You limited your search to:

 Degree Discipline: Spanish
Dialogismo En El Cancionero De Miguel De Unamuno: Dialéctica De La Voz Poética

Dialogismo En El Cancionero De Miguel De Unamuno: Dialéctica De La Voz Poética

Date: May 2013
Creator: Sheppard, Yanina O.
Description: The present research is centered on Miguel de Unamuno's Songbook which is studied through the prism of the theory of dialogism elaborated by Mikhail Bakhtin. This study overcomes the limitation of Bakhtin's theory which extends solely to narrative genres, and argues that dialogism can also be applied to poetry. In this thesis I seek to rectify the critical oversight of this significant and original work of Unamuno and show that Songbook has panoply of innovative techniques aimed at creating the multiple poetic voices and dialogical interaction. Strong links are established between Bakhtin's theory, Unamuno's aesthetics and the postmodernist episteme of "the death of the author" which heralds the new era of fiction writing. I give a detailed analysis of Songbook's poetry based on Bakhtin's theory and incorporate the pragmalinguistic view of poetic discourse as a communicative act that involves a constant interaction between the addresser and the addressees. I find different types of dialogical expression in accordance with the number and the nature of different addressees at which the poet aims his discourse. This study shows that poetic tools forged by Unamuno are born of the need to express a conflictive inner world that is opposed to any type of ...
Contributing Partner: UNT Libraries
Muerte Y Soledad En La Poesía De Manuel Altolaguirre Ante El Exilio

Muerte Y Soledad En La Poesía De Manuel Altolaguirre Ante El Exilio

Date: May 2013
Creator: Mandujano, Olga Lidia
Description: This study focuses on the Spanish poet of the Generation of '27 Manuel Altolaguirre. The purpose of this thesis is to show how the poetry of Manuel Altolaguirre evolves in relation to specific issues. Specifically, I study the changes in his work in regard to the themes of death and solitude, resulting from exile in 1939, to be enriched by new experiences, many of them dramatic, taking more personal ways, while offering them a more profound and complex and even in regard to the subject of the poet's death comes to contemplate a more positive way. The thesis is divided into five chapters. Following the introduction, the second chapter focuses on Altolaguirre's biography and the Generation in 1927 while the third focuses and analyzes his poetry before his exile in 1939. The fourth chapter examines his poetry after exile until his death in 1959, while the fifth and last chapter concludes this study.
Contributing Partner: UNT Libraries
The Novels of Juan Valera

The Novels of Juan Valera

Date: August 1973
Creator: Davis, Chloanne Cole
Description: This study is an attempt to analyze the novels of Juan Valera y Alcala Galiano, with particular attention to the characterization of the principal figures.
Contributing Partner: UNT Libraries
La Poesía Lírica Colombiana

La Poesía Lírica Colombiana

Date: August 1952
Creator: Orjuela, Héctor H.
Description: In this work, superficial to the extreme, it is my purpose to offer a review of the development of lyric poetry ("poesía lírica") in Colombia throughout its history. It is logical that because of the extent of the subject it is not possible to give a complete treatment of our political history, though I have tried not to leave out points of significance. The classification of authors and of poems, as well as the division of periods I have made arbitrarily, guided by my own criteria. Thus, I have the Romantic period divided into romanticism and post-romanticism, according to the dates generally regarded as the beginning and end of these two literary movements. In reality, romanticism only ended with the beginning of modernism, and one cannot therefore distinguish romantic poets from post-romantic poets. Due to the nature of this thesis, many poets--some of them well known--will not be mentioned. However, my intention is not to write a lyric anthology, but to reveal the spirit of Columbia through her poets and her poetry.
Contributing Partner: UNT Libraries
Francisco Garcia Pavon: Creator of the Literary Detective Story in Spain

Francisco Garcia Pavon: Creator of the Literary Detective Story in Spain

Date: August 1971
Creator: Sanders, Marja-Terttu
Description: The problem with which this investigation is concerned is that of determining how Francisco Garcia Pavon's concept the detective novel evolved throughout the period during which he cultivated that literary form. To trace this evolution Garcia Pavon's detective novels and novelettes are studied in chronological order of publication, each work being given a chapter of its own. The character development is analyzed and the style is given consideration in the study.
Contributing Partner: UNT Libraries
El Desarrollo de los Caracteres Anormales en las Obras de Emilia Pardo Bazán

