recurrent finding from this body of research is the relationship between sight-reading and rhythm recognition. Though these studies have found positive effects and correlations between rhythm recognition and sight-reading, they have been limited and indirect. The aim of this dissertation was to investigate the effects of (a) practicing rhythms on a single pitch and (b) practicing rhythms with ... continued below

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Campbell, Scott D May 2016.

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  • Campbell, Scott D

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The ability to sight-read well is held as a highly regarded and important skill in music performance and education. Over the past 90 years, researchers have investigated several aspects of music sight-reading, especially those attributes possessed by skilled sight-readers. A significant and recurrent finding from this body of research is the relationship between sight-reading and rhythm recognition. Though these studies have found positive effects and correlations between rhythm recognition and sight-reading, they have been limited and indirect. The aim of this dissertation was to investigate the effects of (a) practicing rhythms on a single pitch and (b) practicing rhythms with full-range scales and their direct effects on sight-reading ability in saxophonists at the college level. The primary objective in this research was to determine if one method was more effective than another in developing sight-reading skills. The participants (N = 74) consisted of college students who were enrolled in saxophone lessons at a university in the southwestern United States. Participants were administered a sight-reading pre-test at the beginning of an 8-week treatment period. After pre-testing, students were blocked into two groups. The first treatment group was assigned to practice rhythms on a single pitch and the second treatment group was assigned to practice rhythms combined with full-range major scales. After the treatment period, participants were administered a sight-reading post-test. A 2-way mixed ANOVA was used to determine if there were differences between treatment groups, differences from pre-test to post-test, and if there was a significant interaction between treatment and time. There was no significant difference between treatment groups, F (1, 72) = .035, p = .852, partial η2 = .000028. There was a significant effect for time, indicating that both treatment groups improved from pre-to post test, F (1, 72) = 83.499, p < .001, partial η2 = .537. There was no significant interaction between treatment and time, F (1, 72) = .322, p = .572, partial η2 = .004.

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Doctoral Recital: 2014-01-30 - Scott Campbell, alto and soprano saxophones (Sound)

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  • May 2016

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  • June 28, 2016, 4:28 p.m.

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  • Oct. 12, 2017, 11:19 p.m.

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Campbell, Scott D. A Comparison of Methods for Sight-Reading Utilizing Collegiate Saxophonists, dissertation, May 2016; Denton, Texas. (digital.library.unt.edu/ark:/67531/metadc849708/: accessed May 24, 2018), University of North Texas Libraries, Digital Library, digital.library.unt.edu; .