Diadoumenos, Roman marble copy of a Greek bronze sculpture by Polykleitos

Diadoumenos, Roman marble copy of a Greek bronze sculpture by Polykleitos

Access: Use of this item is restricted to the UNT Community.
Date: unknown
Creator: Polykleitos
Description: The male figure is seen from the right front side. He is in the contrapposto pose. The marble is light in color except the edge of the back side that is visible in this view. The statue is missing both of its hands.
Contributing Partner: UNT College of Visual Arts + Design
Cement and Artificial Stone Sculpture of Mexico

Cement and Artificial Stone Sculpture of Mexico

Date: June 1966
Creator: Bowling, Henry E.
Description: The intention of this study is not to present the technique as a new one in the realm of sculpture, but rather to investigate the various ways in which cement is being employed in the sculptural form and to point out its prominent use as well as the reasons for its popularity in Mexico.
Contributing Partner: UNT Libraries
The Life, Work, and Imprint of Elisabet Ney

The Life, Work, and Imprint of Elisabet Ney

Date: 1941
Creator: Bailey, Joe Harden
Description: This thesis discusses the life and influence of sculptor Elisabet Ney.
Contributing Partner: UNT Libraries
Art Criticism and the Gendering of Lee Bontecou's Art, ca. 1959 - 1964

Art Criticism and the Gendering of Lee Bontecou's Art, ca. 1959 - 1964

Access: Use of this item is restricted to the UNT Community.
Date: December 2005
Creator: Estrada-Berg, Victoria
Description: This thesis identifies and analyzes gendering in the art writing devoted to Lee Bontecou's metal and canvas sculptures made from the 1959 - 1964. Through a careful reading of reviews and articles written about Bontecou's constructions, this thesis reconstructs the context of the art world in the United States at mid-century and investigates how cultural expectations regarding gender directed the reception of Bontecou's art, beginning in 1959 and continuing through mid-1960s. Incorporating a description of the contemporaneous cultural context with description of the constructions and an analysis of examples of primary writing, the thesis chronologically follows the evolution of a tendency in art writing to associate gender-specific motivation and interpretation to one recurring feature of Bontecou's works.
Contributing Partner: UNT Libraries
The Suitability of Native Varieties of McLennan County Wood for Sculpture

The Suitability of Native Varieties of McLennan County Wood for Sculpture

Date: 1948
Creator: Moore, Joanne
Description: This thesis involves an investigation of the trees in McLennan County that were suitable for wood sculpture, or wood carving, giving special attention to the wood that could be used for wood sculpture projects in the junior-high-school art program.
Contributing Partner: UNT Libraries
The North Texan, Volume 39, Number 4, Fall 1989

The North Texan, Volume 39, Number 4, Fall 1989

Date: Autumn 1989
Creator: University of North Texas
Description: The North Texan includes articles and notes about University of North Texas students, faculty, and alumni activities.
Contributing Partner: University Relations, Communications & Marketing department for UNT
The North Texan, Volume 61, Number 2, Summer 2011

The North Texan, Volume 61, Number 2, Summer 2011

Date: Summer 2011
Creator: University of North Texas
Description: The North Texan includes articles and notes about University of North Texas students, faculty, and alumni activities.
Contributing Partner: University Relations, Communications & Marketing department for UNT
Activating Space within the Object and the Site

Activating Space within the Object and the Site

Date: May 2001
Creator: Provence, Dana Noel
Description: I look at the world as a sculptor, examining physical constructs and implied meanings. My current research developed from my earlier studies of “containment” or, more specifically, “encapsulation,” creating visual, often physical, boundaries around selected content. Encapsulation confers a more active role than “containment”, a process rather than a result. This idea speaks to the issues of form, and asks the viewer to question the outside “shape of the form” in relation to the inside shape and content. My work focuses on exposed interior spaces and forms, allowing the viewer to enter the space physically as well as mentally and psychologically. Built in a large enough scale, the viewer could actually become the content. The sculpture’s interpretation revolves around the seen as well as the unseen. I built this duality into my work by using transparent and opaque materials. I also implemented small diameter stainless steel rod along with the transparent and opaque vinyl to reduce forms to their respective shapes and volumes. This approach allowed me to clean the “slate” of an object’s collective meaning and context, adapting it to the intent of my work.
Contributing Partner: UNT Libraries
Exploration of Sculpture

Exploration of Sculpture

Access: Use of this item is restricted to the UNT Community.
Date: December 1999
Creator: Coldewey, Charles
Description: The images that I sculpt deal with reflections of human traits. Wood lends itself to this endeavor, offering minimal resistance to manipulation. Keeping the origin and qualities of the material while manipulating it into another object is a statement within itself. Letting the wood do what it does naturally keeps the viewer in touch with the fact it is still just an object of nature. Wood does not make itself any less real because of the relationship of the sculpture to it as wood.
Contributing Partner: UNT Libraries
The Exploration of Surface and Texture on the Inside and Outside of My Sculpture

