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Dissertation: Áskell Másson’s Solos for Snare Drum: Maximizing Musical Expression Through Varying Compositional Techniques and Experimentation in Timbre, ark:/67531/metadc82275
Áskell Másson’s Solos for Snare Drum: Maximizing Musical Expression Through Varying Compositional Techniques and Experimentation in Timbre - ark:/67531/metadc822754
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Dissertation: Áskell Másson’s Solos for Snare Drum: Maximizing Musical Expression Through Varying Compositional Techniques and Experimentation in Timbre, ark:/67531/metadc82275
This dissertation and accompanying lecture recital explores the musical elements present in Áskell Másson’s three solos for snare drum, PRÍM (1984), KÍM (2001) and B2B: Back to Basics (2010). Two of the primary challenges for the performer when playing solo literature on a non-pitch oriented instrument are identifying thematic structures and understanding how to interpret all innovative sound production techniques employed within the music. A thematic and compositional analysis, as well as an investigation into the experimentation of timbre found in Másson’s three pieces for solo snare drum will help to clarify the musical complexities that are present throughout.
Áskell Másson’s Solos for Snare Drum: Maximizing Musical Expression Through Varying Compositional Techniques and Experimentation in Timbre - ark:/67531/metadc822754
O'Neal, John.Doctoral Recital: 2012-03-30 - John O'Neal, percussion,
audio recording,
March 30, 2012;
Denton, Texas.
(digital.library.unt.edu/ark:/67531/metadc171508/:
accessed February 23, 2019),
University of North Texas Libraries, Digital Library, digital.library.unt.edu;
crediting UNT Music Library.