Doctoral Recital: 2015-03-12 - John Garst, tenor
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- Schubert: Die schöne Müllerin, D. 795: 1. Das Wandern 0:02:49
- Schubert: Die schöne Müllerin, D. 795: 2. Wohin? 0:02:35
- Schubert: Die schöne Müllerin, D. 795: 3. Halt! 0:01:50
- Schubert: Die schöne Müllerin, D. 795: 4. Danksagung an den Bach 0:02:32
- Schubert: Die schöne Müllerin, D. 795: 5. Am Feierabend 0:02:50
- Schubert: Die schöne Müllerin, D. 795: 6. Der Neugierige 0:04:03
- Schubert: Die schöne Müllerin, D. 795: 7. Ungeduld 0:02:45
- Schubert: Die schöne Müllerin, D. 795: 8. Morgengruß 0:04:34
- Schubert: Die schöne Müllerin, D. 795: 9. Des Müllers Blumen 0:03:33
- Schubert: Die schöne Müllerin, D. 795: 10. Tränenregen 0:04:26
- Schubert: Die schöne Müllerin, D. 795: 11. Mein! 0:02:25
- Schubert: Die schöne Müllerin, D. 795: 12. Pause 0:04:29
- Schubert: Die schöne Müllerin, D. 795: 13. Mit dem grünen Lautenbande 0:02:11
- Schubert: Die schöne Müllerin, D. 795: 14. Der Jäger 0:01:14
- Schubert: Die schöne Müllerin, D. 795: 15. Eifersucht und Stolz 0:01:46
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College of Music Program Book 2014-2015: Student Performances, Volume 1 (Book)
Student performances program book from the 2014-2015 school year at the University of North Texas College of Music.
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The Recorded Legacy of Enrico Caruso and its Influence on the Italian Vocal Tradition (Thesis or Dissertation)
This dissertation presents evidence for the influence which tenor Enrico Caruso had on the Italian Vocal Tradition. This impact was clearly boosted by the revolution realized in the fledgling recording industry, and the recordable disc. In the years of 1902-1920 gramophones became commonplace, and collecting recordings became an interest for many. This new technology required specialized skills, and was especially suited to certain qualities of voice. Caruso enjoyed immense success in this medium, in recording over 250 records. Italian vocal style at the turn of the century was changing, and Caruso employed a new "modern" style in his singing. His interpretive decisions, vocal method, and repertoire which he championed had an impact on the vocal tradition of future generations. Comparison of his recordings with tenors Fernando de Lucia, Giuseppe Anselmi, and Alessandro Bonci shows a marked contrast in styles of "the old school" and Caruso's "more straightforward" approach. A collection of historical documents for those who succeeded him include many biographies, reviews, and quotes to demonstrate the extent of his influence. Recordings also show a movement toward "the Caruso Sound." Jussi Bjoerling, Franco Corelli, Richard Tucker, Mario Lanza, and Luciano Pavarotti were all influenced by the great Caruso. Almost 100 years have passed since he sang his last performance. He continues to inspire singers to this day, through his recordings and legacy passed on by many generations. He is the ideal, the measuring stick for all tenors to follow, and continues even to today.
The Recorded Legacy of Enrico Caruso and its Influence on the Italian Vocal Tradition - ark:/67531/metadc849763
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Doctoral Recital: 2015-03-12 - John Garst, tenor, audio recording, March 12, 2015; Denton, Texas. (https://digital.library.unt.edu/ark:/67531/metadc1075312/: accessed September 30, 2023), University of North Texas Libraries, UNT Digital Library, https://digital.library.unt.edu; crediting UNT Music Library.