An Analysis of the Genesis of Motive, Rhythm, and Pitch in the First Movement of the Sonata for Two Pianos and Percussion by Béla Bartók. Page: VIII
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Ex. 11, A
First Draft of measures 217-223
(PB75FSS1, page 11)
Ex. 11, B
Published Version
(pages 26-27, measures 217-223)
Ex. 12, A
First Draft of measures 16-17
(PB75FSS1, page 2)
Ex. 12, B
Published Version
(pages 6-7, measures 12-18)
Ex. 13, A
First Draft of measures 326-333
(PB75FSS1, page 16)
Ex. 13, B
Published Version
(page 40, measures 326-333)
Ex. 14, A
First Draft of measures 332-352
(PB75FSS1, page 16)
Ex. 14, B
Published Version
(pages 40-41, measures 332-352)
Ex. 15, A
First Draft of measures 430-432
(PB75FSS1, page 19)
Ex. 15, B
Published Version
(pages 48-49, measures 422-432)
Ex. 16, A
First Draft of measures 1-11
(PB75FSS1, pages 1-2)
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Ujj-Hilliard, Emöke. An Analysis of the Genesis of Motive, Rhythm, and Pitch in the First Movement of the Sonata for Two Pianos and Percussion by Béla Bartók., dissertation, May 2004; Denton, Texas. (https://digital.library.unt.edu/ark:/67531/metadc4480/m1/9/: accessed April 19, 2024), University of North Texas Libraries, UNT Digital Library, https://digital.library.unt.edu; .