The Role of the Secondary Dominant in the Solo Works for Piano by Brahms and Dvorak

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The harmonic practices of the late romantic period are often discussed in general terms, categorical phrases, and a score of subjectivisms characteristic of the era. It is the purpose of this thesis to clarify certain aspects of the harmonic vocabulary which developed in the late romantic period.

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v, 110 leaves : ill., music

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Webb, Kristin January 1964.

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This thesis is part of the collection entitled: UNT Theses and Dissertations and was provided by the UNT Libraries to the UNT Digital Library, a digital repository hosted by the UNT Libraries. It has been viewed 67 times. More information about this thesis can be viewed below.

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  • Webb, Kristin

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The harmonic practices of the late romantic period are often discussed in general terms, categorical phrases, and a score of subjectivisms characteristic of the era. It is the purpose of this thesis to clarify certain aspects of the harmonic vocabulary which developed in the late romantic period.

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v, 110 leaves : ill., music

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  • January 1964

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  • Jan. 14, 2016, 8:34 p.m.

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  • May 11, 2023, 3:27 p.m.

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Thumbnail image of item number 1 in: 'The Role of the Secondary Dominant in the Solo Works for Piano by Brahms and Dvorak'.
Thumbnail image of item number 2 in: 'The Role of the Secondary Dominant in the Solo Works for Piano by Brahms and Dvorak'.
Thumbnail image of item number 3 in: 'The Role of the Secondary Dominant in the Solo Works for Piano by Brahms and Dvorak'.
Thumbnail image of item number 4 in: 'The Role of the Secondary Dominant in the Solo Works for Piano by Brahms and Dvorak'.

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Webb, Kristin. The Role of the Secondary Dominant in the Solo Works for Piano by Brahms and Dvorak, thesis, January 1964; Denton, Texas. (https://digital.library.unt.edu/ark:/67531/metadc798409/: accessed April 18, 2024), University of North Texas Libraries, UNT Digital Library, https://digital.library.unt.edu; .

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