In Nomine Domini Metadata

Metadata describes a digital item, providing (if known) such information as creator, publisher, contents, size, relationship to other resources, and more. Metadata may also contain "preservation" components that help us to maintain the integrity of digital files over time.

Title

  • Main Title In Nomine Domini

Creator

  • Author: Crowley, Timothy R. (Timothy Robert)
    Creator Type: Personal

Contributor

  • Chair: Austin, Larry
    Contributor Type: Personal
    Contributor Info: Major Professor
  • Committee Member: Clark, Thomas Sidney
    Contributor Type: Personal
  • Committee Member: McTee, Cindy, 1953-
    Contributor Type: Personal
  • Committee Member: Warde, William Booth, Jr.
    Contributor Type: Personal

Publisher

  • Name: University of North Texas
    Place of Publication: Denton, Texas

Date

  • Creation: 1995-08

Language

  • English

Description

  • Content Description: In Nomine Domini is an eighteen-minute composition for two chamber orchestras with two soloists using real-time interactive signal processing techniques. The first chamber orchestra is scored for flute (piccolo), English horn, trumpet in C, trombone, two percussionists (cowbells, wood blocks, tenor drum, suspended cymbal, gongs, tam-tam, temple blocks, tambourine, snare drum, timbales, and bass drum), horn in F (soloist), viola, and string bass. The second chamber orchestra is scored for oboe, clarinet in Bb (bass clarinet in Bb), bassoon, tuba, two percussionists (crotales, two marimbas, vibraphone, chimes, and tom-toms), piano (soloist), violin, and cello. Real-time interactive signal processing techniques are achieved through the use of a stereo multiple-effects signal processor and a personal computer running MIDI interactive software. The work is based upon the four-hundred and seventy-five year old in nomine composition tradition begun by John Taverner in the Benedictus of his Mass Gloria tibi Trinitas (1520) and continued in over one-hundred and fifty Renaissance settings. In Nomine Domini consists of three movements: "Taverner* derived from the Benedictus of the Mass Gloria tibi Trinitas (1520), "Byrd" derived from the Benedictus of William Byrd's Five-voice Mass (1592), and "Tye" derived from Christopher lye's In Nomine XIII "Trust" (1578). In Nomine Domini applies the English art of change ringing and three computer-assisted composition techniques: stochastic processes, fractal applications, and conditional probabilities.
  • Physical Description: 1 score (lxxiv, 108 leaves) : ill.

Subject

  • Keyword: music composition
  • Keyword: chamber orchestras
  • Library of Congress Subject Headings: Chamber orchestra with electronics -- Scores.
  • Library of Congress Subject Headings: Variations (Chamber orchestra)
  • Library of Congress Subject Headings: Horn and piano with chamber orchestra -- Scores.

Collection

  • Name: UNT Theses and Dissertations
    Code: UNTETD

Institution

  • Name: UNT Libraries
    Code: UNT

Rights

  • Rights Access: public
  • Rights License: copyright
  • Rights Statement: Copyright is held by the author, unless otherwise noted. All rights reserved.
  • Rights Holder: Crowley, Timothy R. (Timothy Robert)

Resource Type

  • Thesis or Dissertation

Format

  • Text

Identifier

  • Call Number: 379 N81d no.4139
  • UNT Catalog No.: b1964884
  • Accession or Local Control No: 1002726113-crowley
  • Archival Resource Key: ark:/67531/metadc279249

Degree

  • Degree Level: Doctoral
  • Degree Grantor: University of North Texas
  • Degree Name: Doctor of Musical Arts
  • Academic Department: College of Music
  • Degree Discipline: Composition

Note