The Baroque Guitar : Late Spanish Style as Represented by Santiago de Murcia in the Salvidar Manuscript (1732), with Three Recitals of Selected Works by Bach, Rak, Brouwer, Hummel, Gnattali and Others

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xxii, 169 leaves : ill.

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The study comprises an examination of late Spanish baroque guitar style as represented in the Saldivar Manuscript, the recently rediscovered companion volume to Santiago de Murcia's five-course guitar tablature Passacalles y obras de guitarra of 1732.

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Yates, Stanley December 1993.

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xxii, 169 leaves : ill.

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The study comprises an examination of late Spanish baroque guitar style as represented in the Saldivar Manuscript, the recently rediscovered companion volume to Santiago de Murcia's five-course guitar tablature Passacalles y obras de guitarra of 1732.

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  • December 1993

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  • March 26, 2014, 9:30 a.m.

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Thumbnail image of item number 1 in: 'The Baroque Guitar : Late Spanish Style as Represented by Santiago de Murcia in the Salvidar Manuscript (1732), with Three Recitals of Selected Works by Bach, Rak, Brouwer, Hummel, Gnattali and Others'.
Thumbnail image of item number 2 in: 'The Baroque Guitar : Late Spanish Style as Represented by Santiago de Murcia in the Salvidar Manuscript (1732), with Three Recitals of Selected Works by Bach, Rak, Brouwer, Hummel, Gnattali and Others'.
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Yates, Stanley. The Baroque Guitar : Late Spanish Style as Represented by Santiago de Murcia in the Salvidar Manuscript (1732), with Three Recitals of Selected Works by Bach, Rak, Brouwer, Hummel, Gnattali and Others, dissertation, December 1993; Denton, Texas. (https://digital.library.unt.edu/ark:/67531/metadc278964/: accessed September 15, 2024), University of North Texas Libraries, UNT Digital Library, https://digital.library.unt.edu; .

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