[Filming of Venezuela on the March series, pt. 4]

[Filming of Venezuela on the March series, pt. 4]

Date: unknown
Creator: unknown
Description: Photograph of crew trailers in Venezuela during the filming of the fourth part of the series, Venezuela on the March, in 1949. The trailers and automobiles are parked together and a clothesline is hung between two of the trailers.
Contributing Partner: UNT Media Library
[Custom bus in Venezuela]

[Custom bus in Venezuela]

Date: unknown
Creator: unknown
Description: Photograph of the custom bus used by the crew of the film series, Venezuela on the March, while they filmed in Venezuela.
Contributing Partner: UNT Media Library
[Filming of Venezuela on the March series, pt. 2]

[Filming of Venezuela on the March series, pt. 2]

Date: unknown
Creator: unknown
Description: Film crew members filming on location, in Venezuela, for the second part of the series, Venezuela on the March. A large number of vehicles and some filming equipment are set up outside a large, stone building. Several people appear to be adjusting equipment, including two that are standing with a camera on top of one of the filming vans.
Contributing Partner: UNT Media Library
Scoring for the Specter: Dualities in the Music of the Ghost Scene in Four Film Adaptations of Hamlet

Scoring for the Specter: Dualities in the Music of the Ghost Scene in Four Film Adaptations of Hamlet

Date: August 2002
Creator: Dunn, John T.
Description: This document's purpose is to analyze dualities found in different films of Shakespeare's Hamlet. Each version brings different ideas to it. By analyzing each version and focusing on the Ghost Scene, comparisons of the scene's symbolism are made between the musical scores. The beginning chapters provide a history of film, film music, the play, and events up to the ghost scene. After these chapters come analyses of the scene itself. Each version uses different parts of the play for its own purposes, but there are many commonalities between them. The score for each version of the Ghost Scene will be analyzed independently of each other. This work will contribute to musicology, film research, Shakespeare studies, and English scholarship.
Contributing Partner: UNT Libraries
[Filming of Venezuela on the March series, pt. 3]

[Filming of Venezuela on the March series, pt. 3]

Date: unknown
Creator: unknown
Description: Photograph of crew members filming the third part of the series, Venezuela on the March, on location in 1949. The crew members are setting up equipment near several trucks and automobiles. The area overlooks a town and mountains in the background.
Contributing Partner: UNT Media Library
[Nancy C. Knox in New Mexico]

[Nancy C. Knox in New Mexico]

Date: unknown
Creator: unknown
Description: Associate Producer of Son of the Conquistadors, Nancy C. Knox, on location in New Mexico during filming. Ms. Knox is standing next to a donkey and two trucks.
Contributing Partner: UNT Media Library
[On location filming for Old Man in a Hurry -- Image 2]

[On location filming for Old Man in a Hurry -- Image 2]

Date: unknown
Creator: unknown
Description: Photograph of on location filming of horses running on a track for the film Old Man in a Hurry. Four horses carting two-wheeled buggys are visible to the right of a car traveling on a dirt track. There is a camera and two camera men on top of the car.
Contributing Partner: UNT Media Library
[On location filming for Old Man in a Hurry]

[On location filming for Old Man in a Hurry]

Date: unknown
Creator: unknown
Description: Photograph of crew and equipment during on location filming for Old Man in a Hurry. A car is visible in the foreground with a camera mounted to the top. There is a two-wheeled buggy tied to the back of the car. There is a man seated atop the car, two on the buggy, two in the car and one standing beside the car. The car is parked on a dirt road in the countryside.
Contributing Partner: UNT Media Library
[Gordon Knox and Gunther von Fritsch on location in New Mexico]

[Gordon Knox and Gunther von Fritsch on location in New Mexico]

Date: unknown
Creator: unknown
Description: Gordon Knox and Gunther von Fritsch filming Son of the Conquistadors in New Mexico in 1941. Fritsch and Knox are shown standing on the roof of a car looking over a camera on a tripod. A woman is visible behind the car seated behind another tripod. "100 Years, A New Mexico Film Celebration," is written in the top right corner.
Contributing Partner: UNT Media Library
Differences in Marketing Mainstream and Independent Feature Films in the United States (1990-1995)

