Doctoral Recital: 2005-04-04 - Aaron Rader, alto and tenor trombones

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Recital presented at the UNT College of Music Concert Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

Creation Information

Rader, Aaron April 4, 2005.

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This audio recording is part of the collection entitled: College of Music Recordings and was provided by UNT Music Library to Digital Library, a digital repository hosted by the UNT Libraries. It has been viewed 11 times . More information about this recording can be viewed below.

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  • Main Title: Doctoral Recital: 2005-04-04 - Aaron Rader, alto and tenor trombones
  • Series Title: Doctoral Recitals

Degree Information

Description

Recital presented at the UNT College of Music Concert Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

Notes

"Morceaux de fantaisie, op. 3. Elégie" arranged for trombone by Victor Venglovsky edited by Joseph Alessi.

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College of Music Recordings

The College of Music Recordings include doctoral, ensemble, faculty, guest, and senior recitals from the UNT College of Music. Access to these recordings is restricted to the UNT community.

Related Items

Jean-michel Defaye’s Á La Maniére De Debussy Pour Trombone Et Piano: A Compositional Comparison To Claude Debussy’s Harmonic, Melodic, And Rhythmic Practices (Thesis or Dissertation)

Jean-michel Defaye’s Á La Maniére De Debussy Pour Trombone Et Piano: A Compositional Comparison To Claude Debussy’s Harmonic, Melodic, And Rhythmic Practices

Jean-Michel Defaye composed Á La Maniére de Debussy in 2001 as part of a series of trombone solos written to emulate the compositional styles of significant predecessors. This study compares Á La Maniére de Debussy to the harmonic, melodic, and rhythmic practices of Claude Debussy (1862–1918), an innovative French composer and recognized figure of musical Impressionism. At present, there is limited scholarship on Defaye’s Á La Maniére de Debussy and its compositionally imitative nature. The first section of this document presents a survey of historical information, current literature, and methods of examination. The second section provides biographical information on composers Jean-Michel Defaye and Claude Debussy. The third section exhibits a compositional comparison of Á La Maniére de Debussy to Debussy’s use of harmony, melody, and rhythm. The final section draws a conclusion to the piece’s importance to the trombone solo repertoire and includes an interview with French trombonist Jacques Mauger who collaborated with Defaye on Á La Maniére de Debussy. Although this document is not a performance guide, an informed performance of Á La Maniére de Debussy requires a trombonist to understand Debussy’s unique treatment of harmony, melody, and rhythm.

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Creation Date

  • April 4, 2005

Added to The UNT Digital Library

  • June 25, 2013, 12:21 p.m.

Description Last Updated

  • Oct. 6, 2017, 4:43 p.m.

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Rader, Aaron. Doctoral Recital: 2005-04-04 - Aaron Rader, alto and tenor trombones, audio recording, April 4, 2005; Denton, Texas. (digital.library.unt.edu/ark:/67531/metadc171929/: accessed November 18, 2018), University of North Texas Libraries, Digital Library, digital.library.unt.edu; crediting UNT Music Library.