Proserpine

Description

Libretto of the opera "Proserpine," by Philippe Quinolt; the plot is based on the story of the abduction of Proserpine and her descent into Hades, and also on Ovid's Metamorphoses, its original source. In the plot, Cerés, the goddess of the earth, summons the nymph Aréthuse to guard her daughter Proserpine. Aréthuse protests, and tells Cerés of her love for Alphée, the river god, but the anxious mother warns her she should not let her own feelings interfere with the assigned task. Alphée assumes that Aréthuse abandoned him to look after Proserpine. Taking advantage of the situation, Ascalaphe, Pluto's envoy, ... continued below

Physical Description

80 p. : ill. ; 22 cm.

Creation Information

Quinault, Philippe, 1635-1688. 1680.

Context

This book is part of the collection entitled: Virtual Music Rare Book Room and was provided by UNT Music Library to Digital Library, a digital repository hosted by the UNT Libraries. It has been viewed 216 times . More information about this book can be viewed below.

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Publisher

  • Christophe Ballard
    Publisher Info: Par Christophe Ballard, seul imprimeur du Roy pour la musique, rüe Saint Jean de Beauvais, au Mont-Parnasse.
    Place of Publication: Paris, France

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Description

Libretto of the opera "Proserpine," by Philippe Quinolt; the plot is based on the story of the abduction of Proserpine and her descent into Hades, and also on Ovid's Metamorphoses, its original source. In the plot, Cerés, the goddess of the earth, summons the nymph Aréthuse to guard her daughter Proserpine. Aréthuse protests, and tells Cerés of her love for Alphée, the river god, but the anxious mother warns her she should not let her own feelings interfere with the assigned task. Alphée assumes that Aréthuse abandoned him to look after Proserpine.

Taking advantage of the situation, Ascalaphe, Pluto's envoy, encourages Alphée's belief in Aréthuse's supposed infidelity; then, persuades both Alphée and Aréthuse into letting Pluto watch over Proserpine. Alphée and Aréthuse agree and as the lovers' attention wanders, Pluto seizes Proserpine and abducts her.

Cerés learns of her daughter's abduction and in despair decides to withhold her gifts that give earth prosperity. When Alphée and Aréthuse finally reach Proserpine, they find that she has already eaten of the grain and tasted the fruit of the underworld, which condemned her to Pluto's control. Proserpine begs Pluto for mercy, but the love-stricken god refuses to free her.

Pluto summons his judges and three furies, who support his claim to keep Proserpine with him, even at the cost of bringing devastation to earth. As Cerés laments, Alphée and Aréthuse approach to tell her that Proserpine is held by Pluto and that she is now the queen of the underworld. Cerés calls Jupiter and demands the return of daughter. Mercure descends and tells Cerés that the gods heard her plea and reached a compromise to allow Proserpine to be Pluto's wife and queen, while spending several months of each year with her mother.

The title page contains a lithograph illustration of a winged young Pluto wearing a crown and ridding a horse chariot while holding a two-pronged spear. It includes an engraved frontispiece titled, "Proserpine" by Jean le Pautre.

Physical Description

80 p. : ill. ; 22 cm.

Notes

Full title as it appears on the title page: "Proserpine, tragedie en musique ornée d'entreés de ballet, de machines, & de changements de theatre. Representée devant sa Majesté à Saint Germaine en Laye le troiseéme fevrier 1680."


Pages 16, 17 and 18 are numbered incorrectly as 78, 37, and 16, respectively.


Jean-Baptiste Lully composed the music for the opera, which premiered at St. Germain-en-Laye in February of 1680.

Subjects

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Source

  • Amadis : tragedie en musique : representée par l'Academie royalle de musique., ML47.L95 1681, 1681

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Relationships

  • Is part of [Collection of Eleven Operas: Le triomphe de l'amour; Coronis: pastorale heroïque; Isis: tragedie en musique; Amadis: tragedie en musique; Phaeton: tragedie en musique; Proserpine: tragedie en musique; Zephire et Flore: opera; Thetis et Pelée: tragedie en musique; Enée et Lavinie: tragedie en musique; Astrée: tragedie; Roland: tragedie en musique], ark:/67531/metadc11804

Collections

This book is part of the following collection of related materials.

Virtual Music Rare Book Room

The Virtual Music Rare Book Room is composed primarily of digitized materials held in the UNT Music Library's Edna Mae Sandborn Music Rare Book Room. The collection is particularly strong in eighteenth-century French opera, due in large part to the influence of musicologist Lloyd Hibberd on the development of the collection.

Related Items

[Collection of Eleven Operas: Le triomphe de l'amour; Coronis: pastorale heroïque; Isis: tragedie en musique; Amadis: tragedie en musique; Phaeton: tragedie en musique; Proserpine: tragedie en musique; Zephire et Flore: opera; Thetis et Pelée: tragedie en musique; Enée et Lavinie: tragedie en musique; Astrée: tragedie; Roland: tragedie en musique] (Musical Score/Notation)

[Collection of Eleven Operas: Le triomphe de l'amour; Coronis: pastorale heroïque; Isis: tragedie en musique; Amadis: tragedie en musique; Phaeton: tragedie en musique; Proserpine: tragedie en musique; Zephire et Flore: opera; Thetis et Pelée: tragedie en musique; Enée et Lavinie: tragedie en musique; Astrée: tragedie; Roland: tragedie en musique]

This book contains a collection of librettos for ballets, tragedies and opera staged for Louis XIV from ca. 1680-1691. The works reflect the collaboration of Jean-Baptiste Lully and dance masters and librettists in the court of Louis XIV. The following French dramatic works are included in the collection: Le triomphe de l'amour; Coronis; Isis; Amadis; Phaeton; Proserpine; Zephire et Flore; Thetis et Pelée; Enée et Lavinie; Astrée; and Roland.

Is part of [Collection of Eleven Operas: Le triomphe de l'amour; Coronis: pastorale heroïque; Isis: tragedie en musique; Amadis: tragedie en musique; Phaeton: tragedie en musique; Proserpine: tragedie en musique; Zephire et Flore: opera; Thetis et Pelée: tragedie en musique; Enée et Lavinie: tragedie en musique; Astrée: tragedie; Roland: tragedie en musique], ark:/67531/metadc11804

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Creation Date

  • 1680

Added to The UNT Digital Library

  • Aug. 1, 2011, 10:42 a.m.

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Citations, Rights, Re-Use

Quinault, Philippe, 1635-1688. Proserpine, book, 1680; Paris, France. (digital.library.unt.edu/ark:/67531/metadc39284/: accessed September 26, 2017), University of North Texas Libraries, Digital Library, digital.library.unt.edu; crediting UNT Music Library.