Doctoral Recital: 2012-09-18 - Gregory Grabowski, orchestral conducting

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Description

Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

Creation Information

Grabowski, Gregory September 18, 2012.

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This audio recording is part of the collection entitled: College of Music Recordings and was provided by UNT Music Library to UNT Digital Library, a digital repository hosted by the UNT Libraries. It has been viewed 64 times. More information about this recording can be viewed below.

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UNT Music Library

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  • Main Title: Doctoral Recital: 2012-09-18 - Gregory Grabowski, orchestral conducting
  • Series Title: Doctoral Recitals

Degree Information

Description

Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

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College of Music Recordings

The College of Music Recordings include doctoral, ensemble, faculty, guest, and senior recitals from the UNT College of Music. Access to these recordings is restricted to the UNT community.

Related Items

Shostakovich's Use of Satire in Anti-formalist Rayok with a Focus on the Music of the Character Dt Troikin (Thesis or Dissertation)

Shostakovich's Use of Satire in Anti-formalist Rayok with a Focus on the Music of the Character Dt Troikin

In January 1989, a much-rumored work by Dmitri Shostakovich titled Anti-Formalist Rayok received its public premiere. Rayok is a single-act satirical opera/cantata for bass soloist and mixed chorus. Each character represents a prominent Soviet political figure: Joseph Stalin, Andrei Zhdanov, and Dmitri Shepilov. The text of the libretto is either taken directly from actual speeches given by these political figures or follows their idiosyncratic style of public speaking. Rayok often falls victim to criticism for its lack of musical depth, a point of view that could easily lead one to see it as one of Shostakovich's lesser works. The purpose of this document is to examine the political environment of the Soviet Union in the early twentieth century in order to provide context for Shostakovich's Anti-Formalist Rayok and to show how Shostakovich uses satire in this piece. This dissertation document looks at the broader concepts of Formalism and Socialist Realism, traces how Socialist Realism became the established Soviet cultural aesthetic, and examines specific historical events in the 1940s and 1950s that relate to Rayok. Musical examples are taken from the section of the piece centering around D.T. Troikin. These examples demonstrate how Shostakovich uses Socialist Realist clichés in order to satirize the overly bureaucratized state of Soviet musical aesthetics. This leads to the conclusion that Shostakovich created a paradoxical work of art only posing as kitsch, and that he was not only satirizing the political figures presented in disguise but also the entire Soviet Socialist Realist aesthetic.

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Creation Date

  • September 18, 2012

Added to UNT Digital Library

  • June 25, 2013, 12:21 p.m.

Description Last Updated

  • Nov. 6, 2017, 1:45 p.m.

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Grabowski, Gregory. Doctoral Recital: 2012-09-18 - Gregory Grabowski, orchestral conducting, audio recording, September 18, 2012; Denton, Texas. (https://digital.library.unt.edu/ark:/67531/metadc171610/: accessed April 2, 2020), University of North Texas Libraries, UNT Digital Library, https://digital.library.unt.edu; crediting UNT Music Library.