Doctoral Recital: 2014-04-26 - Micah Bowling, multiple woodwinds
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- Beethoven: Variations on "La ci darem la mano", WoO 28 0:10:44
- Mozart: Divertimento No. 5, K. 439b - I. Allegro 0:02:46
- Mozart: Divertimento No. 5, K. 439b - II. Larghetto 0:02:41
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- Ligeti: Six Bagatelles for Wind Quintet (1953) - I. Allegro con spirito 0:01:32
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- Ligeti: Six Bagatelles for Wind Quintet (1953) - V. Adagio - Mesto (in memoriam B�la Bart�k) 0:02:00
- Ligeti: Six Bagatelles for Wind Quintet (1953) - VI. Molto vivace - Capriccioso 0:01:55
- Baldwin: Landscapes (2011) - I. Of Tomorrow's Promise 0:07:44
- Baldwin: Landscapes (2011) - II. Of Pain and Sorrows 0:05:45
- Baldwin: Landscapes (2011) - III. Of Quiet Reflection 0:04:54
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College of Music Program Book 2013-2014: Student Performances, Volume 2 (Book)
Student performances program book from the 2013-2014 school year at the University of North Texas College of Music.
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Intraoral Pressure and Sound Pressure During Woodwind Performance (Thesis or Dissertation)
For woodwind and brass performers, intraoral pressure is the measure of force exerted on the surface area of the oral cavity by the air transmitted from the lungs. This pressure is the combined effect of the volume of air forced into the oral cavity by the breathing apparatus and the resistance of the embouchure, reed opening, and instrument’s back pressure. Recent research by Michael Adduci shows that intraoral pressures during oboe performance can exceed capabilities for corresponding increases in sound output, suggesting a potentially hazardous situation for the development of soft tissue disorders in the throat and velopharyngeal insufficiencies. However, considering that oboe back pressure is perhaps the highest among the woodwind instruments, this problem may or may not occur in other woodwinds. There has been no research of this type for the other woodwind instruments. My study was completed to expand the current research by comparing intraoral pressure (IOP) and sound pressure when performing with a characteristic tone on oboe, clarinet, flute, bassoon, and saxophone. The expected results should show that, as sound pressure levels increase, intraoral pressure will also increase. The subjects, undergraduate and graduate music majors at the University of North Texas, performed a series of musical tasks on bassoon, clarinet, flute, oboe, and alto saxophone. The musical tasks cover the standard ranges of each instrument, differences between vibrato and straight-tone, and a variety of musical dynamics. The data was collected and examined for trends. The specific aims of this study are to (1) determine whether there is a correlation between IOP and sound pressure, (2) shed light on how well each instrument responds to rapid fluctuation, and (3) determine which instruments are most efficient when converting air pressure into sound output. Results of this study raised concerns shared by previous studies – that woodwind players are potentially causing harm to their oropharynx by inaccurately perceiving intraoral pressure needed to achieve a characteristic sound. Evidence found by this study suggests that while oboists generate high intraoral pressure for relatively little sound output (a fact corroborated by past studies), the same cannot be said for all of the woodwind instruments, particularly the flute.
Intraoral Pressure and Sound Pressure During Woodwind Performance - ark:/67531/metadc849677
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Doctoral Recital: 2014-04-26 - Micah Bowling, multiple woodwinds, audio recording, April 26, 2014; Denton, Texas. (https://digital.library.unt.edu/ark:/67531/metadc802218/: accessed March 22, 2023), University of North Texas Libraries, UNT Digital Library, https://digital.library.unt.edu; crediting UNT Music Library.