Doctoral Lecture Recital: 2011-09-26 - Aaron Rader, tenor trombone

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Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

Creation Information

Rader, Aaron September 26, 2011.

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  • Main Title: Doctoral Lecture Recital: 2011-09-26 - Aaron Rader, tenor trombone
  • Series Title: Doctoral Recitals
  • Added Title: Lecture Recital: Jean-Michel Defaye's Á la Manière de Debussy pout Trombone et Piano: A Compositional Comparison to Claude Debussy's Harmonic, Melodic, and Rhythmic Practices

Degree Information

Description

Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

Notes

"Suite bergamasque. Clair de lune; arr" arranged by Ralph Sauer.

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College of Music Recordings

The College of Music Recordings include doctoral, ensemble, faculty, guest, and senior recitals from the UNT College of Music. Access to these recordings is restricted to the UNT community.

Related Items

Jean-michel Defaye’s Á La Maniére De Debussy Pour Trombone Et Piano: A Compositional Comparison To Claude Debussy’s Harmonic, Melodic, And Rhythmic Practices (Thesis or Dissertation)

Jean-michel Defaye’s Á La Maniére De Debussy Pour Trombone Et Piano: A Compositional Comparison To Claude Debussy’s Harmonic, Melodic, And Rhythmic Practices

Jean-Michel Defaye composed Á La Maniére de Debussy in 2001 as part of a series of trombone solos written to emulate the compositional styles of significant predecessors. This study compares Á La Maniére de Debussy to the harmonic, melodic, and rhythmic practices of Claude Debussy (1862–1918), an innovative French composer and recognized figure of musical Impressionism. At present, there is limited scholarship on Defaye’s Á La Maniére de Debussy and its compositionally imitative nature. The first section of this document presents a survey of historical information, current literature, and methods of examination. The second section provides biographical information on composers Jean-Michel Defaye and Claude Debussy. The third section exhibits a compositional comparison of Á La Maniére de Debussy to Debussy’s use of harmony, melody, and rhythm. The final section draws a conclusion to the piece’s importance to the trombone solo repertoire and includes an interview with French trombonist Jacques Mauger who collaborated with Defaye on Á La Maniére de Debussy. Although this document is not a performance guide, an informed performance of Á La Maniére de Debussy requires a trombonist to understand Debussy’s unique treatment of harmony, melody, and rhythm.

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Dissertation: htt...

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Creation Date

  • September 26, 2011

Added to The UNT Digital Library

  • June 25, 2013, 12:21 p.m.

Description Last Updated

  • Oct. 6, 2017, 4:42 p.m.

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Citations, Rights, Re-Use

Rader, Aaron. Doctoral Lecture Recital: 2011-09-26 - Aaron Rader, tenor trombone, audio recording, September 26, 2011; Denton, Texas. (digital.library.unt.edu/ark:/67531/metadc171619/: accessed November 23, 2017), University of North Texas Libraries, Digital Library, digital.library.unt.edu; crediting UNT Music Library.