'Third World Artist': The Performance Art of Alexander Brener

One of 424 papers in the series: University Scholars Day available on this site.

PDF Version Also Available for Download.


This paper discusses research on the performance art of Alexander Brener.

Physical Description

13 p.

Creation Information

Nersesova, Lisa & Way, Jennifer March 31, 2005.


This paper is part of the collection entitled: UNT Scholarly Works and was provided by UNT Honors College to Digital Library, a digital repository hosted by the UNT Libraries. It has been viewed 495 times , with 4 in the last month . More information about this paper can be viewed below.


People and organizations associated with either the creation of this paper or its content.




Named Person

Person who is significant in some way to the content of this paper. Additional names may appear in Subjects below.

Provided By

UNT Honors College

The UNT Honors College is dedicated to enriching the undergraduate academic experience for talented, motivated, and well-prepared students. The college offers its members many benefits, including challenging classes, training in research methods and skills, eligibility to live in Rawlins Hall or Honors Hall, and a supportive social and academic environment.

Contact Us


Descriptive information to help identify this paper. Follow the links below to find similar items on the Digital Library.


Degree Information


This paper discusses research on the performance art of Alexander Brener.

Physical Description

13 p.


Abstract: We should expand our understanding of contemporary art by considering it from ideological perspectives other than those of the West. I will show the significance that certain established conventions of Western art criticism and history have for the Russian performance artist Alexander Brener. Western art critics perceive Brener's performances as destructive and perverse, which indicates the existence of accepted conventions and a tacit agreement concerning what is considered art. Art history also excludes Brener, not only because his work is so contemporary, but also because prevailing approaches to understanding art in the West require categorizing art movements and corresponding labeling of artists, which is difficult to achieve in Brener's case. Consequently, I ask, how has Brener emphasized the importance of understanding art as an entity that has culturally specific features? I consider Brener's use of the phrase "third world artist" in relation to the prevailing Western art critical terms "East" and "West." Finally, I examine Brener's controversial performance at the Stedelijk Museum in Amsterdam in relation to the Western art world as a system consisting of artists, critics, historians, and patrons.

Second Annual University Scholars Day, 2005, Denton, Texas, United States.



  • The Eagle Feather, 2005, Denton: University of North Texas. Honors College


Item Type


Unique identifying numbers for this paper in the Digital Library or other systems.

Publication Information

  • Publication Title: The Eagle Feather
  • Volume: 2
  • Issue: 2005
  • Peer Reviewed: Yes


This paper is part of the following collection of related materials.

UNT Scholarly Works

Materials from the UNT community's research, creative, and scholarly activities and UNT's Open Access Repository. Access to some items in this collection may be restricted.

What responsibilities do I have when using this paper?


Dates and time periods associated with this paper.

Creation Date

  • March 31, 2005

Added to The UNT Digital Library

  • May 18, 2012, 10:45 a.m.

Description Last Updated

  • Nov. 21, 2017, 8:49 p.m.

Usage Statistics

When was this paper last used?

Yesterday: 1
Past 30 days: 4
Total Uses: 495

Interact With This Paper

Here are some suggestions for what to do next.

Start Reading

PDF Version Also Available for Download.

International Image Interoperability Framework

IIF Logo

We support the IIIF Presentation API

Nersesova, Lisa & Way, Jennifer. 'Third World Artist': The Performance Art of Alexander Brener, paper, March 31, 2005; [Denton, Texas]. (digital.library.unt.edu/ark:/67531/metadc84348/: accessed February 19, 2019), University of North Texas Libraries, Digital Library, digital.library.unt.edu; crediting UNT Honors College.