Doctoral Lecture Recital: 1992-07-13 - Nancy M. Gamso, flute and clarinet

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Description

Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

Creation Information

Gamso, Nancy M. (Nancy Margaret) July 13, 1992.

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  • Nims, Marilyn Soprano for Aria for Voice, Flute and Piano (1931) and for Duos I for Soprano, Flute and Finger Cymbals (1976)
  • Chisholm, Rose Marie Piano for Aria for Voice, Flute and Piano (1931)
  • Gale, Diana Soprano for Three Vocalises for Soprano and Clarinet (1958)

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  • Main Title: Doctoral Lecture Recital: 1992-07-13 - Nancy M. Gamso, flute and clarinet
  • Series Title: Doctoral Recitals
  • Series Title: Lecture Recitals
  • Added Title: Twentieth-Century Works for Textless Voice and Various Woodwinds

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Description

Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

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College of Music Recordings

The College of Music Recordings include doctoral, ensemble, faculty, guest, and senior recitals from the UNT College of Music. Access to these recordings is restricted to the UNT community.

Related Items

College of Music program book 1991-1992 Student Performances Vol. 2 (Book)

College of Music program book 1991-1992 Student Performances Vol. 2

Student performances program book from the 1991-1992 school year at the University of North Texas College of Music.

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Program: htt...

Twentieth-Century Works for Textless Voice and Various Woodwinds with Three Recitals of Selected Works of Stamitz, Roussel, Albinoni, Weber, Milhaud, and Others (Thesis or Dissertation)

Twentieth-Century Works for Textless Voice and Various Woodwinds with Three Recitals of Selected Works of Stamitz, Roussel, Albinoni, Weber, Milhaud, and Others

The purpose of this study is to explore the literature for textless voice and woodwind instruments. The primary focus concerns the timbral and ensemble possibilities exploited in three twentieth-century works in which the voice is treated as an instrument i.e., without the usual preoccupation with textual meaning. An historical overview of vocal works with obbligato woodwinds and concerted works for textless voice serves as an introductory chapter. The variables of voice and instrument acoustical makeup, vocal vowel formation and instrumental voicings, volume, vibrato, resultant tones, range, and extended techniques (fluttertongue, special vibrato demands, non-vibrato, etc.) are the focus of the performance considerations for this study. Over thirty twentieth-century textless works for voice and at least one woodwind instrument were located. The three, chosen for this study represent different periods in the century, and present contrasting styles and musical merit: Aria (1931) by Jacques Ibert, Three Vocalises (1958) by Ralph Vaughan Williams, and Duos I (1976) by Nancy Chance. A style and performance analysis of these works with pertinent research on the composers is presented. Appendices include an annotated bibliography of selected works for the medium, a written interview with Nancy Chance, and performance notes provided by the composer, concerning Duos I.

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Dissertation: ark:/67531/metadc279129

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Creation Date

  • July 13, 1992

Added to The UNT Digital Library

  • Feb. 4, 2018, 4:18 p.m.

Description Last Updated

  • Oct. 1, 2018, 6:07 p.m.

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  • 33.210701, -97.150088

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Gamso, Nancy M. (Nancy Margaret). Doctoral Lecture Recital: 1992-07-13 - Nancy M. Gamso, flute and clarinet, audio recording, July 13, 1992; Denton, Texas. (digital.library.unt.edu/ark:/67531/metadc1074972/: accessed November 17, 2018), University of North Texas Libraries, Digital Library, digital.library.unt.edu; crediting UNT Music Library.