Doctoral Lecture Recital: 2016-04-07 – Andrew Daniel, guitar

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Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) Degree.

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Daniel, Andrew April 7, 2016.

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UNT Music Library

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  • Main Title: Doctoral Lecture Recital: 2016-04-07 – Andrew Daniel, guitar
  • Series Title: Doctoral Recital
  • Series Title: Lecture Recitals
  • Added Title: Two Harpsichord Sonatas by Antonio Soler: Analysis and Transcription for Solo Guitar

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Description

Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) Degree.

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  • Program:
  • Two Harpsichord Sonatas by Antonio Soler: Analysis and Transcription for Solo Guitar - ark:/67531/metadc862826

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College of Music Recordings

The College of Music Recordings include doctoral, ensemble, faculty, guest, and senior recitals from the UNT College of Music. Access to these recordings is restricted to the UNT community.

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Is Referenced By : Program:

Two Harpsichord Sonatas by Antonio Soler: Analysis and Transcription for Solo Guitar (Thesis or Dissertation)

Two Harpsichord Sonatas by Antonio Soler: Analysis and Transcription for Solo Guitar

There is a puacity of original works from the Baroque Era for the guitar. Transcriptions, especially music originally for harpsichord, complement the guitarist's repertoire. Dominating the priviledged space in the guitar canon, represented by Baroque transcriptions, are the composers Johann Sebastian Bach, George Frideric Handel and Domenico Scarlatti. Underrepresented in the Baroque guitar canon is the music of Spanish composers, most noteworthy, the harpsichordist Padre Antonio Soler, who composed more than 120 sonatas for his instrument. Music is culturally defined and it is clear, through an analysis of the keyboard works of Soler, that his music was imbued with the salient features of his place and time. There is an implicit connection between the guitar and the non-guitar music produced in Spain as guitar gestures are part of the national emblem; this study makes an explicit connection between the harpsichord music of Soler and the modern guitar. The Spanish Baroque style, epitomized by the works of Soler, provide a clear objective for transcription. The current study produces a transcription of Padre Antonio Soler's Sonata No. R.27 and Sonata No. R.100, as well as an analysis of the sonatas to facilitate interpretation for performance and an explanation of the transcription process. The lacunae of Spanish Baroque guitar transcriptions that exists in the repertoire will be partially filled by adding Soler to the distinguished list of composers that currently inhabit the guitarists's library.

Two Harpsichord Sonatas by Antonio Soler: Analysis and Transcription for Solo Guitar - ark:/67531/metadc862826

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Creation Date

  • April 7, 2016

Added to UNT Digital Library

  • Nov. 16, 2019, 2:49 p.m.

Description Last Updated

  • April 1, 2020, 1:13 a.m.

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Daniel, Andrew. Doctoral Lecture Recital: 2016-04-07 – Andrew Daniel, guitar, audio recording, April 7, 2016; Denton, Texas. (https://digital.library.unt.edu/ark:/67531/metadc1585778/: accessed April 6, 2020), University of North Texas Libraries, UNT Digital Library, https://digital.library.unt.edu; crediting UNT Music Library.