El Desarrollo de los Caracteres Anormales en las Obras de Emilia Pardo Bazán

Date: November 1971
Creator: Hudgins, Ida Marie
Description: The purpose of this investigation is to determine the change in characterization that takes place in the works of Emilia Pardo Bazán. Source material include the writings of such critics of Spanish literature as Richard Chandler, Kessel Schwartz, Emiliano Díez-Echarri, José M. Roca Franquesa, Federico C. Saínz de Robles, and José A. Balseiro. Emilia Pardo Bazán wrote a total of twenty novels. From this collection ten were selected which best exemplify the change in characterization in her writings.
Contributing Partner: UNT Libraries
Pasados Fragmentados:la Representación Teatral Del Robo De Niños En Las Dictaduras Española Y Argentina En Obras De Laila Ripoll Y Patricia Suárez

Pasados Fragmentados:la Representación Teatral Del Robo De Niños En Las Dictaduras Española Y Argentina En Obras De Laila Ripoll Y Patricia Suárez

Date: May 2013
Creator: Reyt, María Carolina
Description: This study examines the theatrical representation of the stealing of children during the last dictatorships in Spain and in Argentina in Laila Ripoll's Los niños perdidos and Patricia Suárez's Astianacte: una máscara del amor under the lenses of the concepts of trauma, myth and memory. Following the theories suggested by Freud, Adorno, Whitehead, Reyes Mate and others, the first chapter discusses the representation of the psychological traumas left by the dictatorial practices left not only on the minds of individuals but also on both nations as whole entities. While Ripoll invites her audience to reflect upon the consequences of the Spanish Civil War and franquism, Patricia Suárez urges her spectators to doubt about their own identity if they were born during the last dictatorship in Argentina. In chapter two, the concepts advanced by Barthes, Reig Tapia and Moreno-Nuño help explore the ways in which the playwrights condemn the legitimizing myths that gave birth to these dictatorial regimes. Both authors subvert these fictional stories, mainly by the use of sarcasm and humor. By means of the concepts of memory supported by Benjamin, Todorov, Nora and Juliá, the third chapter examines the need to let the traditionally silenced voices tell their version ...
Contributing Partner: UNT Libraries
Las Obras de Carlos Fuentes

Las Obras de Carlos Fuentes

Date: January 1966
Creator: Garcia, Lino, Jr.
Description: This thesis considers the novels of Carlos Fuentes from a thematic point of view, as well as looking at the place of the writer in Mexican narrative tradition. It also presents a brief history of the Mexican novel.
Contributing Partner: UNT Libraries
Realism e Idealismo en los Personajes Dramáticos de García Lorca

Realism e Idealismo en los Personajes Dramáticos de García Lorca

Date: August 1972
Creator: McMurray, Marilyn K.
Description: The purpose of this investigation is to characterize the dramatic characters of Federico García Lorca as realists or idealists. Lorca wrote a total of fifteen plays, and the majority of them are considered in this study. Additional source materials include the works of such critics as J. Alberich, María Teresa Babín, Alfredo de la Guardia, and Francisco Umbral.
Contributing Partner: UNT Libraries
Temporal, Spatial, and Identity Displacement in the Short Stories of Julio Cortazar

Temporal, Spatial, and Identity Displacement in the Short Stories of Julio Cortazar

Date: May 1972
Creator: Gonzalez, Gloria K.
Description: The purpose of this study is to analyze the techniques through which Julio CortSzar presents and explores the literary concepts of temporal, spatial and identity displacement. The author's radical departure from the more traditionally structured view of these notions is certainly one of the most perplexing and controversial aspects of his literary style.
Contributing Partner: UNT Libraries
Various Aspects of Life as Seen through the Humor of Julio Camba

Various Aspects of Life as Seen through the Humor of Julio Camba

Date: August 1971
Creator: Young, Linda Ann
Description: The purpose of this study is twofold: the first and most important purpose is to examine the various forms of humor; the second is to present views of the author concerning universal topics.
Contributing Partner: UNT Libraries
El Arte Hiperólico de Gabriel García Márquez

El Arte Hiperólico de Gabriel García Márquez

Date: August 1971
Creator: Pérez Estrada, Carlos
Description: This thesis examines the fiction of the Columbian author Gabriel García Márquez, and focuses on hyperbole as a fundamental characteristic of Márquez's fiction. There is special interest in three aspects of his work: setting, people, and themes.
Contributing Partner: UNT Libraries
La Evolución Del Subalterno En Tres Novelas Mexicanas: La Negra Angustias, Balún Canán, Y Neonao

