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Gender differences in a prototypical analysis of psychopathy.
Date: 2006-08
Creator: Hazelwood, Lisa L.
Description: Psychopathy research has focused primarily on characteristics of male offenders. With little empirical knowledge on psychopathy in women, gender differences within psychopathy are not well understood. To gain a better understanding of these differences, the current study used prototypical analysis to compare ratings of 242 forensic experts when considering their most representative case of male or female psychopathy. The present study investigated gender differences for psychopathic traits and Cluster B personality disorder criteria. Most aspects of psychopathy were less prototypical of female psychopaths than males. In particular, the antisocial behavior facet does not appear to apply to males and females equally. The distinction between Cluster B disorders and psychopathy was more ambiguous in females than males; however, the affective deficits facet differentiated psychopathy from Cluster B disorders across genders. Current research also raises the question of potential diagnostic gender bias in the assessment of psychopathy.
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Reevaluating twelve-tone music: analytical issues in the second movement of Anton Webern's Quartet for Violin, Clarinet, Tenor-Saxophone and Piano, Op. 22.
Date: 2006-08
Creator: Lin, Tzu-Hsi
Description: Twelve-tone music illustrates many characteristics relative with those of conventional tonal form, though works are based on a different composition method. The fundamental question of twelve-tone music arises in debate on terminology between tonal and atonal as well as methodology of musical analysis. Certain theorists try to approach twelve-tone music by traditional harmonic views rather than by pitch-class set theory. Conventional harmonic aspects arise from the fact that both tonal and twelve-tone music share similar narrative strategies. This point is explored in examining Anton Webern's Quartet for Violin, Clarinet, Tenor-Saxophone and Piano, Op. 22, which displays connection to tonal music. The present study seeks to examine certain features of the composer's working in pitch materials; i.e., the dispositions of pitch classes and the characteristics of the matching dyads, and thereby to disclose the connection between twelve-tone methods and conventional harmony.
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A blow to the Axis, more lumber for the Army.
Date: 1943
Creator: Von Schmidt, Harold, 1893-1982.
Description: A shirtless man uses an axe to chop down a tree. He wears a hat and blue jeans, with a red bandana in his back pocket.
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British tanks hurled Italy out of Abyssinia, and in Libya completely wrecked Axis plans of conquest.
Date:
Creator:
Description: Color illustration of tanks driving across a desert. The ground and sky are depicted in yellow and orange tones.
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Enemy ears are listening.
Date: 1942
Creator: Iligan, Ralph, 1893-1960.
Description: The poster depicts Benito Mussolini, Hideki Tojo, and Adolf Hitler. Only one hand and the head of each man is shown. Each has his hand cupped around one ear. On Tojo's hand is a pinky ring and the artist's signature "Iligan" is written on his wrist, with a small inverted black triangle symbol below it.
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Screening the Axis.
Date: 1942
Creator: Artzybasheff, Boris, 1899-1965.
Description: A mesh metal being stands upright holding a metal sieve through which he strains the metal weaponry out of the enemy. Nazi and Japanese soldiers rain down into the sieve. Above and behind them are dark clouds with lightning striking downward toward the sieve. In the far background is a town.
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[Wire to the Axis]
Date:
Creator: Artzybasheff, Boris, 1899-1965.
Description: A serpent made of metal wears a helmet with a swastika on it. The serpent has long tail, sharp teeth, and a long snout. Smoke billows in background. Metal beams in a "V" formation appear to approach the serpent from the upper left area of the poster.
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Aircraft insignia.
Date: 1943
Creator: Coggins, Jack.
Description: Twenty different types of airplanes fly across the scene, each with distinct markings. The main background is of clouds in the sky. The border is comprised of insignia of aircraft from 47 countries.
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