Metric Dissonance in Non-Isochronous Meters Metadata

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Title

  • Main Title Metric Dissonance in Non-Isochronous Meters

Creator

  • Author: Smith, Jayson
    Creator Type: Personal

Contributor

  • Chair: Cubero, Diego
    Contributor Type: Personal
  • Committee Member: Nelson, Jon
    Contributor Type: Personal
  • Committee Member: Bakulina, Ellen
    Contributor Type: Personal

Publisher

  • Name: University of North Texas
    Place of Publication: Denton, Texas

Date

  • Creation: 2018-08

Language

  • English

Description

  • Content Description: Although music of the twentieth and twenty-first centuries makes frequent use of non-isochronous meter (meters involving beats of different length, such as 5/4 and 7/8), most studies on meter and metric dissonance focus on isochronous meters (meters involving beats of the same length, such as 4/4 and 9/8). This dissertation bridges this gap by developing two methodologies to account for metric dissonance involving non-isochronous pulses: modified ski-hill graphs and the composite beat attack point system. Modified ski-hill graphs, adapted from Richard Cohn's ski-hill graphs, illustrate metric states involving non-isochronous pulses and reveal degrees of dissonance in musical passages that share time spans, as in 5/4 grouped 3+2 vs. 5/4 grouped 2+3. The composite beat attack point system uses rhythmic notation to illustrate metric states involving any pulse duration or time span, revealing specific points of dissonance and consonance, relative strength of dissonance and consonance, and patterns of dissonance and consonance. The methodology is used to closely examine the treatment of metric dissonance in Holst's "Mars," from The Planets, Ligeti's Hungarian Rock (Chaconne), and Ligeti's Désordre. The analyses focus on passages where the metric dissonance becomes ever more pronounced and ends up obliterating any sense of meter.

Subject

  • Keyword: Meter
  • Keyword: Rhythm
  • Keyword: Metric Dissonance
  • Keyword: Ligeti
  • Keyword: Holst
  • Keyword: Music

Collection

  • Name: UNT Theses and Dissertations
    Code: UNTETD

Institution

  • Name: UNT Libraries
    Code: UNT

Rights

  • Rights Access: public
  • Rights Holder: Smith, Jayson
  • Rights License: copyright
  • Rights Statement: Copyright is held by the author, unless otherwise noted. All rights Reserved.

Resource Type

  • Thesis or Dissertation

Format

  • Text

Identifier

  • Accession or Local Control No: submission_1220
  • Archival Resource Key: ark:/67531/metadc1248499

Degree

  • Degree Name: Doctor of Philosophy
  • Degree Level: Doctoral
  • Academic Department: Division of Music History, Theory, and Ethnomusicology
  • College: College of Music
  • Degree Discipline: Music
  • Degree Publication Type: disse
  • Degree Grantor: University of North Texas

Note

  • Embargo Note: The work will be published after approval.