The Exploration of Surface and Texture on the Inside and Outside of My Sculpture

Date: December 2002
Creator: Holt, John
Description: After generating work for many years in an intuitive, “truth to materials” mindset my intent was to explore the interior possibilities of my sculptural forms and relate these if possible, to the exterior. Alongside this exploration of the interior I introduced surface texture and color onto both interior/exterior surfaces. In some cases the work had undergone a change, which lent new meaning and provided new relationships to exist between the interior/exterior of my sculpture. Not all of the work was satisfactory to me, though I feel there were many positive results from work that may not have been successful. I found that the integration of the interior/exterior dialogue into my existing work provided new meaning allowing new relationships within the work that had not existed previously.
Contributing Partner: UNT Libraries
Moving in a New Direction: An Exploration in Kinetics

Moving in a New Direction: An Exploration in Kinetics

Date: August 2004
Creator: Illy, Etienne
Description: Movement, whether conveyed through an actual motion or a gestured implication, remains an underlying theme in my creative process that started with my earliest works. I explored different aspects of kinetic sculpture, because I am seeking new ways to create motion such as experimenting with circulating air, wind, and the use of water features. I created a series consisting of three to five kinetic sculptures which do not rely on sound or direct viewer manipulation.
Contributing Partner: UNT Libraries
Preconceived Notions of Scale Relationships

Preconceived Notions of Scale Relationships

Date: December 2002
Creator: McClung, Jeffrey Bruce
Description: I proposed in my paper to use juxtaposition of unexpected scale in my sculpture, with the expectation that it would create an unexpected tension that is visually stimulating to the viewer. I achieved this by creating disharmony in scale between an object that is perceived as miniature and an object that is perceived as gigantic within each sculpture. I then asked three questions of these sculptures: Was I able to alter the viewer's preconceived notions of the miniature and the gigantic through the manipulation of the size relationship between two objects within each sculpture? Which of these preconceived notions of the miniature or the gigantic became dominant as the main focal point in each sculpture? Did this intentional use of disharmony in scale stimulate enough of my interest to continue investigating this idea? I wrote about three sculptures that had been made for this project. The first was Manifest Destiny, a seven and a half foot tall bronze piece depicting an oil drill with a platform in the shape of the state of Texas. On the platform a gigantic bronze figure rides a miniature bronze donkey across the platform. The second bronze sculpture I wrote about was Gulliver in Suburbia; ...
Contributing Partner: UNT Libraries
The Unreadable Word

The Unreadable Word

Date: May 2004
Creator: McGehearty, Eric
Description: This autobiographical problem in lieu of thesis explores the subject matter of the sculpture, revolving around the issues of dyslexia and literacy, and builds upon the idea of metaphor and its function in relationship to the sculpture. The four visual and conceptual elements that are emphasized are: (a) the juxtaposition and arrangement of elements and materials; (b) inability to open the books; (c) alteration of the text to make the words illegible, by creating words that are fuzzy or transparent; and (d) repetition and scale. Also discussed are ideas of post modern criticism with an emphasis on semiotics and writing of Derada in relationship to his contemporary analysis of his sculpture.
Contributing Partner: UNT Libraries
Man-Bull

Man-Bull

Date: August 2001
Creator: Staples, James M.
Description: This thesis presents a body of work that acknowledges Rural American landscape and the importance of its conservation. This conservation is not restricted to recognizing the rural landscape as strictly a natural resource, rather, a spiritual place that fosters a positive side of humanity.
Contributing Partner: UNT Libraries
Professional Widow

Professional Widow

Date: May 2004
Creator: McKinley, Katherine L.
Description: The focus of my graduate work was to figure my way through a variety of challenges and transitions I was going through as a graduate student and simply as a person finding my way through my education to discover who I am and who I want to become. Perhaps my themes didn't focus primarily on these events in a literal sense, but I think the transitions in my artwork have become obvious through my time spent at UNT and the variations on a theme I have dealt with. All of my work deals with love, attraction, repulsion and the consequences we deal with as human beings when we make choices according to whom we choose to have relations with. It became very important for me to deal with these issues in an effort to discover what my expectations of myself as an artist and a person are.
Contributing Partner: UNT Libraries
Art or Craft?

Art or Craft?

Date: May 2004
Creator: Snelson, Jason
Description: I chose to exhibit sculpture and classical style vessels together to encourage discussion about whether ceramics should be considered a fine art medium. I was interested in experimenting with different forms and textures in order to see which combination would captivate the viewing audience the longest. I found that massive textural sculptural forms held the attention of the viewer more so than did the classical smooth surfaced vessels.
Contributing Partner: UNT Libraries