Differences in Marketing Mainstream and Independent Feature Films in the United States (1990-1995)

Date: December 1995
Creator: Ford, Conny (Conny M.)
Description: The purpose of this study is (1) to examine mainstream studio films and their marketing (2) to examine independent films and their marketing (3) to explore the marketing challenges of independent films (4) to explore new developments in independent film and the emergence of crossover films (5) to explore the benefits of alliances between the major studios and independent film distributors (6) to examine the diminishing differences between major studio films and independent films.
Contributing Partner: UNT Libraries
[On location filming of Shooting Straight with Tim Holt]

[On location filming of Shooting Straight with Tim Holt]

Date: unknown
Creator: unknown
Description: Photograph of cast and crew, on location, during the filming of an episode of Shooting Straight with Tim Holt. There are guns and a map mounted on the back wall.
Contributing Partner: UNT Media Library
[On location filming of The Blue Angels, 1958]

[On location filming of The Blue Angels, 1958]

Date: unknown
Creator: unknown
Description: Photograph of the crew of The Blue Angels, filming on location. Four camera men are visible atop scaffolding next to a plane. Other planes and a hangar are visible in the background.
Contributing Partner: UNT Media Library
A Study in Cultural Conflict: the Controversy Surrounding Martin Scorsese's The Last Temptation of Christ

A Study in Cultural Conflict: the Controversy Surrounding Martin Scorsese's The Last Temptation of Christ

Date: December 1995
Creator: Scheffler, Lisa K. (Lisa Kathryn)
Description: When the filmed version of The Last Temptation of Christ was released in the United States, it met with significant protests from conservative Christians who felt it was blasphemous. Using the controversy surrounding the film and its reception in Austin, Texas, this is a case study in censorship as a social process and in the cultural conflict it signifies. Certain societal factors must converge to create an art controversy. Through an examination of the film, the groups involved in the protest, and the social and political climate at the time, some of these factors are described. Imbedded in this controversy are the underlying tensions that permeate many modern cultural debates: shifting ideas of the sacred and the profane and definitions of moral authority.
Contributing Partner: UNT Libraries
Disturbing the Peace

Disturbing the Peace

Date: December 1997
Creator: Hatton, William, 1972-
Description: Disturbing the Peace is a short, 16mm sync-sound fiction film. Alone one stormy night, a woman must contend with an intruder breaking into her home. The intruder turns out to be a teenage boy. He claims to have broken in only to retrieve a family heirloom he hid there when he and his parents lived in the same house years ago. When the boy finds the heirloom, the woman begins to believe his story, and soon realizes he doesn't have a good home life. The boy asks permission to stay until the storm breaks. She agrees. Should the boy be trusted, or is he telling one lie after another? The police arrive to witness the outcome of the story.
Contributing Partner: UNT Libraries
[Gordon Knox and Gunther von Fritsch setting up to film]

[Gordon Knox and Gunther von Fritsch setting up to film]

Date: unknown
Creator: unknown
Description: Photograph of Gordon Knox and Gunther von Fritsch setting up to film in New Mexico. Fritsch and Knox are shown standing on the roof of a car looking over a camera on a tripod. A woman is visible behind the car seated behind another tripod.
Contributing Partner: UNT Media Library
Reconstructing Bellour: Automating the Semiotic Analysis of Film

Reconstructing Bellour: Automating the Semiotic Analysis of Film

Date: June 2009
Creator: Anderson, Richard L. & O'Connor, Brian Clark
Description: This article discusses automating the semiotic analysis of film, including visual representation, search and retrieval, and ways of seeing.
Contributing Partner: UNT College of Information
Adherence/Diffusion Barrier Layers for Copper Metallization: Amorphous Carbon:Silicon Polymerized Films

Adherence/Diffusion Barrier Layers for Copper Metallization: Amorphous Carbon:Silicon Polymerized Films