La Evolución Del Subalterno En Tres Novelas Mexicanas: La Negra Angustias, Balún Canán, Y Neonao

Date: May 2013
Creator: Bowen, LaVerne Alexandra
Description: The subaltern is a recurrent literary figure in Mexican narrative. The objective of this thesis is to investigate three ethnic groups – indeed, subalterns – in Mexico which include: Afro-Mexicans, indigenous groups, and Filipino colonial subjects from the perspectives of the Mexican Revolution, post-revolutionary Mexico, and the conquest of the Philippines in the sixteenth century. The principal characters play crucial roles in events shaping the history and culture of Mexico and thus demonstrate their importance to the country's development while also revealing the reality of subalterns. The literary research shows that trying circumstances or a lack of self-identity were the main causes for a character to be or become a subaltern in addition to their inherent ethnic disadvantages. However, the characters who overcame their subaltern state often changed personality traits or adapted to their surroundings in order to be assimilated into the majority culture.
Contributing Partner: UNT Libraries
La Tradición Erótica Y La Vanguardia En La Poesía De Ernestina De Champourcín

La Tradición Erótica Y La Vanguardia En La Poesía De Ernestina De Champourcín

Date: December 2011
Creator: Lazarus, Mirta L.
Description: The unfolding of eroticism always has been controlled socially; its expression forbidden for the women and accepted for the men. Ernestina de Champourcín’s poetry is an example of the presence of eroticism and the Avant-Garde in Spanish poetry. Champourcín becomes a member of the Generation of ‘27 after appearing in the prologue of Gerardo Diego’s anthology, Poesía Española Contemporßnea (1934). According to this thesis, the shortage of studies on her work is due to her exile, not to the Spanish Civil War. The exposition celebrates the life and work of Champourcín and studies the relationship between the Avant-Garde and sensuality in her poetry and in poems of Pedro Salinas and Vicente Aleixandre. It compares their individual handling of the Avant-Garde, the sexual act, and love, and concludes that Champourcín’s poetry is as Avant-Garde and erotic as the works of her companions of the Generation of ‘27.
Contributing Partner: UNT Libraries
El Pensamiento de José Martí tergiversado como Ideología Política y de Lucha por la Revolución Cubana

El Pensamiento de José Martí tergiversado como Ideología Política y de Lucha por la Revolución Cubana

Date: December 2011
Creator: Hidalgo, Ángel L.
Description: The political ideologies that Martí envisioned of an America free from the inherited yoke of European ideals were taken by Fidel Castro as an anti-imperialist discourse. Therefore, Marti’s political vision on the power that the United States began to carry out at the end of the 19th century and the beginning of the 20th century was an excellent strategy to establish the anti-imperialist character of the Cuban revolution. Since 1961, Castro set Martí as the face of his Marxist-Leninist ideology to institute his anti-American philosophy; Castro created a myth of Marti’s persona, and converted him into the bastion of his political ideology. As a result, Castro distorted the revolutionary ideas of Marti’s. Castro proposed his ideas out of context and portrayed the incorrect idea of this great thinker and poet. Martí’s human ethic and love for the independence of Cuba placed Martí as a liberator of revolutionary and progressive ideas of his generation. Martí was not thought as a dictator and never was a man who lacked democratic values. The expressed analytical assimilation of Martí on his sociopolitical and economic juncture that was presented in America and Cuba was used to trace the political anti-imperialist propaganda by the dictatorial regime ...
Contributing Partner: UNT Libraries
El ékfrasis en la Poesía De Manual Machado

El ékfrasis en la Poesía De Manual Machado

Date: May 2011
Creator: Carrillo, Yolanda
Description: Manuel Machado is known as one of the most innovative Spanish modernist poets of the twentieth century. Despite his recognition as a literary figure in Spain, the mimetic descriptions in Machado's poetics are interpreted as mere innovations in Spanish poetry. Those mimetic descriptions are examples of ekphrasis in Spanish literature. Ekphrasis is both a literary and representational art. The mimetic dimension in Machado's poetry is ignored or misinterpreted by the critics of his poetics. This study written in Spanish investigates the use of ekphrasis in terms of Machado's poetic style. An analysis of Manuel Machado's ekphrastic poems will determine: ekphrastic poetry is a representational art; how visual and acoustic aspects of Machado's poems create enargeia; and the manifestation of ekphrasis in Spanish verse. In using Machado's poems, this project will contribute to future explorations of ekphrasis in Spanish literature.
Contributing Partner: UNT Libraries
The Ideological Appropriation of La Malinche in Mexican and Chicano Literature

