Doctoral Lecture: 2016-06-28 – Michael Aaron Hawley, choral conducting

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Lecture presented at the UNT College of Music Organ Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

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Hawley, Aaron (Michael Aaron) June 28, 2016.

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  • Main Title: Doctoral Lecture: 2016-06-28 – Michael Aaron Hawley, choral conducting
  • Series Title: Lecture Recitals
  • Added Title: Johannes Brahms's Ein Deutsches Requiem: A Comparison of the Reduced Orchestration Techniques in Joachim Linckelmann's Chamber Ensemble Version to Brahms's Four-Hand Piano Version

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Description

Lecture presented at the UNT College of Music Organ Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

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College of Music Recordings

The College of Music Recordings include doctoral, ensemble, faculty, guest, and senior recitals from the UNT College of Music. Access to these recordings is restricted to the UNT community.

Related Items

Johannes Brahms's Ein deutsches Requiem: A Comparison of the Reduced Orchestration Techniques in Joachim Linckelmann's Chamber Ensemble Version to Brahms's Four-Hand Piano Version (Thesis or Dissertation)

Johannes Brahms's Ein deutsches Requiem: A Comparison of the Reduced Orchestration Techniques in Joachim Linckelmann's Chamber Ensemble Version to Brahms's Four-Hand Piano Version

Recognizing the challenges small groups have to program a major work, in 2010, Joachim Linckelmann created a chamber ensemble arrangement of Johannes Brahms's "Ein deutsches Requiem." In 1869, J.M. Reiter-Biedermann published Brahms's four-hand piano arrangement of "Ein deutsches Requiem." Brahms's arrangement serves as an excellent comparison to the chamber ensemble version by Linckelmann, since it can be assumed that Brahms chose to highlight and focus on the parts he deemed the most important. This study was a comparative analysis of the two arrangements and was completed in three stages. The first stage documented every significant change in Joachim Linckelmann's recent chamber arrangement. The second stage classified each change as either a reduction, reorganization, or elimination. The final stage of the analysis was to compare the choices made by Linckelmann to those made by Brahms. The results show that Linckelmann's choices for reduction, reorganization, and elimination closely align with those of Brahms. The only differences between the arrangements can be attributed to Linckelmann's focus on retaining the original orchestral timbre and Brahms's focus on providing the original vocal parts.

Relationship to this item: (References)

Dissertation: https…

College of Music Program Book 2015-2016: Student Performances, Volume 2 (Book)

College of Music Program Book 2015-2016: Student Performances, Volume 2

Student performances program book from the 2014-2015 school year at the University of North Texas College of Music.

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Program: https…

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  • June 28, 2016

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Added to The UNT Digital Library

  • Feb. 26, 2020, 9:48 p.m.

Description Last Updated

  • Aug. 25, 2020, 11:02 a.m.

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Hawley, Aaron (Michael Aaron). Doctoral Lecture: 2016-06-28 – Michael Aaron Hawley, choral conducting, audio recording, June 28, 2016; Denton, Texas. (https://digital.library.unt.edu/ark:/67531/metadc1614968/: accessed April 14, 2021), University of North Texas Libraries, UNT Digital Library, https://digital.library.unt.edu; crediting UNT Music Library.