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Musical Time and Memory: A Bergsonian Interpretation of Sergei Rachmaninoff's Prelude Op. 32 No. 10 in B Minor

Description: This study uses Bergson's concepts of duration and spontaneous (now termed episodic) memory to reveal how musical material in Rachmaninoff's Prelude Op. 32 No. 10 in B Minor (1910) turns back on itself in recurring remembrances of its own past, bringing the listener out of ordinary time; a process that mirrors themes both from Rachmaninoff's life, and Arnold Böcklin's Die Heimkehr, the painting that inspired this piece. Time perception slows or even suspends when one reflects on the past, eithe… more
Date: August 2018
Creator: Buxton, Robert S.
Partner: UNT Libraries
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A Performer's Guide to Samuil Feinberg's Sonata No. 6: A Window into Russian School Pianism

Description: Samuil Feinberg was an important performing pianist, composer, and one of the protagonists of Russian Piano School. Among his numerous piano compositions, the Sixth Sonata is one of the most complex and illustrative of his deeply personal musical ideas. The following performer's guide offers some ideas on interpreting and performing the sonata from the perspective of Russian school pianism. Having trained in Russia for nearly a decade with two of Feinberg's most eminent disciples and assistants… more
Date: August 2017
Creator: Georgievskaya, Liudmila
Partner: UNT Libraries
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A Pedagogical Analysis of Articulation, Balancing, Voicing, and Interpretation in Giuseppe Concone's Vingt Études Chantantes, Op. 30, for Upper Intermediate Piano Students

Description: Giuseppe Concone's piano études number over a hundred, and are collected in seven various sets. They consist of pieces for elementary, intermediate, and advanced level pianists. A few of them have been printed in anthologies but most of them remain unknown. The present research consists of two parts: an overview of Concone's complete sets of piano études, and a detailed analysis of Op. 30, with a detailed focus on articulation, balancing, voicing, and interpretation. First is a brief overview o… more
Date: December 2017
Creator: Cao, Chenyi
Partner: UNT Libraries
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The Artistic Image in "Twelve Children's Pieces of Medium Difficulty," Op. 31 by Reinhold Gliere (1875–1956)

Description: In his Art of Piano Playing, the renowned Russian pianist and teacher Heinrich Neuhaus asserts that the concept of an "artistic image" can give musical meaning to the score, help pianists to understand the musical content of a composition, and help students to find pianistic expression in the details. The concept of artistic image can be applied in pedagogy, guiding young pianists to learn content and organize their practice. The artistic image is the picture of a musical idea and the musical l… more
Date: August 2021
Creator: Wu, Yuan Nessa
Partner: UNT Libraries
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Seven Nocturnes for Solo Piano: An Original Composition with Critical Essay and Suggestions for the Performer

Description: The present dissertation consists in an original composition for solo piano, titled Seven Nocturnes (2020). The score is preceded by a critical essay in which I discuss the overall aesthetic and formal qualities of the work, its musical, philosophical, theoretical, and historical background, as well as specific performance suggestions for future interpreters. Particular emphasis is given to the work's experimental use of musical time and original approach in relating expanded time with directio… more
Date: May 2021
Creator: Schwan, Thomas, 1985-
Partner: UNT Libraries
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A Comparative Analysis of the Orchestral and Piano Versions of Finlandia by Jean Sibelius in Relation to His Compositional Style, 1899–1904

Description: While he was composing his important orchestral tone poem Finlandia in 1899–1900, Jean Sibelius (1865–1957) made his own piano arrangement of it. The purpose of this study is to compare the piano arrangement and orchestral version and to see further the similarities with Sibelius's other piano compositions from the same time period (1899-1904). Through this study I have found compositional patterns, which are typical for the composer and defined his composition style for piano during his "Kalev… more
Date: May 2021
Creator: Teppo, Ruusamari
Partner: UNT Libraries
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The First Movements of Sergei Bortkiewicz's Two Piano Sonatas, Op. 9 and Op. 60: A Comparison including Schenkerian Analysis and an Examination of Classical and Romantic Influences

