"image"/ "i" / "nation": A Theory and Practice of Becoming an A/r/tographer

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One can argue that embracing technological models may produce students who are illiterate in the "proper" methods of communication. With rapid technological change, some fear traditions in their "original" form may be lost. Practices such as trying to recapture the artist's intent should be abandoned as a way of opening up literacy discourse to multiple narratives. Failing to critically explore the possibilities of emerging models of thinking, teaching, and learning in a technological culture can produce a loss equal to the loss of tradition. An a/r/tographer works toward a fluid practice between the domains of artist, researcher, and teacher in ... continued below

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Sutherlin, Matthew Evans August 2010.

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  • Sutherlin, Matthew Evans

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Description

One can argue that embracing technological models may produce students who are illiterate in the "proper" methods of communication. With rapid technological change, some fear traditions in their "original" form may be lost. Practices such as trying to recapture the artist's intent should be abandoned as a way of opening up literacy discourse to multiple narratives. Failing to critically explore the possibilities of emerging models of thinking, teaching, and learning in a technological culture can produce a loss equal to the loss of tradition. An a/r/tographer works toward a fluid practice between the domains of artist, researcher, and teacher in order to negotiate emerging forms of visual/tactile/auditory communication which include the body as a networked organism situated recursively within the larger structure of society. This study occurred during two separate semesters of an art education course for pre-service elementary teachers. Through interaction with hypermedia, social networking, installation art, and mash-ups, the teacher and students became artists, researchers, and teachers in a community of practice. A new form of teaching practice was envisioned that opens the possibility for both collective and individual understandings in the formation of curricula. A set of guiding principles was invented through practice as a way of producing a deeper understanding of culture and self. The following principles were derived from engagement with emerging technologies: In<SCRIPT>ion, Flip the Script, (H)Activation, Sample, (Re)mix, and Avatar. (H)Activation produces a learning environment that disrupts the flow of teaching, learning, literacy, art, technology, etc., as a way of programming practice for the inclusion of multiple narratives. Utilizing bricolage or a Do It Yourself approach, an apparatus for programming emerged, "image"/"i"/"nation". The term "image"/"i"/"nation" is a play on the concept of the imagination. Through reflexive application the imagination is split allowing connections and disconnections through practice. By engaging in its application the teacher and students became better able to formulate new ways of negotiating curricula, literacy practice, and artistic production.

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  • August 2010

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  • Jan. 9, 2012, 9:53 p.m.

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  • Jan. 15, 2014, 2:35 p.m.

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Sutherlin, Matthew Evans. "image"/ "i" / "nation": A Theory and Practice of Becoming an A/r/tographer, dissertation, August 2010; Denton, Texas. (digital.library.unt.edu/ark:/67531/metadc67937/: accessed May 24, 2017), University of North Texas Libraries, Digital Library, digital.library.unt.edu; .