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James (Santa Fe) Galloway’s Alabado And The Musical Traditions Of The Penitentes

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This dissertation explores the musical traditions of the Penitentes of New Mexico and how these traditions influenced James (Santa Fe) Galloway’s Alabado for soprano, alto flute, and piano. Due to geographical isolation and religious seclusion the music of the Penitential Brotherhood is not well known outside of these New Mexican communities. The focus of this study, as pertaining to the music of the Penitentes, is the alabado “Por el rastro de la cruz,” and the pito, a handmade wooden flute. Included in this paper are transcriptions of pito melodies performed by Vicente Padilla, Cleofes Vigil, Emilio Ortiz, and Reginald Fisher, … continued below

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Weidman-Winter, Rebecca December 2011.

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This dissertation is part of the collection entitled: UNT Theses and Dissertations and was provided by the UNT Libraries to the UNT Digital Library, a digital repository hosted by the UNT Libraries. It has been viewed 831 times, with 8 in the last month. More information about this dissertation can be viewed below.

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  • Weidman-Winter, Rebecca

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This dissertation explores the musical traditions of the Penitentes of New Mexico and how these traditions influenced James (Santa Fe) Galloway’s Alabado for soprano, alto flute, and piano. Due to geographical isolation and religious seclusion the music of the Penitential Brotherhood is not well known outside of these New Mexican communities. The focus of this study, as pertaining to the music of the Penitentes, is the alabado “Por el rastro de la cruz,” and the pito, a handmade wooden flute. Included in this paper are transcriptions of pito melodies performed by Vicente Padilla, Cleofes Vigil, Emilio Ortiz, and Reginald Fisher, which have been transcribed by John Donald Robb, William R. Fisher, Reginald Fisher, and Rebecca Weidman-Winter. Few resources are available on Galloway or Alabado, an unpublished work, yet the popularity of this piece is apparent from the regular performances at the National Flute Association Conventions and by flutists throughout the United States. This paper represents a significant contribution to the study of Alabado, the composer, and how this composition reflects the music, history, and people of New Mexico.

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Doctoral Lecture Recital: 2011-09-12 – Rebecca Weidman-Winter, alto flute (Sound)

Doctoral Lecture Recital: 2011-09-12 – Rebecca Weidman-Winter, alto flute

Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

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Lecture recital: September 12, 2011, ark:/67531/metadc171601

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  • December 2011

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  • Oct. 2, 2012, 4:18 p.m.

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  • Dec. 1, 2022, 3:28 p.m.

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Weidman-Winter, Rebecca. James (Santa Fe) Galloway’s Alabado And The Musical Traditions Of The Penitentes, dissertation, December 2011; Denton, Texas. (https://digital.library.unt.edu/ark:/67531/metadc103408/: accessed April 17, 2024), University of North Texas Libraries, UNT Digital Library, https://digital.library.unt.edu; .

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