Description: The purpose of this study is to analyze the first movements of Sergei Bortkiewicz's two piano sonatas and compare them with works by other composers that may have served as compositional models. More specifically, the intention is to examine the role of the subdominant key in the recapitulation and trace possible inspirations and influences from the Classical and Romantic styles, including Mozart, Beethoven, and Schubert. The dissertation employs Schenkerian analysis to elucidate the structure … more
Date: August 2021
Creator: Chen, Yi Jing
Partner: UNT Libraries
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Navigating Musical Tensions: African American Themes against Western Structure in Florence B. Price's (1887-1953) Piano Sonata in E minor

Description: Florence Price (1887–1953) was one of the most important African American woman composers of the early twentieth century. Price's music is known for combining techniques of Western art music with elements of the African American musical heritage. Although Price composed many works for piano, from large virtuoso pieces to characteristic miniatures, this study will address only her Piano Sonata in E minor. The purpose of this study is to analyze this sonata and discuss her compositional technique… more
Date: December 2021
Creator: Chun, Yeo Hun
Partner: UNT Libraries
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Louis Vierne’s Pièces de Fantaisie, Opp. 51, 53, 54, and 55: Influence from Claude Debussy and Standard Nineteenth-Century Practices

Description: The purpose of this research is to document how Claude Debussy’s compositional style was used in Louis Vierne’s organ music in the early twentieth century. In addition, this research seeks standard nineteenth-century practices in Vierne’s music. Vierne lived at the same time as Debussy, who largely influenced his music. Nevertheless, his practices were varied on the basis of Vierne’s own musical ideas and development, which were influenced by established nineteenth-century practices. This resea… more
Date: May 2016
Creator: Lee, Hyun Kyung (Organist)
Partner: UNT Libraries
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A Guide to Franz Liszt's Piano Transcriptions of Franz Schubert's Songs

Description: Franz Liszt (1811-1886) made fifty-six transcriptions of Schubert's songs over a period of eight years (1838-46) to introduce the name of the composer, who was little known both in and outside Vienna during his lifetime. Because Liszt intentionally preserved all the details of the original songs, these transcriptions present challenges for a pianist, such as how to produce a vocal line on the piano, as well as interpretive issues such as ornamentation, style, and conveying the meaning of the ly… more
Date: May 2017
Creator: Kim, Ah Young
Partner: UNT Libraries
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"Mich dürstet" (I Thirst) by Younghi Pagh-Paan and the Jeju 4.3 Incident: Images and Piano Textures

Description: Younghi Pagh-Paan is a female Korean-German composer. Although being a prolific composer, she has only twice composed for piano solo. Pagh-Paan's Mich Drüstet (I Thirst) is a piano solo work and based on the tragedy in Korea, the Jeju 4.3 Incident in 1948. Even though the Jeju 4.3 incident triggered mora than 30,000 casualties, I Thirst is the only music to commemorate the incident, as commissioned by the pianist Kaya Han. This study of I Thirst highlights her musical textures for the piano and… more
Date: August 2019
Creator: Kim, Seongkyul
Partner: UNT Libraries
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A Comparative Study of Polyphonic Techniques in Chang-Lei Zhu's Ballade for Solo Piano

Description: In Chinese contemporary piano music, large-scale piano compositions featuring innovative polyphonic musical languages are rarely found. Chang-Lei Zhu's Ballade for Solo Piano represents his development of contrapuntal techniques passed on from J. S. Bach and Dmitri Shostakovich in their polyphonic works for solo keyboard or piano. This study focuses on an analysis of Zhu's Ballade as an idiosyncratic composition that makes a significant contribution to the Chinese contemporary piano music reper… more
Date: August 2019
Creator: Rong, Xing
Partner: UNT Libraries
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A Pedagogical Guide to Henglu Yao's "Mikrokosmos from Chinese Nationalities" and Its Parallels with Béla Bartók's "Mikrokosmos"