The Ideological Appropriation of La Malinche in Mexican and Chicano Literature

Date: August 2013
Creator: Moriel Hinojosa, Rita Daphne
Description: La Malinche is one of the most controversial figures in Mexican and Chicano literature. The historical facts about her life before and after the Spanish Conquest are largely speculative. What is reliably known is that she had a significant role as translator, which developed into something of mythic proportions. The ideological appropriation of her image by three authors, Octavio Paz, Laura Esquivel and Cherríe Moraga, are explored in this thesis. The full extent of the proposed rendition of La Malinche by Octavio Paz is the basis of the second chapter. The conclusion drawn by Paz, in The Labyrinth of Solitude (1950) is that La Malinche is what he calls la chingada [the raped/violated one] and proposes that all women are always open to conquest, sexually and otherwise. Laura Esquivel's novel Malinche (2006) is a re-interpretation that focuses on the tongue as the source of power and language as the ultimate source of autonomy for La Malinche. This aspect of La Malinche and the contrast of Paz's understanding are the basis of the third chapter of this thesis. Cherríe Moraga, in Loving in the War Years (1983), proposes that if women are to be traitors, it is not each other that ...
Contributing Partner: UNT Libraries
El Arquetipo Del Narco Mexicano En La Novela, El Cine, Y La Música

El Arquetipo Del Narco Mexicano En La Novela, El Cine, Y La Música

Date: May 2014
Creator: González, Jesús Ángel
Description: Various groups of Mexican culture have assigned to el narco archetypical characteristics of a heroic figure in the literary, visual, and auditory arts. As a result, today’s narcocultura has expanded its tentacles to a vast array of prominent industries, such as publishing companies, the silver screen, and recording studios. El narco is no longer seen by some sectors as the outlaw that stalks our society but, instead, as a hero who fights against a hegemonic faction to reclaim his sovereignty. This thesis unites interdisciplinary observations of the narco phenomena that Mexican culture has assigned to the iconic figure of el narco. The purpose of this work is to recreate the evolutionary development through a theoretical-literary analysis of this prototype in order to better understand Mexican society’s stance on this phenomenon. Octavio Paz’s theory of the Mexican psyche, Joseph Campbell’s theory of the hero’s journey, and an interdisciplinary focus will be employed to analyze this iconic figure. In this thesis, my aim is to investigate how an ultra-conservative Mexican society evolved into a consortium that upholds the narco’s indistinct behaviors and actions. What roles do first world governments and the Mexican state play to fortify, eradicate, or control the narco phenomenon? ...
Contributing Partner: UNT Libraries
Antón Arrufat’s “Los Siete Contra Tebas”: Political Allegory and Anthropological Concepts As Vehicles to Portray Theatrical and Social Conflict

Antón Arrufat’s “Los Siete Contra Tebas”: Political Allegory and Anthropological Concepts As Vehicles to Portray Theatrical and Social Conflict

Date: August 2014
Creator: Gosch, Elizabeth Anna
Description: This thesis (i) presents a critical analysis of the political allegory and dramatic elements employed by Antón Arrufat in Los siete contra Tebas in order to comment upon the conflict in Cuban society during and immediately after the Cuban revolution; and (ii) further analyzes that conflict using an anthropological approach in order to establish partial reintegration as an additional final phase in the rites of passage journey.
Contributing Partner: UNT Libraries
La Búsqueda De La Identidad Femenina En Las Novelas De Dos Autoras Mexicanas

La Búsqueda De La Identidad Femenina En Las Novelas De Dos Autoras Mexicanas

Date: May 2015
Creator: Shrefler, Carmen Lara
Description: The novel is one means by which writers can provide examples of the possibilities for women in patriarchal societies to seek greater independence. Sabina Berman (1955- ) and Silvia Molina (1946- ) are modern day Mexican novelists whose writings support the betterment of the female condition in this Latin American society. This study focuses on these two authors and describes and analyzes several of their female protagonists who can be characterized as being in search of their self-identity and self-realization. The novels of interest are La Bobe (2006) and La Mujer que Buceó Dentro del Corazón del Mundo (2010) by Sabina Berman and La Mañana Debe Seguir Gris (1977) and El Amor Que Me Juraste (1998) by Silvia Molina. The theoretical framework used to analyze these novels is based on The Second Sex by Simone de Beauvoir and on the writings of the Mexican author Rosario Castellanos. These novels provide examples of how women can challenge patriarchal social norms in order to seek their identity as an individual and their self-realization. However, to do this, women must be willing to accept the risks and costs that may accompany this self-searching. By seeking identity women can satisfy their longings and desires, ...
Contributing Partner: UNT Libraries
The Influence of Emile Zola's Naturalism on the Novels of Vicente Blasco Ibáñez

