A Transcription of Op. 94 Morceau de Concert, by Camille Saint-Saëns For Solo Bass Trombone and Brass Ensemble

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The transcription is an addition to the repertoire for brass ensemble and bass trombone. Consideration is given to the nineteenth-century orchestration treatises of Berlioz and Strauss as well as the twentieth-century texts of Erik Leidzén, Walter Piston, and Samuel Adler. The transcription process is shaped by the principles of these writers. The score is contained in the appendix.

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Woods, Christopher P. May 2001.

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This dissertation is part of the collection entitled: UNT Theses and Dissertations and was provided by UNT Libraries to Digital Library, a digital repository hosted by the UNT Libraries. It has been viewed 179 times . More information about this dissertation can be viewed below.

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  • Woods Christopher P

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The transcription is an addition to the repertoire for brass ensemble and bass trombone. Consideration is given to the nineteenth-century orchestration treatises of Berlioz and Strauss as well as the twentieth-century texts of Erik Leidzén, Walter Piston, and Samuel Adler. The transcription process is shaped by the principles of these writers. The score is contained in the appendix.

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  • May 2001

Added to The UNT Digital Library

  • Sept. 25, 2007, 9:33 p.m.

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  • June 9, 2008, 1:02 p.m.

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Citations, Rights, Re-Use

Woods, Christopher P. A Transcription of Op. 94 Morceau de Concert, by Camille Saint-Saëns For Solo Bass Trombone and Brass Ensemble, dissertation, May 2001; Denton, Texas. (digital.library.unt.edu/ark:/67531/metadc2740/: accessed July 27, 2017), University of North Texas Libraries, Digital Library, digital.library.unt.edu; .