Social emanations: Toward a sociology of human olfaction.

Social emanations: Toward a sociology of human olfaction.

Date: December 2007
Creator: Harris, Regina Gray
Description: Within the discipline of sociology human olfaction is rich with social significance yet remains a poorly charted frontier. Therefore, the following discourse is aimed toward the development of a foundation for the sociological study of olfaction. It is formed by the dual goals of unearthing the social history of olfaction and of providing a viable sociological account of the manner in which smells affect human ontology. From these goals arise the following research questions: (1) Have the meaning and social relevance of odors and the olfactory sensorium changed throughout different periods of history?; (2) How have those in the lineage of eminent sociological thinkers addressed the phenomenon of human olfaction during these periods?; and (3) What is the process by which aromatic stimuli are transformed from simple chemical compounds, drifting in the atmosphere, into sensations in a sensory field and then on to perceived objects, to subjects of judgment and interpretation, and finally to bases of knowledge which form and continually reform individuals in the world? The weaving of the sociohistorical tapestry of smell is undertaken to provide examples from thousands of years lived experiences as to the fluid and sociologically complex nature of individuals' olfactory senses. This historical information ...
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"Being" a Stickist:  A Phenomenological Consideration of "Dwelling" in a Virtual Music Scene

"Being" a Stickist: A Phenomenological Consideration of "Dwelling" in a Virtual Music Scene

Date: May 2010
Creator: Hodges, Jeff
Description: Musical instruments are not static, unchanging objects. They are, instead, things that materially evolve in symmetry with human practices. Alterations to an instrument's design often attend to its ergonomic or expressive capacity, but sometimes an innovator causes an entirely new instrument to arise. One such instrument is the Chapman Stick. This instrument's history is closely intertwined with global currents that have evolved into virtual, online scenes. Virtuality obfuscates embodiment, but the Stick's world, like any instrument's, is optimally related in intercorporeal exchanges. Stickists circumvent real and virtual obstacles to engage the Stick world. Using an organology informed by the work of Heidegger and Merleau-Ponty, this study examines how the Chapman Stick, as a material "thing," speaks in and through a virtual, representational environment.
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The Turn from Reactive to Responsive Environmentalism: The Wilderness Debate, Relational Metaphors, and the Eco-Phenomenology of Response

The Turn from Reactive to Responsive Environmentalism: The Wilderness Debate, Relational Metaphors, and the Eco-Phenomenology of Response

Date: December 2009
Creator: Christion, Timothy C.
Description: A shift is occurring in environmentalism to a post-metaphysical understanding of the human relationship to nature. Stemming from developments within the wilderness debate, ecofeminism, and eco-phenomenology, the old dichotomy between John Muir's tradition of privileging nature and Gifford Pinchot's tradition of privileging society is giving way to a relational paradigm that privileges neither. The starting point for this involves articulating the ontology of relationship anew. Insofar as the dominant metaphors of nature and their complimentary narratives present a choice between the agency of the human or the natural worlds, they encourage one-sided or "reactive" relationships to the world. By contrast, developments sensitive to the mutual agency between them encourage "responsive" relationships. The relational metaphors of "partnership" (Merchant) and "dialogue" (Plumwood) are prominent examples. The idea of "nonhuman agency," however, is counter-intuitive and problematic. The works of Buber, Heidegger, and Merleau-Ponty suggest a model of "mutual response" rather than "mutual agency."
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Complementary Dualities: The Significance of East/West Architectural Difference in Paquimé

Complementary Dualities: The Significance of East/West Architectural Difference in Paquimé

Date: August 2005
Creator: Hughes, Delain
Description: This thesis provides the first formal and phenomenological analysis of the architecture in Paquimé, otherwise known as Casas Grandes, Chihuahua, Mexico. The eastern and western halves of the city are divided by a stone wall and reservoirs. The monuments on the east are rectilinear, puddled adobe structures used primarily for domestic and manufacturing purposes. The buildings on the west, on the other hand, are open earth mounds lined in stone for public displays. This thesis analyzes each building individually, the relationship of the structures to one another, and the entire layout of Paquimé in order to better understand Paquimian visual culture.
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Sounding sacred: Interpreting musical and poetic trances.

Sounding sacred: Interpreting musical and poetic trances.

Date: May 2006
Creator: Mickey, Samuel Robert
Description: This essay investigates the relationship between trance and various musical and poetic expressions that accompany trance when it is interpreted as sacred. In other words, the aim of this investigation is to interpret how experiences of the entrancing power of the sacred come to expression with the sounds of music and poetry. I articulate such an interpretation through the following four sections: I) a discussion of the basic phenomenological and hermeneutic problems of interpreting what other people experience as sacred phenomena, II) an account of the hermeneutic context within which modern Western discourse interprets trance as madness that perverts the rational limits of the self, III) an interpretation of the expressions of trance that appear in the poetry of William Blake, and IV) an interpretation of expressions of trance that appear in the music of Afro-Atlantic religions (including Vodu in West Africa, Santería in Cuba, and Candomblé in Brazil).
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Photographic metaphors: A multiple case study of second language teachers' experiences using the acquisition model.

