Round

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Description

My approach to the art making process is a kind of poetic reverie on forms and spaces. Webster’s Encyclopedic Unabridged Dictionary defines reverie as “a state of dreamy meditation or fanciful musing; a daydream, a fantastic, visionary or unpractical idea.” It is a romantic notion that has less to do with the big questions of existence than it does the incidental parts of daily existence. Reverie is a state of mind that comes from being receptive and finding simple pleasure in the affects of imagination. My paintings, drawings and sculpture evolve out of the freedom to imagine shapes and spaces ... continued below

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Pepper, Jennifer Whayne May 2001.

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  • Pepper, Jennifer Whayne

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Description

My approach to the art making process is a kind of poetic reverie on forms and spaces. Webster’s Encyclopedic Unabridged Dictionary defines reverie as “a state of dreamy meditation or fanciful musing; a daydream, a fantastic, visionary or unpractical idea.” It is a romantic notion that has less to do with the big questions of existence than it does the incidental parts of daily existence. Reverie is a state of mind that comes from being receptive and finding simple pleasure in the affects of imagination. My paintings, drawings and sculpture evolve out of the freedom to imagine shapes and spaces that describe different kinds of interactions. They come from recollection, awareness, and observation of the diverse sensual phenomena that surrounds me. The variety of interactions between forms such as contrast, imbalance, balance or synchronicity, have the potential to evoke various aspects of being: vulnerability, uncertainty, confidence, and determination. Possible interactions between shapes and spaces are what intrigue me most. Recently, I expanded the investigation of form to include objects and consideration of space. As the scale of my paintings and drawings grew, I became interested in the effects of three-dimensional objects in a space, such as a gallery. My inquiry began with a group of two-dimensional works on which I attached sheet metal, contact paper, and found objects. I realized that I had overlooked what was central and most evocative in earlier work: how I use space. I wanted to translate my sense of poetic space and reverie from the drawings into objects or arrangements that are placed in a space (the gallery).

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UNT Student Graduate Works

This collection houses graduate student works other than theses and dissertations. All materials have been previously accepted by a professional organization or approved by a faculty mentor. The collection includes, but is not limited to problems in lieu of thesis, supplemental files associated with theses and dissertations, posters, recitals, presentations, articles, reviews, book chapters, and artwork. Some items in this collection are restricted to use by the UNT community.

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  • May 2001

Added to The UNT Digital Library

  • June 24, 2008, 6:20 p.m.

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  • March 24, 2016, 4:20 p.m.

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Citations, Rights, Re-Use

Pepper, Jennifer Whayne. Round, thesis, May 2001; Denton, Texas. (digital.library.unt.edu/ark:/67531/metadc5818/: accessed November 18, 2017), University of North Texas Libraries, Digital Library, digital.library.unt.edu; .