Fire Music

One of 4,756 items in the series: MISAME available on this site.
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Description

Computer programmes represent a gradual creation of an expert system which simulates artificial intelligence in a possible imitation of man's creation in music. In the global algorithm there are three correlated levels: 1. cosmosophic concept by Ž. Todorović (applied mathematics testing the noumenal word) as the control part of the programme participates in the coding of sound on the level of structuring reality of higher order; 2. processing of data subjected to total serialization, branching into modules of »frozen sound images from the past« (simulation of the modal system, tonal system or a style, for instance, Baroque); 3. realization of … continued below

Physical Description

1 sound recording (21 min., 21 sec.)

Creation Information

Šijanec, Marjan, 1950- 1989.

Context

This audio recording is part of the collection entitled: Mnemothèque Internationale des Arts Electroacoustiques and was provided by the UNT Music Library to the UNT Digital Library, a digital repository hosted by the UNT Libraries. It has been viewed 47 times. More information about this recording can be viewed below.

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UNT Music Library

The UNT Music Library supports the scholarly and performance research needs of the College of Music by collecting and preserving monographs, reference works, periodicals, printed music, and sound recording formats, as well as subscribing to electronic databases for research and streaming music. Special collections are a particular strength of the Music Library's holdings.

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Titles

  • Main Title: Fire Music
  • Series Title: MISAME

Description

Computer programmes represent a gradual creation of an expert system which simulates artificial intelligence in a possible imitation of man's creation in music. In the global algorithm there are three correlated levels:
1. cosmosophic concept by Ž. Todorović (applied mathematics testing the noumenal word) as the control part of the programme participates in the coding of sound on the level of structuring reality of higher order;
2. processing of data subjected to total serialization, branching into modules of »frozen sound images from the past« (simulation of the modal system, tonal system or a style, for instance, Baroque);
3. realization of output on the level of phenomena: the choice of sound generators and possible mixtures, the effect on vital points of electronically generated sound, etc.
This two recording of »Music of Cosmic Models« Saturnalias and Fire Music was made in Electronic Studio of Radio Belgrade in 1988-1989.

Physical Description

1 sound recording (21 min., 21 sec.)

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Collections

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Mnemothèque Internationale des Arts Electroacoustiques

Sound recordings of electroacoustic music from the archive of the International de musique électroacoustique de Bourges (IMEB). The works were created in the IMEB studios or submitted by participants of the Festival Synthèse or the Bourges Electroacoustic Music Competition. Access is restricted to the UNT community.

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Creation Date

  • 1989

Added to The UNT Digital Library

  • Nov. 17, 2019, 2:31 p.m.

Description Last Updated

  • July 9, 2020, 1:51 p.m.

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Total Uses: 47

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Šijanec, Marjan, 1950-. Fire Music, audio recording, 1989; Bourges, France. (https://digital.library.unt.edu/ark:/67531/metadc1586092/: accessed April 19, 2024), University of North Texas Libraries, UNT Digital Library, https://digital.library.unt.edu; crediting UNT Music Library.

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