Good afternoon, everyone.
Thank you for taking the time out of your busy
schedule to come to my lecture's title.
The title of my lecture is A Balloon Scholar, A
Study and Interpretive Guide to the Level of
Opportunity of Art.
A Balloon Scholar is the title of one of the
parts best known in most of the other songs.
The title is a word for art found in Korea,
which I'm going to discuss in detail later in
this edition.
By the end of the presentation, the audience
will be able to, number one, discuss, describe
Jinhu Han's biography, identify the means for
international Korean-Soviet competence,
often known as ICPA, demonstrate the sound Su,
which is represented by the different
important here, and explain Park's
compositional techniques in the movie.
So why Korean art films? With the help of the
internet, they are having a rapid global
transition of the Korean culture since the
1990s. A word would even point to explain
this phenomenon. Korean wave. The Korean wave
has been heavily influencing culture,
music, film, television, and even the behavior
of people on a global level.
Here's an example. Most of you in this room
have probably heard of the YouTube sensation
Hangang Style for a period of time. It was the
most viewed video on YouTube in 2012 with
over 3 billion views. In fact, YouTube had to
renew their hoping to accommodate such
The signature dance moves in the video have
been attempted by politicians including Barack Obama,
British Prime Minister David Cameron, United
Nations Secretary-General Aung San Suu Kyi,
who held it as a force for world peace.
But unfortunately, the Korean wave has not
extended to the field of classical music.
When I was interested in working for this
position, I found out that major Western Indian
stores, including Tender, Tall Letter, and Call
for Shirt, do not sell any Korean art films.
Our own school, UNT, which ranks among the top
14 Indian schools in the U.S., only has two anthologies.
And even that, I have to specially order it
because it was stored in a little storage to
get to the water before I had a hand on it.
Namunam, which is supposed to have absolutely
everything that we need,
it only, when I researched for Korean art
forms, it filled in just one anthology.
And even that, even the title was in English,
the explanation was all completely in Korean.
So unless you're a Korean speaker or you know
the exact anthology,
you wouldn't even know what it is and where it
was purchased.
In 2017, Classical Role in Brooklyn published
Korean art as an anthology, and that's a huge
improvement, but there is still a big need and
a major opportunity to extend the Korean way to
the classical field.
Some international artists like Priscilla
Domingo and Angela Boyle have come from a creative
are helping to pass. They both have found
themselves hiding in a diamond mountain. In
their concert, Domingo apologizes and points to
him for his bad pronunciation.
But someone at his level and his ability to do
all of his things in the best way as possible.
So for Domingo to apologize for that,
there must not have been enough resources to
properly research the song's lyrics and the pronunciation.
Four of the recordings of the theme song are
singing songs of the world.
The song again is called Hiding for Diamond Mountains.
The Diamond Mountains is called Geumgangsan in Korean.
Geumgang means diamond, and Dan means mountain.
The shooting is a breath between geum and Dan.
It's kind of like saying diamond mountains.
So these observations are not in any way to
criticize the artist
are attempting to bring a wide variety of
repertoire into the Western classical world.
But rather, I'd like to thank them and also
highlight the need for the means of Korean
repertoire and performance guides.
I'd like to talk a little bit about the Korean
art form.
It's also known as Kado.
Unfortunately, or however, there is confusion
between Korean and English because the word
The word kawook is used both for the earth's
prophetic genre and Korean art form.
For the purpose of my presentation, I will only
be referring to the Korean art form genre.
So you can think of it as German meme, French
metal meme, and Korean kawook.
I'd like to talk a little bit about the history
and explanation on kawook.
The Khabo Chana mainly utilizes western style
and harmony. It started to be written in the
1920s, with Korean composers adopting western
music theory as part of the modernization process.
Khabo's lyrics are often sentimental and
nostalgic. Example is Awesome Flower by Man Ah Hong.
In the song, the narrator tells the balsam
flower how beautifully it has blossomed in the summer.
However, the fall and winter comes with a storm
in the wind.
The balsam flower is pitiful, but there is hope
for spring and re-birth of flowers.
Although talking about flowers, indirectly, it
expresses the sorrow and bitterness of a Korean
school living under Japanese tyranny.
During the period of Japanese imperialism, any
manifestation of the Korean culture, including
music, was professed.
The Bokken flower, meaning 12 measures in
length, was a symbol of morality and harmony,
and became the national song for resistance
against Japanese imperialism.
