Quarterly journal discussing musical theory. This issue contains articles on the opening chorus of J.S. Bach's St. Matthew Passion; Joseph Haydn's Austrian Folk Anthem; Franz Schubert's Four Impromptus, op. 90, no. 3 and Impromptu in F minor, op, 94, no. 3 from "Moments musicals"; Felix Mendelssohn's Venetian Gondola Song, op. 30, no. 6 and "Song Without Words," op. 67, no. 6; two movements from Robert Schumann's "Scenes from Childhood": "From Distant Lands and People" and "Reverie." An explanatory appendix including Schenkerian graphs concludes the volume.
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Quarterly journal discussing musical theory. This issue contains articles on the opening chorus of J.S. Bach's St. Matthew Passion; Joseph Haydn's Austrian Folk Anthem; Franz Schubert's Four Impromptus, op. 90, no. 3 and Impromptu in F minor, op, 94, no. 3 from "Moments musicals"; Felix Mendelssohn's Venetian Gondola Song, op. 30, no. 6 and "Song Without Words," op. 67, no. 6; two movements from Robert Schumann's "Scenes from Childhood": "From Distant Lands and People" and "Reverie." An explanatory appendix including Schenkerian graphs concludes the volume.
Physical Description
48 p.
Notes
"IV. Jahrgang, 4. Heft (10. Heft der Gefamifolge), Oktober 1924."
Translated subtitle: "offered as a testimony to the immutable laws of musical art of a new youth by Heinrich Schenker."