Description: Henglu Yao is a contemporary Chinese composer who has composed a large number of intermediate piano works using a blend of traditional Chinese musical elements and modern Western compositional techniques. This dissertation uses Yao's Mikrokosmos from Chinese Nationalities, composed in 2017, to conduct a comparative study with last three volumes of Bartók's Mikrokosmos, exploring the folk music characteristics of the two composers' respective nationalities. Furthermore, this dissertation observe… more
Date: December 2022
Creator: Zhao, Han
Partner: UNT Libraries
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A Pedagogical Guide to "Distant Voices" (1999) by Ping Gao (b. 1970)

Description: Ping Gao is a composer-pianist in China. The purpose of this research is to provide a pedagogical analysis of Ping Gao's solo piano suite Distant Voices (1999), with intent to introduce Chinese folk music and contemporary characteristics in the twentieth century to early advanced piano students. After an introduction, chapter 2 presents an overview of Ping Gao's biographical information and his compositional style. Chapter 3 provides resources and information of folk music tradition related to … more
Date: December 2022
Creator: Wang, Yiting
Partner: UNT Libraries
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An Investigation of the Relationships between Memory Strategies, Performance Anxiety, and Memory Lapses among Classical Pianists

Description: Unlike most other musicians, pianists need to play by memory during their recitals, juries, etc. Doing so can greatly influence the intensity and frequency of anxiety due to potential memory slips when performing. The purpose of this study is to examine the relationship between memory strategies, experiences with memory lapses, and performance anxiety among classical pianists. The specific aims of the study are to: (1) characterize demographics, performance practices, and memorization strategie… more
Date: August 2021
Creator: Kim, Min Kyung, 1983-
Partner: UNT Libraries
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The Rise and Fall of Piano Improvisation in Western Classical Music Performance: Why Today's Piano Students Should be Learning to Improvise

Description: Improvisation is an art form which has arguably been present since the existence of music itself. Inventing music on the spot, like spontaneous speech, is a common expression of artistry throughout history and across musical boundaries. While improvisation has maintained its importance in jazz, classical organ music and the music of many eastern cultures, this dissertation will focus on the presence of improvisation as acceptable performance practice within the tradition of western classical mu… more
Date: May 2020
Creator: Vigran, Joshua
Partner: UNT Libraries
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The Keyboard Toccatas of Michelangelo Rossi (ca. 1602-1656): Performance Perspectives for Organists

Description: This dissertation provides comprehensive performance perspectives for the interpretation of the published keyboard toccatas by Michelangelo Rossi (ca.1602-1656) in his collection, Toccate e Correnti d'Intavolatura d'Organo e Cimbalo (c. 1634). This document consults the following sources on keyboard practice in the early-Baroque period: Girolamo Diruta's Il Transilvano Dialogo Sopra Il Vero Modo Di Sonar Organi, & Istromenti da penna (1593); Adriano Banchieri's Conclusioni nel Suono dell'Organo… more
Date: December 2019
Creator: Van Rooyen, Hentus
Partner: UNT Libraries

Tchaikovsky's Piano Concerto No. 1 In B-Flat Minor, Op. 23: A Newly Arranged Edition of the Orchestral Reduction

Description: As it stands, only one arrangement of Tchaikovsky's Piano Concerto No. 1, Op. 23 orchestral reduction exists, which is by Tchaikovsky himself. A number of critical editions of the piece exist, but none of them cover the subject of the material within the orchestral reduction. Tchaikovsky wrote the reduction from a compositional rather than a pianistic perspective, thus some passages present awkward technical challenges. The purpose of this dissertation is ultimately to contribute to the reperto… more
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Date: December 2019
Creator: Parys, Marcin
Partner: UNT Libraries