Sorry about that.
Youngta Choi is another important composer of Bravo.
He is the one who composed Time Before Heaven Mountain,
which I mentioned earlier. Choi studied abroad
at the University of
Music and Performance Arts in Vienna and
returned to Korea in
1964. He composed Time Before Heaven Mountain in
1962. It is in the style of German Romanticism.
It is interesting to point out that this was
almost 100 years after the 19th century got to
the 18th and 19th centuries.
During the 1916s and the 1970s, Korea underwent
rapid modernization and westernization.
Korean art song composers endeavored to compose
in the Western musical style, and singers also
preferred to sing Western music for house.
1980s were full of social-political upheaval as
South Korea worked to rebuild the war-torn
Soviet economy and find its presidency as a
culture independent of the West.
The two parts come from this era.
He was born in 1973, and he has written
numerous compiled musicals including Chogon-Ryeol,
which was translated to my home country using
traditional Korean instruments and notes.
But for parts who were also educated in the West,
his songs mainly utilized Western Manmi.
When you listen to his art, you may get to hear
and recognize his style,
but you wouldn't know that he is South Korean
based on his music.
So, there are many new art compilations in
Korea right now,
now, but why did I pick Jumbo Park? Park was
born in 1973 in South Korea, and he studied
after going to junior high school, but in his
own words, he said he felt like he was
a romantic billionaire. But he got into it, and
he decided to study composition instead.
He goes on to study composition at Tarnam
University. There, he meets
Professor Ha-Seul Yoon. Professor Yoon is a
pioneer and creator of Singaporean music in
South Korea.
He has led the legendary World Vision
Children's Choir that travels internationally,
and from that choir came international artists,
including Ha-Seul Park,
who has been working regularly at the
International Music Awards,
and many other artists, singers, classical
music singers, and professors.
Park went on to listen to Cole's performances
on TV Claire as a high school student.
He realized later that those recordings were
prior to that by Professor Yoon.
He was in fact so influenced by Professor Yoon
that he decided to change his major for
competition to perform about Yoon.
Professor Yoon is known for his tradition of
creative optics called Hanbok.
And you can see that in the picture, right there.
The other picture is Karp turning from a
performance in the States to his half-year.
And as you can see, Karp is also very humble.
You can see that he is not just humanly, but
also in every performance, etiquette, in every area.
He is very influenced by his professor, Kim.
While attending university, Parklet announced
her fire hoping to invoke the introits of the Presidium.
During this time, it also happens to be the
first anniversary of the death of Pastor Tom
Chiu Han.
Reverend Han is a figure like Billy Graham in Korea.
In fact, Reverend Han, Billy Graham, and Mother
Teresa are all members of the Temple Society.
It's a very prestigious award given to a living
religious figure each year.
And so going back to Professor Hughes, upon
hearing Hart's in-choice, he's invited Hart to
write the entire epitome of the first
anniversary of the death of Reverend Hart.
The memorial service was a six-day event, which
included lectures and presentations by South
Korea's leading professors of the influence of
South Korea,
a concert led by Professor Hughes himself, and
the attendees included leading international
Christian figures.
Hart considers this to be the beginning of the
composition journey.
Park went on to receive his Master's Degree in
Choreography at Colorado State University, and
he is currently a newbie, all-artistician, at
the Copernican University of Arizona.
Park has participated successfully in
international competitions at the World Choir
Games in 2016 in China and has won the Grand
Prix at the Wuhan Song Choir Festival in
Germany, conducting its own competition, a
spring date in the Korean Games.
Lucinda Correll, which is an award-winning
professional forester in Orange County,
California, recently performed Hart's Gloria by
Lisa Berger's No. 2 Lightning Club Mass in
their 2,017-2,018 evening.
Hart has also led his choir in singing his own
composition, The Fisherman's Song, at the 2016
A2B Convention in Salt Lake City to a standing ovation.
Part of that being one of South Korea's best
professional fire, Suwon Seul-Gu, founded in 1983,
Suwon Seul-Gu served as an ambassador to Korea
and has been invited by the English Conference
International in New York
to perform at the Alley Hall Hall in 2013.
His another song, A Balloon Flower, has been
published in the official South Korean Junior
High School textbook.
When we search for a guitarist's music on
YouTube, there are common performances from
many parts of the world, including Milan, Hong
Kong, Singapore, and much more.
