Doctoral Lecture Recital: 2007-11-26 - David M. Daussat, tuba

One of 124 recordings in the series: Doctoral Lectures available on this site.

Description

Lecture recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

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1 recording (54 min., 30 sec.)

Creation Information

Daussat, David M. November 26, 2007.

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This audio recording is part of the collection entitled: College of Music Recordings and was provided by the UNT Music Library to the UNT Digital Library, a digital repository hosted by the UNT Libraries. It has been viewed 91 times. More information about this recording can be viewed below.

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  • Main Title: Doctoral Lecture Recital: 2007-11-26 - David M. Daussat, tuba
  • Series Title: Doctoral Recitals
  • Series Title: Doctoral Lectures
  • Added Title: Lecture Recital: Birth of the Modern Concerto: An Explication of Musical Design and Intention in Journey: Concerto for Contrabass Tuba and Orchestra

Degree Information

Description

Lecture recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

Physical Description

1 recording (54 min., 30 sec.)

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College of Music Recordings

The College of Music Recordings include doctoral, ensemble, faculty, guest, and senior recitals from the UNT College of Music. Access to these recordings is restricted to the UNT community.

Related Items

Birth of a Modern Concerto: An Explication of Musical Design and Intention in Journey: Concerto for Contrabass Tuba and Orchestra (Thesis or Dissertation)

Birth of a Modern Concerto: An Explication of Musical Design and Intention in Journey: Concerto for Contrabass Tuba and Orchestra

John Stevens was commissioned by the Chicago Symphony Orchestra (CSO) and the Edward F. Schmidt Family Commissioning Fund to compose a concerto for its principal tubist, Gene Pokorny. The piece began with multiple conversations between composer and performer and from these meetings actualized the influences that shaped the work. The most important influences that the performer mentioned were his passions for American steam locomotives and the Three Stooges, both of which were used by Stevens in his rendering of the composition. This concerto was designed to be played on the famous CC York tuba that was played by the former principal tubist of the CSO, Arnold Jacobs, the same instrument used today. Insight into the history of the York tuba will be given as well as their influence on contemporary manufacturing and design. Focus is given to how Stevens writes the piece idiomatically to the CC tuba and potential performance problems when a performer uses tubas of a different key. Conversations with both gentlemen will display the non-musical influences on Journey and how this effects the composition. Stevens' compositional language is explored and discussed in respect to the challenges and idiosyncrasies within the work. Collegiate tuba professors provide explanation for works level of interest within their respective schools and experiences.

Relationship to this item: (Is Part Of)

Dissertation: ark:/67531/metadc6116

College of Music program book 2007-2008 Student Performances Vol. 1 (Book)

College of Music program book 2007-2008 Student Performances Vol. 1

Student performances program book from the 2007-2008 school year at the University of North Texas College of Music.

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Program: https…

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Creation Date

  • November 26, 2007

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Added to The UNT Digital Library

  • Oct. 27, 2011, 8:21 a.m.

Description Last Updated

  • Sept. 21, 2022, 9:42 p.m.

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  • 33.210701, -97.150088

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Daussat, David M. Doctoral Lecture Recital: 2007-11-26 - David M. Daussat, tuba, audio recording, November 26, 2007; Denton, Texas. (https://digital.library.unt.edu/ark:/67531/metadc52439/: accessed October 5, 2022), University of North Texas Libraries, UNT Digital Library, https://digital.library.unt.edu; crediting UNT Music Library.

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