Selected Contemporary Performance Problems as Found in Karel Husa's Sonata No. 2 for Piano

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The purpose of this study is to identify some of the performance problems associated with contemporary piano music, using the Sonata No. 2 for Piano by Karel Husa (1921 - ) as the basis for the discussion. In so doing, this study identifies Karel Husa as an important contributor to twentieth century piano repertoire. Personal interviews and correspondence with the composer provided biographical, analytical, and stylistic insight for this study. Supplemental information on Karel Husa was obtained from journals, newspaper articles, and dissertations. The first chapter provides biographical information gleaned from the interview, with emphasis on Husa's keyboard compositions and ... continued below

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viii, 72 leaves: music

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Humm, Mary Mosher May 1990.

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  • Humm, Mary Mosher

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Description

The purpose of this study is to identify some of the performance problems associated with contemporary piano music, using the Sonata No. 2 for Piano by Karel Husa (1921 - ) as the basis for the discussion. In so doing, this study identifies Karel Husa as an important contributor to twentieth century piano repertoire. Personal interviews and correspondence with the composer provided biographical, analytical, and stylistic insight for this study. Supplemental information on Karel Husa was obtained from journals, newspaper articles, and dissertations. The first chapter provides biographical information gleaned from the interview, with emphasis on Husa's keyboard compositions and early compositional influences. The second chapter offers a detailed formal analysis of the Sonata No. 2 from the perspective of motivlc development and cyclic unity. The final three chapters focus on twentieth century performance problems as exemplified in Karel Husa's Sonata No. 2 for Piano. In Chapter 3, the discussion of notation provides a general background on notational developments in pitch and rhythm in the twentieth century, with the Sonata illustrating these procedures. The fourth chapter concentrates specifically on Husa's individual rhythmic language. The final chapter is devoted to Husa's coloristic use of the piano, addressing his unique contributions to the tonal and timbral resources of the instrument. Innovations in dynamic gradations, playing inside of the piano, and extensive use of all three pedals are discussed, as well as the special techniques required to achieve these sounds. In all the chapters, musical examples from the Sonata Illustrate the discussion, and reprinted by permission from the publisher. Throughout the dissertation, Karel Husahas provided Invaluable assistance and insight thus offering readers an important link to both the Sonata No. 2 and the composer himself.

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viii, 72 leaves: music

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Doctoral Recital: 1989-11-13 - Mary Mosher Humm, piano (Sound)

Doctoral Recital: 1989-11-13 - Mary Mosher Humm, piano

Recital presented at the UNT College of Music Concert Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

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Doctoral Recital: 1986-11-10 - Mary Mosher Humm, piano (Sound)

Doctoral Recital: 1986-11-10 - Mary Mosher Humm, piano

Recital presented at the UNT College of Music Concert Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

Relationship to this item: (Has Part)

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  • May 1990

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  • Aug. 22, 2014, 6 p.m.

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  • Oct. 1, 2017, 9:33 p.m.

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Citations, Rights, Re-Use

Humm, Mary Mosher. Selected Contemporary Performance Problems as Found in Karel Husa's Sonata No. 2 for Piano, dissertation, May 1990; Denton, Texas. (digital.library.unt.edu/ark:/67531/metadc330721/: accessed October 22, 2017), University of North Texas Libraries, Digital Library, digital.library.unt.edu; .