T.A.R.T. has been promoting a lot of folk music
in terms of its oral character, but Amy will be
in this interview that she's writing more
studio for folk music and that she plans to
write more for folk music.
So we have a lot more to explore today.
Before you talk about arts and music, I'd like
to give you some basics of the Korean language.
Hangul is the name for Korean alphabet and
there are 19 octaves and 21 vowels in the
Korean alphabet.
If you are a singer here, you probably use ICA
when learning to sing a song in a foreign language.
ICA stands for International Poetic Alphabet.
They are symbols that correlate to a certain
sound, so that by reading this sentence in
symbols, one can see what's being in any language.
Here are some examples of Korean words
transcribed in ICA.
This is a Korean word for grass.
The is activated like a in English words paper.
And this is a Korean word for corn, but it's
hard and doubled like in Italian words like bello.
Okay, I'm sorry about that.
This has minor tones.
So, the next one, Mul.
This is the word for fire.
If you and a guy came, you would pronounce it
something like Bul.
However, that is too harsh, and instead, the
mean should be essentially voiceless with
with a small amount of aspirations, something like .
As you can see, the I.O.P.A. for , which means
grass, and , which means corn, are exactly the same,
even though they are clearly two very different
values and completely different meanings.
Here's another example.
Chada, chada means cold, Jjada means salty, and
Jjada means clean.
Again here, Chada, Jjada, they share the exact
same idea even though they are completely
different sounding different words.
So, does that mean you should never ever sing
in Korean if you don't know the language or if
you don't have any friends or any resources
that can help you with Korean?
That is not true, because we have the
International Korean Phonetic Baccalaureate.
It was published in 1971 by Dr. Campbell Gates
of Seoul National University.
He uses the critical marks, which are these
extra marks on the top, to represent the various
shades of speech sounds in Korean.
Here is the IPA in Asian.
The IPA is in red and in parentheses, and the
IPA is in green and in brackets.
The word for crack, , uses the phonetic term
and the superscript is small p on top to
represent, to show the aspiration.
So it is .
The posture of the aspirant, , right here, it
creates a pressure behind your lip which
eventually explodes.
So this is for the word .
So the next word, , is to create a sound which
is almost voiceless with a small amount of
aspiration and no consistent.
I would say it uses a very small p, like this.
So it's not , but it's .
Gentle, ever so slight aspiration.
In the same way, the school's script, age,
makes them sound in Tada, in Ko, and the posture
can be a bit hard, Tada, and the sin makes it
into Tada, ever so gentle.
The letter C is a bit confusing. It took me a
long time to process it in my mind and get used
to it because we don't actually use the letter
C in the IPA.
But just know that it's a sound somewhere
between chip and Joe.
Somewhere between these two things.
Here is a chart of the Korean alphabet with
both the ICA and ICA-T.
The OO vowel, or the trigger vowel in Korean,
is like a mutual schwa with the mouth opening
on the T.
So it is something like this, OO, OO.
Unfortunately, as you can see in my own jaw,
that it is not conducive to a free vocal progression.
There's too much jaw tension to say the word .
So in order to clear up the jaw in the sound, I
recommend that singers westernize the sound by
using an O in the vowel instead of .
So for example, the word sky in Korean, which I
use quite often in work music, is .
But instead of , you should open it up with
this lowly vowel, .
The finance placeholder is another special rule
in Korean happiness.
So before I explain the finance placeholder,
And then I'm going to take a little bit of my vowel.
So as you can see, that's Ya, O, Ya.
But when you have vowels, you don't have to add
all of them.
You can always use your consonants.
So you add that little circle consonant,
but it does nothing to it.
That's why it's called a diamond.
Just take a little bit.
So now we are ready to move on to the novel of
Stephen Hart.
So all of the following six novels of Stephen
Hart that I will talk about and sing for you
are set about nature, but they are not a cycle
or a recording of life.
Hart enjoys homes related to nature, as well as
homes that end at sadness and pain.
His philosophy in music is to create happiness,
Rose was a performer and a listener, and he
believes that feeling dropped over by music is
the highest form of happiness.
By composing about nature, sadness, and pain,
Karp creates a meaningless catharsis for his
performers and listeners.
Karp's favorite living group leaders are John
Carter and Seema Dhanush
because they are able to maintain a high level
of musicality without losing the beauty or
their feel to popular culture.
