An Analysis of the Genesis of Motive, Rhythm, and Pitch in the First Movement of the Sonata for Two Pianos and Percussion by Béla Bartók. Page: Title Page
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AN ANALYSIS OF THE GENESIS OF MOTIVE, RHYTHM, AND PITCH IN THE FIRST
MOVEMENT OF THE SONATA FOR TWO PIANOS AND PERCUSSION BY BELA BARTOK
Em6ke Ujj-Hilliard, B.M., M.M.
Dissertation Prepared for the Degree of
DOCTOR OF MUSICAL ARTS
UNIVERSITY OF NORTH TEXAS
Pamela Mia Paul, Major Professor and Program
Timothy Jackson, Minor Professor
Adam Wodnicki, Committee Member
John Scott, Dean of the College of Music
Sandra L. Terrell, Interim Dean of the Robert B.
Toulouse School of Graduate Studies
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Ujj-Hilliard, Emöke. An Analysis of the Genesis of Motive, Rhythm, and Pitch in the First Movement of the Sonata for Two Pianos and Percussion by Béla Bartók., dissertation, May 2004; Denton, Texas. (digital.library.unt.edu/ark:/67531/metadc4480/m1/1/: accessed August 16, 2018), University of North Texas Libraries, Digital Library, digital.library.unt.edu; .