Dialogue in the Alarconian Theatre Page: III
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PREFACE
Xa this study ay aim has been to traee the development
of the ay$ in dialogue of Juan Ruix 4* Alaro6n y Meadoza*
'& a survey of the Alareonian theatrehave attempted t#
attain an insight into the technique of hi# dramatic speeoh
and to indicate the aeureea of potent Influence &&&?%$& on
the dramaturgic skill of this author.
has seemed wise in dealing with this subject to be
informative regarding themes of wide range, rather than
exhauatingly analytical in offering tepiea of limit##
scope. Although, in My judgment, any independent view with
sufficient corroboration ia better than the maehanisal rep"*
etition of authoritative verdieta, I have made few state-
ments at variance with the prevalent tendencies of the
Alareonista.
However^ as % appraised the genuine contributions of
this great dramatist to the theatre, I have tried to keey
in mind this quotation!
In nature there' s no blemlah but the mind;
None can be eall'd deformed but the unkind*'
Shakespeare.
iii
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Davis, Mary Collins. Dialogue in the Alarconian Theatre, thesis, 1950; Denton, Texas. (https://digital.library.unt.edu/ark:/67531/metadc83678/m1/3/: accessed April 25, 2024), University of North Texas Libraries, UNT Digital Library, https://digital.library.unt.edu; .