He doesn't want academic music, but he doesn't
want pop music either.
In order to make hero music without criticizing
the public or musical integrity,
Park often asks for an off-rider's bound and
techniques some more popular computational
styles in Italy.
The first film that we will talk about is Blue
Moon Flower.
Blue Moon Flower is native of East Asia
including Korea.
And there is a current theme, which I would
call Mountain Clouds, which is what I've heard
in the music.
Can you play it for me?
So you'll hear that four times throughout the piece.
The next one that I've seen come up is usually
talking about the mountain or the moon flower.
The song appears to me just describing a moon flower.
The text talks about the moon flower Mountain
which is wet with the light in the sky
and that it has to wait so long under the sky.
However, the test means that we need to apply
that training to all living under daily
oppression during the time of Japanese imperialism.
When their desired payment does not come, they
may train their folks and wait for a few days.
Waiting, longing, and hoping.
This is the climatic session of the song, the
test that before the sunset, the flower of our
lives blooms.
Par's treatment of somatic sessions is common
throughout the Par-Converter form.
The texture of the company's clothing and
feelings, and numerous after-marks that combine
with new remarks are added.
Par's endings also have recurrent characteristics.
His troubles often end with the word smorzando,
which means dying away, or multiple funicules .
Now I'd like to pause for a moment and
introduce you to my junior partner.
I will be waiting for you,
I will be waiting for you.
Choir singing
O'er the land of the free
And the home of the brave
There is enough cucumber in the Bei activi
Don't tell me that there is no more cucumber
no more cucumber
No more, no more
Don't tell me that there is no more
This is too much
This is too little Ravi
But I have to keep going away...
The next piece that I'd like to talk about is
called Mission to Return.
The poet, Eun-Hwang Lee, goes home reminiscing
about his own hometown in the city of Matan in
the south-town province of South Korea.
He gives some unusual instructions in the
beginning. He asks for the gentle sound of the
waves and he goes.
The two opening English sessions describe their
barriers and how in a raw, intimate manner,
said in stroke.
This simple, sweet melody comes to a striking
moment on measure 20 on C-sharp 5 right here.
The note is the tritone of abramatonic on the
word forget.
This powerful moment embodies the essence of
the song, the lowlyness and nostalgia.
Can you play on measure 16-21?
Now we're going to do that.
He shall be with you in a minute.
Do it.
I thank you. Amen.
Thank you.
As you heard, the moment of Esau is just a
small gesture,
and it splits away after just a short moment.
This is another characteristic of harp music.
It is not one basket of gold, all of which are
not in handy,
but rather sphinx, internet, and dirt.
Harp creates a sense of unsettlement throughout
the piece.
For example, the first note of the sonata, the
opening melody,
is on the sphinx, the fifth of the key.
One would expect the next note to be the tonic
step, but instead it goes through G, the second
scale 3, then through A, the third scale 3.
There is an immediate sense of not being quite
settled in terms of the tonality.
Part of the reading of the book describes the
narrator's desire to return to his childhood home.
Here it is, another ending of the song that
begins with Pornando, which is cut off right
there, but it's in Pornando.
And, yeah, in Filipino, again.
The next theme is Flowers in the Mountains, and
the music begins with an instruction here for you.
As a practical trained musician, we throw
around dollars all the time, so I decided
to look up the exact meaning in the dictionary.
According to all music dictionaries, there is a
meaning in performance of music by an
individual or ensemble, and there are
definitely environmental emotions that are
needed in
their performance in a way that allows the
audience to experience those emotions in a
meaningful way.
During my interview with Park, when I asked him
to describe his composition style, he replied,
I believe the melody is the most important
aspect of music, and the melody needs to
accurately express the lyrics.
His composition style is directly related to
the adverb, lyrics, and lyrics.
Also, when I asked Park to name five things he
would want to hear and attempt to paint special pictures,
will be aware of while performing the article
to be out of sight or directly related to the
term literally.
One is to understand the word accurately.
Sometimes the word can be an archaic word or it
can be a figurative language,
but one must know the exact meaning of the word.
Two is to understand the text and the ending of
what the word is saying or expressing,
and consider the three-dimensional aspects of
the word.
The heart wants the performers to know what is
underneath the underneath.
Study the colors, the social climate of the
time, and so on.
