Virgin and Child with Saints Catherine and Sebastian

Virgin and Child with Saints Catherine and Sebastian

Access: Use of this item is restricted to the UNT Community.
Date: 1627/1628
Creator: Rubens, Peter Paul
Description: The detail of the painting shows the figure wearing a loin cloth and holding a quiver of arrows.
Contributing Partner: UNT College of Visual Arts + Design
Virgin and Child with Saints Catherine and Sebastian

Virgin and Child with Saints Catherine and Sebastian

Access: Use of this item is restricted to the UNT Community.
Date: 1627/1628
Creator: Rubens, Peter Paul
Description: The detail of this painting shows the woman and child on top of the pedestal.
Contributing Partner: UNT College of Visual Arts + Design
Virgin and Child with Saints Catherine and Sebastian

Virgin and Child with Saints Catherine and Sebastian

Access: Use of this item is restricted to the UNT Community.
Date: 1627/1628
Creator: Rubens, Peter Paul
Description: The painting illustrates a group of people gathered around a woman and child on a raised pedestal. The brushstrokes are loose and muted in color.
Contributing Partner: UNT College of Visual Arts + Design
Mirror with Rock Salt (Salt Mine and Museum Proposal)

Mirror with Rock Salt (Salt Mine and Museum Proposal)

Access: Use of this item is restricted to the UNT Community.
Date: 1968
Creator: Smithson, Robert
Description: Sketch used for art project proposal for Mirror with Rock Salt work.
Contributing Partner: UNT College of Visual Arts + Design
Non-Linear and Multi-Linear Time in Beethoven's Opus 127: An Analytical Study of the "Krakow" Sketch Materials

Non-Linear and Multi-Linear Time in Beethoven's Opus 127: An Analytical Study of the "Krakow" Sketch Materials

Date: August 2010
Creator: Lively, Michael
Description: Beethoven's complex manipulation of formal structures, especially his tendency to build important connections and transformative continuities between non-adjacent sections of musical works, may be seen to function as an attempt to control and sometimes to distort the listener's perception of both the narrative process of musical directionality, as well as the subjective interpretation of time itself. Temporal distortion often lies at the heart of Beethoven's complex contrapuntal language, demonstrated equally through the composer's often enigmatic disruption of phrase-periodic gestures, as well as by occasional instances of overtly incongruous temporal shifts. The "Krakow" collection of compositional sketches for Beethoven's String Quartet in E-Flat, Op. 127, provides a number of instances of "non-linear" or "multi-linear" musical continuity. The term "Krakow" sketches, when referenced in this dissertation, specifically designates the group of Beethoven manuscripts possessed by the Biblioteka Jagiellońska in Krakow, Poland, but which formerly were held by the Royal Library in Berlin. Structural voice-leading analyses are provided for selected portions of the "Krakow" collection; these analyses are then compared to voice-leading graphs and analytical reductions of the corresponding material from Beethoven's published versions of the same musical passages. In some cases the sketches supply almost complete texts, for which critical transcriptions are ...
Contributing Partner: UNT Libraries