Photographic metaphors: A multiple case study of second language teachers' experiences using the acquisition model.

Access: Use of this item is restricted to the UNT Community.
Date: May 2006
Creator: DeLaCruz-Raub, Jeanne Marie
Description: The purpose of this study was to examine and document second language teachers' perceptions of their implementation of a meaning-making approach, known as the Acquisition Model, to second language instruction. Of particular focus were the concerns and strategies the second language teachers experienced when changing their pedagogical practice from mechanical to meaning making. The main research question, which guided this study, was: "What is the 'lived experience' of L2 teachers as they implement an innovative pedagogy to teach a second language?" The researcher addressed this research question through Max van Manen's (1990) six step phenomenological method, "Researching Lived Experience" and image-based research techniques (i.e., photo elicitation and reflexive photography). In addition, the researcher also created and applied an innovative data collection technique, which she called Collaborative Imagery. Findings from this study generated various implications in the areas of second language education, curricular change, teacher reflection, image-based research, and educational research.
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Voices of worth- listening to teachers: A phenomenological study of professional development and instructional change.

Voices of worth- listening to teachers: A phenomenological study of professional development and instructional change.

Date: May 2009
Creator: Roberts, Jennifer A.
Description: The purpose of this phenomenological study was to describe and explain teachers' perceptions about effective professional development as well as to identify the environmental factors that affect the teacher participants' ability to engage in and implement various behaviors and beliefs transferred from the professional development experience. Four teachers were studied in depth for one school year, and data collected included in-depth interviews and classroom observations. Findings indicate three main themes related to the research questions, which sought to understand how teachers perceive and describe their experiences of participating in professional development and the factors that support or constrain their instructional decision-making as it relates to new knowledge and skills acquired through professional development. These themes are that: (a) Effective professional development must have a supportive context and meaningful purpose which: meets the physical and cognitive needs of participants; focuses on improving practice, content knowledge, and pedagogy; provides participants with choice, adequate time and ownership of learning experiences; and includes opportunities for sustained learning and accountability; (b) Learning experiences are greatly affected by interpersonal relationships and opportunities for social learning and should be built upon the principles of: taking risks in the learning environment; sharing beliefs in a community of practice ...
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A Phenomenological Inquiry of Media Literacy of Middle School Students Enrolled in a North Texas Middle School.

A Phenomenological Inquiry of Media Literacy of Middle School Students Enrolled in a North Texas Middle School.

Date: December 2008
Creator: Payne, Sara M.
Description: This dissertation investigated the media literacy experiences of middle school students enrolled in a Texas school. The literature review suggested that middle school students may be overlooked as a distinct population in media literacy research. The primary guiding questions for this inquiry were (1) How is media literacy exhibited by middle school students within a formal school context? (2) How does an elective film and media class impact middle school students' media literacy? And (3) How do middle grade students' responses to media correspond with theoretical models for media literacy? The phenomenological research methodology included a reflective analysis of students' textual responses to non-print media clips (N=24) and a reflective analysis of follow-up personal interviews with a smaller group of middle school participants (n=5). A questionnaire completed by participants provided descriptive statistics about the sample group. Additionally, theoretical models of media literacy were used to evaluate participants' media responses in relation to theoretical constructs for media literacy. The findings resulted in 11 emergent themes which can be used to further discourse about media literacy and its role in middle school curriculum. The dissertation includes implications for educators based upon the emergent themes, as well as recommendations for further research.
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Similarities Between Near-Death Experiences and Multiple Personality Disorder

Similarities Between Near-Death Experiences and Multiple Personality Disorder

Date: Autumn 1992
Creator: Serdahely, William J.
Description: Abstract: In this paper I compare the phenomenology of near-death experiences to that of multiple personality disorder. The comparison reveals a number of similarities, including out-of-body experiences, the transcendental environment, encounter with the higher self, possible temporal lobe involvement, and antecedent child abuse. Rather than being disparate and unrelated experiences, I suggest that the near-death experience and multiple personality disorder may be variants of the same basic phenomenological pattern.
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Comments on "A Neurobiological Model for Near-Death Experiences"

Comments on "A Neurobiological Model for Near-Death Experiences"

Date: Summer 1989
Creator: Rodin, Ernst
Description: Article outlining the author's opinions and comments regarding a paper written by Juan C. Saavedra-Aguilar and Juan S. Gómez-Jeria, which approaches near-death experiences from a biological/neurological standpoint rather than a spiritual one.
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Comments on "A Neurobiological Model for Near-Death Experiences"

Comments on "A Neurobiological Model for Near-Death Experiences"

Date: Summer 1989
Creator: McHarg, James F.
Description: Article outlining the author's opinions and comments regarding a paper written by Juan C. Saavedra-Aguilar and Juan S. Gómez-Jeria, which approaches near-death experiences from a biological/neurological standpoint rather than a spiritual one.
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Commentary on Jansen's Paper