For example, by learning that the color of a
blue flower from home earlier lived through
Japanese imperialism,
it was evident that the blue flower was
actually representing the Korean people living
under Taiwan.
Number five is to align the performer's inner
energy with the language when they did it.
I believe we need a total embodiment.
This one is a little hard to conceptualize, but
I believe we need to endeavor two things with
empathy and emotional understanding for the
message of the video.
This ending doesn't stay with Morfado, but
again, this ending has that bow.
So the next piece I want to talk about is the
ocean in my heart.
The ocean is in my heart.
In the midst of the narrow earth that we have,
the ocean is inside.
He refuses to remain in the river, though a
small stream of water arrives low toward the ocean.
The poet, Yungo Kim, born 1967, wrote this
poem, and Kim was composed by Park in 2017, so
this is one of the most beautiful pieces.
The winds, rivers, and the small stream of
water may be pointing to a selfish,
insensitive, and judgmental world, but the
ocean in its heart, perhaps, alludes to the
generosity in its passions.
Socially and in large, it can break physical
and emotional barriers.
So this color here may be responding to the
infatuation of our hearts with a myriad of
problems we may be experiencing here today.
The melody lingers on on the 2nd scale in the
beginning and also on the 7th scale in
We're just hopping over the ponds and outside
going in there.
So we're going to go in there, fish out.
However, the left hand is now clear and dark in
the rain as we measure.
Heart means you're rolling between center beams
to express the chaos of the world
and endeavor to not linger in this negative energy.
Here is a spot that uses special care and also
shows that dark music is rather demanding.
So I apologize for the way the music looks, but
it actually just measures 15 and 15.
15 would have to be the last measure of one
page, because 15 was the first measure of one page.
So it looks like that. I apologize for that.
There is a sense of rush in measure 16 with the
16th note diminished 7th chord, which slows
down and dissolves the whole note 4th.
The singer enters on the road of A3. The
instrument is found drawing or abrupt with rush.
The pianist should lead the singer and sing the
last two beats on measure 16 with clearly
articulated u-har-da-do and D crescendo.
The singer should make the whole use of the
quarter lips on B1 on the 16th, the ears on the
bottom of the piano, and in terms of a little
A3 on B2 in a gentle manner.
So you need to feel for that as well. I'm going
to give you a couple more feels for that.
In this climax, the tessitura dynamics and
textures are at their peak in intensity as we
have seen before.
Part of the flow for the action and the remarks
on the routine signal on pitches and groups
include a clean flat 5.
The range is enormous and the tessitura is very
challenging, demanding a great deal of stamina
from the singer.
The singer should pace themselves for a chance
and also assist by paying attention to the rounds.
Here is the ending, with instructions more
soundly that we are very familiar with.
Now I'd like to invite the talented Kristen
Bowen to do stage 2 for us on the £3 that I
just built on.
I just want to have a non-Korean singing singer
like Kristen to sing with us to show that it is
absolutely possible for Western singers to
successfully sing parts together.
So without further ado, here's Kristen Young.
Choir singing
ND wrists
Fight Myers engagement
It's elegant ating
It lid main
Thank you.
Far, far down
Good chance I'll have
Go on, far down
Thank you.
SINGING IN ITALIAN
Oh, Jesus. Jesus.
Thank you.
I love you.
Ega sende, Kojima Naga Inna.
Piansen chine mure, Malmu Jiankidu.
Piansen Kan Kaesho, Sasonji Jiankidu.
Pianza incide Con El Palco Girandile Pianza
Incontra Il Sol Su Solice Ampire
Thank you for the good night.
Agit italiana
I don't know if you can hear me.
Now I have two more novels to talk about for you.
In this small screen, the text is by E. Nicole.
The Mary Earth compares things to a
magnificent, beautiful moon.
You have no control over nature or the moon.
Even if I close my eyes to speak, the moon is
still there.
The moon is part of my body.
might seem to have a shallow, jetless, and
clean setting on the mountainside.
In this spot as well, the total center is unclear.
There is a minor nuisance at the end of every course.
It feels to me as if it's established in the melody.
However, the harmonic underlaying centers are
on F and sometimes A minor.
It helps to paint a picture of the mysterious
family that is in bloom.
There is an interesting treatment of the music
that Park has been making. The last note of
many of the phrases ends with a hum.
For the projection verses in this hall, I will
be singing it on two ballad sets, except for
the very last note, which I will come back to later.
