The Baroque Guitar : Late Spanish Style as Represented by Santiago de Murcia in the Salvidar Manuscript (1732), with Three Recitals of Selected Works by Bach, Rak, Brouwer, Hummel, Gnattali and Others

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xxii, 169 leaves : ill.

Physical Description

The study comprises an examination of late Spanish baroque guitar style as represented in the Saldivar Manuscript, the recently rediscovered companion volume to Santiago de Murcia's five-course guitar tablature Passacalles y obras de guitarra of 1732.

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Yates, Stanley December 1993.

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  • Yates, Stanley

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Description

xxii, 169 leaves : ill.

Physical Description

The study comprises an examination of late Spanish baroque guitar style as represented in the Saldivar Manuscript, the recently rediscovered companion volume to Santiago de Murcia's five-course guitar tablature Passacalles y obras de guitarra of 1732.

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UNT Theses and Dissertations

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  • December 1993

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  • March 26, 2014, 9:30 a.m.

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  • Dec. 11, 2014, 2:19 p.m.

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Citations, Rights, Re-Use

Yates, Stanley. The Baroque Guitar : Late Spanish Style as Represented by Santiago de Murcia in the Salvidar Manuscript (1732), with Three Recitals of Selected Works by Bach, Rak, Brouwer, Hummel, Gnattali and Others, dissertation, December 1993; Denton, Texas. (digital.library.unt.edu/ark:/67531/metadc278964/: accessed April 21, 2018), University of North Texas Libraries, Digital Library, digital.library.unt.edu; .