Doctoral Recital: 2007-01-29 - Julie M. Licata, percussion

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Description

Recital presented at the UNT College of Music Recital Hall in fulfillment of the Doctor of Music Arts (DMA) degree

Creation Information

Licata, Julie M. January 29, 2007.

Context

This audio recording is part of the collection entitled: College of Music Recordings and was provided by UNT Music Library to Digital Library, a digital repository hosted by the UNT Libraries. It has been viewed 74 times . More information about this recording can be viewed below.

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UNT Music Library

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Titles

  • Main Title: Doctoral Recital: 2007-01-29 - Julie M. Licata, percussion
  • Series Title: Doctoral Recitals

Degree Information

Description

Recital presented at the UNT College of Music Recital Hall in fulfillment of the Doctor of Music Arts (DMA) degree

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Relationships

  • Physical Gesture, Spatialization, Form and Transformation in Watershed I/IV, for Solo Percussion and Real-time Computer Spatialization, by Roger Reynolds - ark:/67531/metadc12153

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College of Music Recordings

The College of Music Recordings include doctoral, ensemble, faculty, guest, and senior recitals from the UNT College of Music. Access to these recordings is restricted to the UNT community.

Related Items

Physical Gesture, Spatialization, Form and Transformation in Watershed I/IV, for Solo Percussion and Real-time Computer Spatialization, by Roger Reynolds (Thesis or Dissertation)

Physical Gesture, Spatialization, Form and Transformation in Watershed I/IV, for Solo Percussion and Real-time Computer Spatialization, by Roger Reynolds

Watershed I/IV, for Solo Percussion and Real-time Computer Spatialization was composed in 1995 by Pulitzer prize-winning composer Roger Reynolds. This work is a 25-minute choreographed music drama for one multiple-percussionist, in which Reynolds incorporates the musical transformation of percussion instrument families, the physical gestures of the performer, and the spatialization of processed sounds around the audience. This dissertation addresses several aspects of Watershed, which include: the expressive intent and extra-musical concepts; the formal organization, and several non-musical tools that Reynolds utilized in designing the piece (e.g. logarithmically derived sequences); the primary musical motives; the instrument setup and how the resulting physical gestures contribute to the musical intent; and the real-time computer spatialization. Throughout the document, specific musical passages are demonstrated with notated musical examples and embedded video/audio clips. In addition, transcripts of my interviews with composer Roger Reynolds, percussionist Steven Schick (premiere performer of Watershed) and engineer/technician Greg Dixon (engineer for my performances of Watershed IV) are also included.

Physical Gesture, Spatialization, Form and Transformation in Watershed I/IV, for Solo Percussion and Real-time Computer Spatialization, by Roger Reynolds - ark:/67531/metadc12153

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Creation Date

  • January 29, 2007

Added to The UNT Digital Library

  • Nov. 8, 2007, 5:35 p.m.

Description Last Updated

  • March 17, 2017, 4:59 p.m.

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Licata, Julie M. Doctoral Recital: 2007-01-29 - Julie M. Licata, percussion, audio recording, January 29, 2007; Denton, Texas. (digital.library.unt.edu/ark:/67531/metadc3894/: accessed November 20, 2018), University of North Texas Libraries, Digital Library, digital.library.unt.edu; crediting UNT Music Library.