A Pedagogical and Methodical Approach to Unaccompanied Euphonium Literature Through Performance and Analyses of Original Works by Torstein Aagaard-nilsen

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Original unaccompanied literature currently stands as one of the most understudied bodies of music in the euphonium repertory. This is largely due to a lack of access to reference recordings, live performances, and study/performance guides. Many of the commissioning projects for new euphonium music in the late 20th and early 21st centuries have promoted the composition of large scale works for euphonium and large ensembles, but very few have generated new unaccompanied pieces for euphonium. Many of the most recent commissions for unaccompanied euphonium music have been for competitions such as the Lieksa Brass Festival (Finland) and Leonard Falcone International … continued below

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Nyren, Patrick J. August 2013.

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  • Nyren, Patrick J.

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Original unaccompanied literature currently stands as one of the most understudied bodies of music in the euphonium repertory. This is largely due to a lack of access to reference recordings, live performances, and study/performance guides. Many of the commissioning projects for new euphonium music in the late 20th and early 21st centuries have promoted the composition of large scale works for euphonium and large ensembles, but very few have generated new unaccompanied pieces for euphonium. Many of the most recent commissions for unaccompanied euphonium music have been for competitions such as the Lieksa Brass Festival (Finland) and Leonard Falcone International Festival (USA). These competitions are also where many students get their only exposure to the unaccompanied repertoire. Unfortunately, there is a small number of standard unaccompanied works that are continuously recycled for these competitions and the exposure to new pieces in the repertoire is further diminished for many developing euphoniumists. This study will examine the three works for unaccompanied euphonium by Torstein Aagaard-Nilsen and provide solutions for many common technical challenges and pose suggestions for approaching and preparing this genre of music. Connections are made throughout the study to specific etudes and other unaccompanied solos that can be used as complementary and precursory studies to aid in the mastery of this literature.

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Doctoral (Lecture) Recital: 2013-06-11 - Patrick Nyren, euphonium (Sound)

Doctoral (Lecture) Recital: 2013-06-11 - Patrick Nyren, euphonium

Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

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Lecture recital: June 11, 2013, ark:/67531/metadc802175

Doctoral Recital: 2011-03-26 - Patrick Nyren, euphonium (Sound)

Doctoral Recital: 2011-03-26 - Patrick Nyren, euphonium

Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

Relationship to this item: (Has Part)

Recital: March 26, 2011, ark:/67531/metadc89162

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  • August 2013

Added to The UNT Digital Library

  • March 8, 2015, 5:44 p.m.

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  • June 4, 2020, 3:31 p.m.

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Nyren, Patrick J. A Pedagogical and Methodical Approach to Unaccompanied Euphonium Literature Through Performance and Analyses of Original Works by Torstein Aagaard-nilsen, dissertation, August 2013; Denton, Texas. (https://digital.library.unt.edu/ark:/67531/metadc499997/: accessed March 21, 2023), University of North Texas Libraries, UNT Digital Library, https://digital.library.unt.edu; .

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