Commentary on Jansen's Paper

Date: Autumn 1997
Creator: Morse, Melvin L.
Description: Abstract: Karl Jansen raises a fundamental and exciting question: Is humankind's consciousness the result of neuronal function, or are there extracerebral aspects as well? While his neurotransmitter model of near-death experiences (NDEs) is well described, I find his supporting evidence weak. Methodological differences between studies of ketamine hallucinations and near-death experiences (NDEs) raise doubts about how similar those experiences are phenomenologically. While Jansen's model has electrifying implications, the data required to support his conclusions do not yet exist.
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Prolegomena to a Phenomenology of Music: A Comparative Study of Arnold Schoenberg and Edmund Husserl

Prolegomena to a Phenomenology of Music: A Comparative Study of Arnold Schoenberg and Edmund Husserl

Date: August 1973
Creator: Kimmey, John A.
Description: Chapter One introduces the problem that existed in music and logic-psychology at the end of the 19th century. Both music and logic-psychology were in the cul-de-sac of relativism, which had led to obscurity of method and language. Asthetics-criticism is seen to be in the same relativistic position. It is postulated that phenomenological method could aid in music criticism and aesthetic awareness. The second chapter presents a motivic, or Idea, analysis of Schoenberg's second and third string quartets, showing how the twelve-tone method was developed as a way of curing musical composition of the tonal obscurity of late Romanticism. The third chapter is a short exposition of Husserl's development of phenomenological method from his initial work in logic and mathematics to transcendental phenomenology. Chapter Four discusses some of the methodological parallels between Schoenberg and Husserl. Parallels are drawn from all creative periods of their respective work. Chapter Five focuses on similar problems raised in contemporary aesthetic-criticism and their relationship to the methods of Husserl and Schoenberg. Showing how both men solved their problems, a solution is projected for aesthetics-criticism.
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Environmental Imagination: the Constitution and Projection of a Sustainable Ethos

Environmental Imagination: the Constitution and Projection of a Sustainable Ethos

Access: Use of this item is restricted to the UNT Community.
Date: December 2014
Creator: Day, Philip Garrett
Description: This dissertation provides a theoretical analysis and examination of the role of imagination in the formation of an environmental ethos. The majority of ethical theories in environmental thought largely neglect the role that imagination plays in both the relationships that humans form with their environment, and the subsequent role that imagination plays in constituting the way that those relationships are understood ethically. To explore the role of imagination in constituting and subsequently projecting such an ethical way of being, this dissertation selectively analyzes the history of imagination in philosophy, cognitive science, and environmental thought. In addition, this dissertation also explores the role that images play in forming collective responses to environmental disasters, and the further role that imagination plays in overcoming the moral motivation gap.
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Toward a Descriptive Eidetics of Atonality: a Phenomenological Analysis of Webern Op 3, No 1

Toward a Descriptive Eidetics of Atonality: a Phenomenological Analysis of Webern Op 3, No 1

Date: August 2012
Creator: Schnitzius, Michael P.
Description: David Lewin, in his 1986 article “Music Theory, Phenomenology, and Modes of Perception,” offers a promising methodological approach for the analysis of tonal music from a phenomenological perspective. Lewin’s phenomenological method has a propensity to render seemingly contradictory readings in such a way that their respective validities can be preserved by articulating them within differentiated contexts. Expanding upon Lewin’s phenomenological work with analyzing tonal music, I propose that a phenomenological investigation of an atonal song, Webern op. 3, no. 1, from within a variety of differentiated contexts can shed light upon what it means to perceive a piece of music as being “not in a key.” This thesis will open with an introduction to Lewin’s phenomenological work and the writings of Edmund Husserl and Izchak Miller that Lewin used as a point of departure. The analysis of Webern op. 3, no. 1, that follows will regard the voice and piano parts as differentiated musical contexts in order to investigate the interaction between these contexts as they generally undermine the perception of tonality in the song. Finally, the notion of a “musical context” as an organizing factor of musical perception will be expanded to include the different analytical approaches of Olli ...
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High School Contemporary a Cappella: a Descriptive Phenomenology

High School Contemporary a Cappella: a Descriptive Phenomenology

Date: December 2015
Creator: Burlin Sr., Thomas B.
Description: This study examines the phenomenon of contemporary a cappella music making found in high school settings as curricular and extra-curricular offerings. Past music and music education literature has focused exclusively on contemporary a cappella at the collegiate level. Through application of a descriptive phenomenological method and incorporation an educational-sociological lens, this study advances an understanding of the educational benefit and social value of membership in contemporary a cappella at the high school level. Six recent members from three regions of the United States provided data through individual open-form interviews in which questions were derived from the participants’ own speech. I incorporated phenomenological reductions and processes to negate researcher bias during data collection, analysis, and the formation of a general structure and constituent meanings of membership in high school contemporary a cappella. Participants utilized traditional music skills, individual talents, conceptions of popular culture and music, and in-group socialization to facilitate music making and reify membership. Expressing the value of group membership, individuals acted to benefit the group by cultivating social bonds, developing and fostering personal/shared connections to songs, identifying and purposing individual talents and skills, and gaining an understanding of each members’ unique contribution to membership. Discussion includes implications for music ...
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