Programmatic Geographical Depictions in Large-Scale Jazz Ensemble Works: Major Works by Gil Evans and Chuck Owen and a New Work by Aaron Hedenstrom

PDF Version Also Available for Download.

Description

This dissertation explores the creative process in large-scale jazz ensemble works that are programmatic in depicting geographical locations. This is achieved through analyses of Gil Evans's Sketches of Spain, Chuck Owen's River Runs: A Concerto for Jazz Guitar, Saxophone, & Orchestra, and Aaron Hedenstrom's Sketches of Minnesota. Each work is examined using five analytical categories: orchestration, large-scale form, harmonic/melodic development, programmatic framework, and use of featured soloists. The analyses draw from musical scores, interviews, biographies, recordings, and articles to reveal more about each composer's artistic intentions. This study contributes to the broader knowledge of large-ensemble jazz works and programmatic jazz … continued below

Physical Description

iv, 51 pages : music

Creation Information

Hedenstrom, Aaron May 2016.

Context

This dissertation is part of the collection entitled: UNT Theses and Dissertations and was provided by the UNT Libraries to the UNT Digital Library, a digital repository hosted by the UNT Libraries. It has been viewed 1808 times, with 16 in the last month. More information about this dissertation can be viewed below.

Who

People and organizations associated with either the creation of this dissertation or its content.

Publisher

Rights Holder

For guidance see Citations, Rights, Re-Use.

  • Hedenstrom, Aaron

Provided By

UNT Libraries

The UNT Libraries serve the university and community by providing access to physical and online collections, fostering information literacy, supporting academic research, and much, much more.

Contact Us

What

Descriptive information to help identify this dissertation. Follow the links below to find similar items on the Digital Library.

Degree Information

Description

This dissertation explores the creative process in large-scale jazz ensemble works that are programmatic in depicting geographical locations. This is achieved through analyses of Gil Evans's Sketches of Spain, Chuck Owen's River Runs: A Concerto for Jazz Guitar, Saxophone, & Orchestra, and Aaron Hedenstrom's Sketches of Minnesota. Each work is examined using five analytical categories: orchestration, large-scale form, harmonic/melodic development, programmatic framework, and use of featured soloists. The analyses draw from musical scores, interviews, biographies, recordings, and articles to reveal more about each composer's artistic intentions. This study contributes to the broader knowledge of large-ensemble jazz works and programmatic jazz works. This research meets the need for more critical analyses of important jazz ensemble works relevant to composers, arrangers, and scholars.

Physical Description

iv, 51 pages : music

Language

Identifier

Unique identifying numbers for this dissertation in the Digital Library or other systems.

Relationships

Collections

This dissertation is part of the following collection of related materials.

UNT Theses and Dissertations

Theses and dissertations represent a wealth of scholarly and artistic content created by masters and doctoral students in the degree-seeking process. Some ETDs in this collection are restricted to use by the UNT community.

Related Items

Doctoral Recital: 2014-11-04 - Aaron Hedenstrom, composition, arranging, synthesizer, vocoder (Sound)

Doctoral Recital: 2014-11-04 - Aaron Hedenstrom, composition, arranging, synthesizer, vocoder

Recital presented at the UNT College of Music MEIT (M1001) in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

Relationship to this item: (Has Part)

Recital: November 4, 2014, ark:/67531/metadc948582

Has Part : Recital: April 4, 2014, ark:/67531/metadc917158

Doctoral Recital: 2013-10-22 - Aaron Hedenstrom, jazz arranging (Sound)

Doctoral Recital: 2013-10-22 - Aaron Hedenstrom, jazz arranging

Recital presented at the UNT College of Music Kenton Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

Relationship to this item: (Has Part)

Recital: October 22, 2013, ark:/67531/metadc917123

Doctoral Recital: 2016-03-07 - Aaron Hedenstrom, jazz arranging (Video)

Doctoral Recital: 2016-03-07 - Aaron Hedenstrom, jazz arranging

Doctoral recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Doctor of Philosophy (Ph.D.) in Music.

Relationship to this item: (Has Part)

Recital: March 7, 2016, ark:/67531/metadc850041

What responsibilities do I have when using this dissertation?

When

Dates and time periods associated with this dissertation.

Creation Date

  • May 2016

Added to The UNT Digital Library

  • June 28, 2016, 4:28 p.m.

Description Last Updated

  • June 3, 2020, 8:40 p.m.

Usage Statistics

When was this dissertation last used?

Yesterday: 0
Past 30 days: 16
Total Uses: 1,808

Interact With This Dissertation

Here are some suggestions for what to do next.

Start Reading

PDF Version Also Available for Download.

International Image Interoperability Framework

IIF Logo

We support the IIIF Presentation API

Hedenstrom, Aaron. Programmatic Geographical Depictions in Large-Scale Jazz Ensemble Works: Major Works by Gil Evans and Chuck Owen and a New Work by Aaron Hedenstrom, dissertation, May 2016; Denton, Texas. (https://digital.library.unt.edu/ark:/67531/metadc849643/: accessed December 2, 2023), University of North Texas Libraries, UNT Digital Library, https://digital.library.unt.edu; .

Back to Top of Screen