Harmony in the Symphonies of Ralph Vaughan Williams

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Description

The harmony of Vaughan Williams defies classification in terms of traditional harmony alone, making use as it does at times, of structures of superposed fourths, so-called "added-note" chords, and random sonorities, as will appear. Therefore, the chords will be placed into two principal categories of usage, traditional and non-traditional.

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vii, 95 leaves: music

Creation Information

Edmonds, Billy Joe January 1958.

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This thesis is part of the collection entitled: UNT Theses and Dissertations and was provided by UNT Libraries to Digital Library, a digital repository hosted by the UNT Libraries. It has been viewed 58 times , with 4 in the last month . More information about this thesis can be viewed below.

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  • Edmonds, Billy Joe

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The harmony of Vaughan Williams defies classification in terms of traditional harmony alone, making use as it does at times, of structures of superposed fourths, so-called "added-note" chords, and random sonorities, as will appear. Therefore, the chords will be placed into two principal categories of usage, traditional and non-traditional.

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vii, 95 leaves: music

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UNT Theses and Dissertations

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  • January 1958

Added to The UNT Digital Library

  • June 24, 2015, 9:39 a.m.

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  • Oct. 6, 2016, 9:59 a.m.

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Edmonds, Billy Joe. Harmony in the Symphonies of Ralph Vaughan Williams, thesis, January 1958; Denton, Texas. (digital.library.unt.edu/ark:/67531/metadc663320/: accessed November 16, 2018), University of North Texas Libraries, Digital Library, digital.library.unt.edu; .