Doctoral Recital: 2015-4-27 - Martin Godoy Jr., flute
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- Boismortier: Première suite, Op. 35: I. Prelude 0:02:31
- Boismortier: Première suite, Op. 35: II. Allemande 0:01:19
- Boismortier: Première suite, Op. 35: III. Rondeau: Les Charites 0:02:13
- Brahms: Wie melodien zeiht es mir, Op. 105, No. 1 0:02:24
- Roussel: Joueurs de Flute, Op. 27: I. Pan 0:03:13
- Roussel: Joueurs de Flute, Op. 27: II. Tityre 0:01:04
- Roussel: Joueurs de Flute, Op. 27: III. Krishna 0:03:20
- Roussel: Joueurs de Flute, Op. 27: IV. M. de la Pejaudie 0:02:08
- Aitken: Icicle for Solo Flute 0:03:41
- Reinecke: Undine Sonata, Op. 167 I. Allegro 0:07:10
- Reinecke: Undine Sonata, Op. 167 II. Intermezzo (Allegro vivace) 0:03:37
- Reinecke: Undine Sonata, Op. 167 III. Andante tranquillo 0:03:57
- Reinecke: Undine Sonata, Op. 167 IV. Finale (Allegro molto agitato ed appassionato quasi Presto) 0:06:28
- Ichiyanagi: In a Living Memory 0:07:21
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College of Music Program Book 2014-2015: Student Performances, Volume 2 (Book)
Student performances program book from the 2014-2015 school year at the University of North Texas College of Music.
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Flute Music of Cristóbal Halffter: His Roots in Spanish Tradition and Place in the Avant-Garde Generación del 51 (Thesis or Dissertation)
Cristóbal Halffter, born in 1930, established himself as an important figure in Spanish avant-garde composition in the middle of the twentieth-century. As one of the prominent leaders of the Generación del 51, he helped establish modernity in music as a part of Spain's identity. His compositional style mixing tradition with the avant-garde was built on the success and breakthrough of Manuel de Falla, a composer with close ties to Halffter's family and served as a 'father figure' to the Generación del 51. This study begins with a discussion on Falla's work and reception, as he lay the groundwork for modernism in Spanish music. Further, discussion on Halffter's background and compositional periods, from his nationalist approach in the 1950s to his embrace of the avant-garde in the 1960s and beyond exemplifies Halffter's prominent role in shaping Spanish modernity. This research then sheds light on previously unexplored solo flute works Debla [Solo VI] for Flute and Studie II [Solo III] for Flute by Halffter. Provided is insight to their respective influences (the Spanish debla and the Fibonacci sequence), analysis of each work, and a discussion on their similarities and differences. By taking an informative approach prior to analysis and performance suggestions, readers will gain insight to Halffter's Spanish roots as they relate to nationalism and the avant-garde, his affiliation with the Generación del 51, and his compositional style.
Flute Music of Cristóbal Halffter: His Roots in Spanish Tradition and Place in the Avant-Garde Generación del 51 - ark:/67531/metadc1703350
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Doctoral Recital: 2015-4-27 - Martin Godoy Jr., flute, audio recording, April 27, 2015; Denton, Texas. (https://digital.library.unt.edu/ark:/67531/metadc1075225/: accessed July 6, 2022), University of North Texas Libraries, UNT Digital Library, https://digital.library.unt.edu; crediting UNT Music Library.