Park also asked for a spoken word from the word
, meaning now, at the end of the song.
The spoken word adds to the sense of mysteriousness.
I spoke to you earlier about Park's music being
stuck, that he never wanted to activate the music,
but he did not want to talk that pop music either.
So he demands a singer and a performance to
sing in a classical, operatic manner, yet the
style seems to, the music sounds like sometimes
pop music.
But this, as I just pointed out, I think music
may sound similar at times to have, to try to
have that appeal to the general public, but it
is not simplistic by any means.
In this piece, Train Cigarette Needed, there's
a large theme, a wide range of G3 to A5, and in
the measure of 16-17, there's a large theme
from the low G3 to G4, and on top of that, this
song, which is specifically in the theme for a
soprano, is the low G3, is a very, very low
note for a soprano.
So, it highlights that his reasoning sounds
simple, but it is not simplistic by any means.
Here is the climax again, which is that it is
globally challenging.
The texture of the global line rises to the
upper half of the staff.
And here we see that the English class
aftermath that I mentioned 46,000 students is
quite small,
that we utilize both on and off the combos.
The accompaniment texture becomes more than
challenging to attend once again,
to provide that needed performance there, yet
without overpowering them,
which still works really perfectly.
So ending here, the sphinx has to work more
combos and four keys,
so piano, sphinx, and pimo.
Now, I'd like to sing this for you before I
talk about the very last piece of the special title.
So, this is Queen.
Thank you.
Do you came here to see the moon,
which is the color of the moon
Then to the moon
The moonray Ji-you-ro...
I fall asleep, I turn around, I close my eyes,
Mani Turo Del Vizio
E' Il Bonté Di Un Camion
Mani Turo Del Vizio
is like a full of winds
Agwering the formal household
My point of view is totally different
Oh, how much I love you, oh, how much I love you.
Chang Geurimjaimu Daechangbo
Now you are a true shadow.
The very last poem that I will be talking about
is I Will Love Your Sheep.
Hart writes detailed musical and dramatic
instructions, and this came out of a London sheet.
It says here in the very beginning,
Right here, it says,
For soprano or pianist with a wide range and
the ability to express form,
During my interview with Hart, he said he
preferred a direct, frank, and heartfelt
expressiveness, especially when composing my
favorite text.
So this is the good evidence of that.
The second instruction, right here, says to
express the meaning of the text exceedingly.
The third instruction says to calmly transform
the meaning.
During the interview, far opposite, he likes to
give three notes to the Performer to use their
own interpretation of the song, and this is an
example of that.
There could be many different ways to translate
and apply this instruction and how they
transform the music.
Here is another one of his classics.
First, the fact is clearly musical is a thick texture.
The singer must be prudent in managing their
vocal reinforcers as the pettichord becomes
dramatically sustained at the top of the staff.
The pianist must also be attentive to offer
support to the singer without overpowering them.
Heart songs are not particularly complicated
harmonically or rhythmically, but the voice
meaning and the climaxes are demanding of any singer.
So now I'd like to sing a very nice song of my
former family tree, so this is Out of the
Boundary Tree.
Thank you.
Sejeongsoge ppajinyeo
Aboji malseum Siwona
Ju Sarang itjibodae
Bulsamhan Saetdeong Soruro
I love you.
Like a child in this world,
I am the only child in this world.
You have blessed me,
Thank you.
I'm wearing new clothes and new clothes.
He was born again.
Now I cry out to him.
He has passed away.
At my father's house,
In the name of the Father, and of the Son, and
of the Holy Spirit. Amen.
There is a need for expansion of knowledge in
the West regarding Korean River Park.
Jinwoo Park has experienced national and
international success as a global composer and
is indeed beginning to compose global music on
a larger scale.
Parts may be considered as successful mediums
in moving knowledge into different ways.
At the beginning of my presentation, we set up
the goals for the past one hour.
As we said by the end of the presentation, the
audience will be able to describe genotypes biographies,
identify the meaning for international Korean
when adopted, demonstrate the flu vowel,
which means that he would open up to an early model,
and he's playing parts, compositional, and music.
I hope that I explained these points clearly to you,
and that you're able to walk away
prepared with some of the knowledge.
So now, I hope you've been kind to answer any questions
you have to share with your family.
Okay, thank you so much again.
Thank you for your time.