A Study of Selected Pedagogical Aspects of Two Intercultural Pieces for Late Intermediate and Early Advanced Students: "Variations sur un thème populaire coréen" by Sung-Ki Kim and "Six Pieces for Piano ‘Nori'" by Chung-Sock Kim

Description: I contend that young students should be introduced to intercultural contemporary music, as this exposure brings benefits to their artistic development and fosters appreciation of other cultures. Variations sur un thème populaire coréen by Sung-Ki Kim (b. 1954) and Six Pieces for Piano ‘Nori' by Chung-Sock Kim (b. 1940) are effective pedagogical works that fit perfectly into the intercultural mold mentioned above, and both are suitable for late intermediate or early advanced level students. A de… more
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Date: December 2019
Creator: Choi, Yujin
Partner: UNT Libraries
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A Holy Night: 10 Arrangements of Timeless Carols: Preparing Early Advanced Piano Students for Standard Repertoire

Description: It is often challenging for early advanced piano students to move from intermediate level repertoire to standard repertoire because the techniques and difficulties present in the new repertoire are simply too overwhelming for them. "A Holy Night: 10 Arrangements of Timeless Carols" can help bridge the gap between the two repertoire categories by introducing several advanced techniques and combinations of techniques to early advanced students in a non-overwhelming way. Several standard technique… more
Date: December 2019
Creator: Nahkur, Hando
Partner: UNT Libraries

Uncovering Fanny Hensel's "Das Jahr": Creating an Urtext Edition that Addresses Selected Technical and Interpretive Issues through Added Fingerings and Pedal Markings

Description: Das Jahr is considered Fanny Hensel's most impressive accomplishment of piano solo work. However, the only modern edition that is extant includes many additional editorial markings. By further analyzing the sections that are technically challenging or musically demanding from an interpretive standpoint, pianists wishing to perform the work will have to find workable fingerings and pedal markings to learn this piano cycle. For this reason, this dissertation will not only provide readers with an … more
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Date: December 2019
Creator: Huang, Szu Ying
Partner: UNT Libraries
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Let Music Speak Day and Night: A Performance Guide for George Enescu's "Impressions D'enfance for Violin and Piano"

Description: In the world of chamber music, programmatic suites are more rarely composed and consequently more rarely presented in recital than other musical forms. Perhaps partially for this reason, George Enescu's Impressions d'enfance for violin and piano, his last chamber piece written in the tumultuous year of 1940, has been overlooked for a long time; even the composer himself did not make a recording of this seldom performed piece. This dissertation examines Impressions d'enface in order to explore t… more
Date: December 2020
Creator: Huang, Chenshayang
Partner: UNT Libraries
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A Performance Guide to Wu Yiming's "A Poem Carved in Stone"

Description: A Poem Carved in Stone, a work for piano solo by Washington DC-based Chinese composer Wu Yiming was composed in Spring 2020 and is dedicated to the author of this dissertation. The piece is inspired by the poetry of Han Shan, a recluse who lived during the Tang Dynasty (618-907 A.D.). His poetry is in Chan (Zen) tradition. Wu depicts the imagery and philosophy in Han Shan's poetry through highly complex rhythms, extreme sound effects and pitches, tone clusters, and extended piano techniques. T… more
Date: December 2020
Creator: Xie, Dongni
Partner: UNT Libraries
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Piano Concerto No. 1 In E Minor, by Emil Sauer: A Stylistic and Historical Argument for Its Relevance to the Piano Literature

Description: In 1895, Emil Georg Conrad Sauer (1862-1942), a world-renowned German pianist and former student of Franz Liszt wrote his first piano concerto, which was published five years later in 1900. Sauer performed it extensively to enthusiastic crowds in Europe and the United States while on tour during the next several years. Then it vanished from the concert repertoire. It is no longer performed and has only been commercially recorded once. The purpose of this dissertation is to establish why it migh… more
Date: May 2021
Creator: Ulasiuk, Dzmitry
Partner: UNT Libraries
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