Doctoral Lecture Recital: 1990-04-23 - Beverley Simms, piano

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Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

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Simms, Beverley April 23, 1990.

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  • Main Title: Doctoral Lecture Recital: 1990-04-23 - Beverley Simms, piano
  • Series Title: Lecture Recitals
  • Series Title: Doctoral Recitals
  • Added Title: The Solo Piano Works of John Corigliano

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Description

Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

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College of Music Recordings

The College of Music Recordings include doctoral, ensemble, faculty, guest, and senior recitals from the UNT College of Music. Access to these recordings is restricted to the UNT community.

Related Items

College of Music program book 1989-1990 Vol. 1 (Book)

College of Music program book 1989-1990 Vol. 1

Fall/Spring performances program book from the 1989-1990 school year at the University of North Texas College of Music.

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Program: htt...

The Solo Piano Works of John Corigliano: Etude Fantasy (1976) and Fantasia on an Ostinato (1985) (Thesis or Dissertation)

The Solo Piano Works of John Corigliano: Etude Fantasy (1976) and Fantasia on an Ostinato (1985)

John Corigliano (b. 1938) is a contemporary American composer who has in the last twenty years established himself as a composer whose versatility and accessibility are appreciated by a wide range of audiences. He has labeled himself an eclectic composer who unashamedly borrows from other musical styles and periods in an effort to create works that appeal to a variety of listeners. He has been mentioned along with George Rochberg, George Crumb, and Jacob Druckman as an advocate of the post-modern movement in contemporary American music, a trend that has been crucial to the development of contemporary concert music. The purpose of this study is to examine the two solo piano works of Corigliano in terms of style, structure, and musical influences. The Etude Fani-agy (197 6) is a set of five etudes, performed without pause. The etudes are unified through an elaborate use of thematic transformation in which a row-like idea generates most of the material. The keyboard writing is varied and dramatic, with similarities to Debussy, Bartok, Prokofiev, and Copland. Fantasia on an Qstinato (1985), commissioned for the van Cliburn International Piano Competition, is an atmospheric tone poem that transforms the theme from Beethoven's Symphony no« 7 (second movement) . The rhythmic and harmonic structure of this theme are retained through much of Corigliano's work. Full quotations and fragments of the symphony are combined with newly-composed material influenced by Beethoven's theme. Influence of minimalist techniques associated with Terry Riley, Steve Reich, and Philip Glass is apparent throughout the work; rhythmic phasing, repetitive patterns, and musical stasis are used extensively in the second section. A comparison of the Etude Fantasy and Fantasia nn an OstinatQ confirms the eclectic characteristics of Corigliano's style. In both works, the composer borrows freely from a variety of musical traditions, combining and modifying traditional and avant-garde techniques. It is this intelligent combination of elements, along with expert craftsmanship, that has become Corigliano's trademark and have earned him an important place in contemporary American music.

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Dissertation: ark:/67531/metadc332224

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Creation Date

  • April 23, 1990

Added to The UNT Digital Library

  • Feb. 4, 2018, 4:18 p.m.

Description Last Updated

  • Oct. 2, 2018, 12:27 p.m.

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Simms, Beverley. Doctoral Lecture Recital: 1990-04-23 - Beverley Simms, piano, audio recording, April 23, 1990; Denton, Texas. (digital.library.unt.edu/ark:/67531/metadc1075082/: accessed November 14, 2018), University of North Texas Libraries, Digital Library, digital.library.unt.edu; crediting UNT Music Library.