Doctoral Recital: 2015-11-22 – Mariechen Meyer, double bass

One of 2,396 items in the series: Doctoral Recitals available on this site.

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Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

Creation Information

Meyer, Mariechen November 22, 2015.

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This audio recording is part of the collection entitled: College of Music Recordings and was provided by the UNT Music Library to the UNT Digital Library, a digital repository hosted by the UNT Libraries. It has been viewed 24 times. More information about this recording can be viewed below.

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  • Main Title: Doctoral Recital: 2015-11-22 – Mariechen Meyer, double bass
  • Series Title: Doctoral Recitals

Degree Information

Description

Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

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College of Music Recordings

The College of Music Recordings include doctoral, ensemble, faculty, guest, and senior recitals from the UNT College of Music. Access to these recordings is restricted to the UNT community.

Related Items

College of Music Program Book 2015-2016: Student Performances, Volume 1 (Book)

College of Music Program Book 2015-2016: Student Performances, Volume 1

Student performances program book from the 2015-2016 school year at the University of North Texas College of Music.

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Program: https…

Contemporary Double Bass Techniques: An Advanced Technical Approach (Thesis or Dissertation)

Contemporary Double Bass Techniques: An Advanced Technical Approach

Diverse practicing methods are evidence of the importance of applying creativity in our practice regimes. Regardless of a player's technique - traditional or modern - it must be regularly practiced and then applied. One of the most common ways to do that is through practicing technical exercises, which generally means the practice of scales, arpeggios and etudes. These exercises generally function as a warm-up regime for all musicians, but this regime doesn't necessarily provide enough reference for the player in the learning process of a new piece. Adapting exercises to address technical difficulties in a newly learned piece can provide the player with a wide range of practice methods to use, to be creative, to be more aware while practicing, and to build a solid technical foundation for the newly learned piece. Two well-known pedagogues who applied this approach are German bassist Ludwig Streicher and Czech violinist Otakar Ševčik. By implementing analytical studies and composing exercises based on the standard repertoire, Ševčik and Streicher became highly influential teachers in the 20th century. Their work serves as a model in achieving the purposes of this dissertation: the assessment of technical difficulties and compilation of a technique booklet based on six unaccompanied contemporary solo pieces written as required works for the solo competition of the International Society of Bassists' biennial convention since 2007.

Contemporary Double Bass Techniques: An Advanced Technical Approach - ark:/67531/metadc1157540

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Creation Date

  • November 22, 2015

Added to The UNT Digital Library

  • June 2, 2018, 7:10 p.m.

Description Last Updated

  • Dec. 6, 2022, 12:55 p.m.

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Total Uses: 24

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  • 33.210701, -97.150088

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Meyer, Mariechen. Doctoral Recital: 2015-11-22 – Mariechen Meyer, double bass, audio recording, November 22, 2015; Denton, Texas. (https://digital.library.unt.edu/ark:/67531/metadc1157288/: accessed March 28, 2024), University of North Texas Libraries, UNT Digital Library, https://digital.library.unt.edu; crediting UNT Music Library.

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