Date: May 2004
Creator: Pritchett, Merry
Description: Semiconductor circuitry feature miniaturization continues in response to Moore 's Law pushing the limits of aluminum and forcing the transition to Cu due to its lower resistivity and electromigration. Copper diffuses into silicon dioxide under thermal and electrical stresses, requiring the use of barriers to inhibit diffusion, adding to the insulator thickness and delay time, or replacement of SiO2 with new insulator materials that can inhibit diffusion while enabling Cu wetting. This study proposes modified amorphous silicon carbon hydrogen (a-Si:C:H) films as possible diffusion barriers and replacements for SiO2 between metal levels, interlevel dielectric (ILD), or between metal lines (IMD), based upon the diffusion inhibition of previous a-Si:C:H species expected lower dielectric constants, acceptable thermal conductivity. Vinyltrimethylsilane (VTMS) precursor was condensed on a titanium substrate at 90 K and bombarded with electron beams to induce crosslinking and form polymerized a-Si:C:H films. Modifications of the films with hydroxyl and nitrogen was accomplished by dosing the condensed VTMS with water or ammonia before electron bombardment producing a-Si:C:H/OH and a-Si:C:H/N and a-Si:C:H/OH/N polymerized films in expectation of developing films that would inhibit copper diffusion and promote Cu adherence, wetting, on the film surface. X-ray Photoelectron Spectroscopy was used to characterize Cu metallization of ...
Contributing Partner: UNT Libraries
Renunciation and Non-Renunciation in Indian Films

Renunciation and Non-Renunciation in Indian Films

Date: 2010
Creator: Jain, Pankaj
Description: Article discussing the renunciation and non-renunciation in Indian films. The author reviews several films to analyze the portrayal of ascetics and householders.
Contributing Partner: UNT College of Public Affairs and Community Service
A Check List for the Selection of Homemaking Films from Film Description Catalogs

A Check List for the Selection of Homemaking Films from Film Description Catalogs

Date: 1948
Creator: Borth, Helen Agnes
Description: The purpose of this study is to further the effective utilization of films by developing an instrument for their selection from descriptions in catalogs.
Contributing Partner: UNT Libraries
[Journalism Poster]

[Journalism Poster]

Date: November 16, 1961
Creator: unknown
Description: Photograph of a man and woman holding up a poster advertising "Ten Films." The films are to be shown throughout the semester, and come from many countries. Individual tickets are advertised as $0.75 and a season pass is $5.00. A number has been written in the bottom left corner.
Contributing Partner: UNT Libraries Special Collections
[Journalism Poster]

[Journalism Poster]

Date: November 16, 1961
Creator: unknown
Description: Photograph of a man and woman holding up a poster advertising "Ten Films." The films are to be shown throughout the semester, and come from many countries. Individual tickets are advertised as $0.75 and a season pass is $5.00. A number has been written in the bottom left corner.
Contributing Partner: UNT Libraries Special Collections
Gordon Knox Film Collection: Access to Three Family Collections: How'd We Do It

Gordon Knox Film Collection: Access to Three Family Collections: How'd We Do It

Date: November 19, 2011
Creator: Stanton, Kimberly
Description: This presentation discusses the digitization project of the Gordon Knox film collection. The University of North Texas (UNT) Media Library began working with the donors and assessing the project plan for digitizing this collection in 2007 and the films were made available in the UNT Digital Library in 2010. This presentation describes the strategies, initial challenges, processes, and lessons learned from working on this project.
Contributing Partner: UNT Libraries
Gender and globalization through film: A Wiki course

Gender and globalization through film: A Wiki course

Date: March 28, 2012
Creator: Altiok, Özlem
Description: Poster presented as part of the 2012 University Forum on Teaching & Learning at UNT. This poster discusses a learning activity with a Wiki course on gender and globalization through film. The course aims to help students understand how existing gender inequalities are challenged and furthered by processes of international development and globalization.
Contributing Partner: UNT College of Arts and Sciences
The Functional Ontology of Filmic Documents

The Functional Ontology of Filmic Documents

Date: 2007
Creator: Anderson, Richard L.; O'Connor, Brian Clark & Kearns, Jodi L.
Description: This book chapter discusses the functional ontology of filmic documents. The authors examine a few phases of probing of filmic documents, and the relationship between structure and meaning. The authors have taken the liberty of sketching the earlier phases and of presenting the most recent in somewhat more detail. Considerations of the early phases, among other issues of document use, led to the functional ontology construction as a foundation for this probing and for wider concerns within the arena of messages, meanings, and uses.
Contributing Partner: UNT College of Information
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