The Influence of Emile Zola's Naturalism on the Novels of Vicente Blasco Ibáñez

Date: August 1938
Creator: Blackburn, Carolee
Description: It is my purpose in this thesis to show any influence that Emile Zola's Naturalism had on the novels of Blasco Ibáñez.. Because the novels of the Spanish author contain many suggestions of the Zolaesque theory of Naturalism, many literary critics have assumed that he did obtain much of his inspiration from this source; they have even called him the "Spanish Zola." I shall try to determine how much he imitated Zola's Naturalism, and to show to what extent it is correct to call him the "Spanish Zola."
Contributing Partner: UNT Libraries
Dehumanization in the Theater of Valle-Inclán and Muñiz

Dehumanization in the Theater of Valle-Inclán and Muñiz

Date: December 1979
Creator: Burgess, Debra S.
Description: This study proposes to establish an intrinsic relationship between Valle-Inclán and Muñiz based on the theme of dehumanization in their theater. It examines (1) the stylistic techniques which each playwright uses to depersonalize his characters, (2) the manner in which these characters dehumanize each other, (3) the role of society as the agent of dehumanization, and finally, due to each author's preoccupation with one social convention in particular (4) the devastating effects on men of the vestiges of an outmoded code of honor. The principal works used for the study are Valle-Inclán's Martes de carnaval, Luces de Bohemia, and Divinas palabras, and El tintero, Un solo de saxofón, Las viejas difíciles, and El grillo by Carlos Muñiz. Such an analysis proposes to reveal a profound literary affinity between these two writers, a bond which unites Valle-Inclán and Muñiz in a common protest against the dehumanization of mankind.
Contributing Partner: UNT Libraries
El Cine De Terror Español Como Espejo De La Cultura Española

El Cine De Terror Español Como Espejo De La Cultura Española

Access: Use of this item is restricted to the UNT Community.
Date: May 2014
Creator: Donahue, Tyler
Description: This study traces the history and culture of Spain as seen through the lens of the nation´s production of horror cinema. Starting from the boom of Spanish horror film in the early 1960s, the thesis compares and contrasts the political and social aspects of Spanish society throughout three distinct eras of the 20th century: 1962 – 1975 (the boom of Spanish horror film through the Franco dictatorship), 1975 – 1999 (the transition to democracy through the end of the 20th century) and 2000 – present (the 21st century). Movies as diverse as Gritos en la noche (1962, Jesús Franco), ¿Quién puede matar a un niño? (1976, Narciso Ibáñez Serrador) and Angustia (1987, Bigas Luna) are framed by culturally-related anectodes as well as correlations to their respective social environments. Special attention has been paid to the production and release of each film, especially in regards to censorship during the Franco dictatorship. The results show that Spanish horror cinema has acted as a true mirror to culture, society and politics in its native country throughout the 20th century and that this trend will likely extend in to the future.
Contributing Partner: UNT Libraries
Spanish Migration in Contemporary Spanish Literature and Film

Spanish Migration in Contemporary Spanish Literature and Film

Date: August 2011
Creator: Arzac, Sergio
Description: Spain underwent drastic social and political changes in the last decades of the twentieth century which also affected the nation’s patterns of emigration. Contemporary Spanish literature and film that portray these decades reflect the country’s fluctuating characteristics of migration. ¡Vente a Alemania, Pepe! (1971) by Pedro Lazaga, Coto vedado (1985) by Juan Goytisolo, El hijo del acordeonista (2003) by Bernardo Atxaga, and Yoyes (2000) by Helena Taberna demonstrate Spain’s migration trends during the last years of Franco’s dictatorship and the transition to democracy. The nation’s highly increased socioeconomic development in the 1970s and 1980s which eventually led to a first-world status also affected emigration, which can be seen in Carlota Fainberg (1999) by Antonio Muñoz Molina, Kasbah (2000) by Mariano Barroso, Restos de carmine (1999) by Juan Madrid, and Map of the Sounds of Tokyo (2009) by Isabel Coixet.
Contributing Partner: UNT Libraries
FIRST PREV 1 2 NEXT LAST