The Effect of Relationship Films on the Attitudes of Homemaking Girls

The Effect of Relationship Films on the Attitudes of Homemaking Girls

Date: August 1950
Creator: Brown, Mary Angeline
Description: Films have been used with varying degrees of success to influence the attitudes of pupils of different ages and interests. Little has been done, however, to measure the attitudes of girls in high school homemaking classes. It is the purpose of this study to use films as an integral part of a group relationships unit and to determine what attitude changes, if any, are directly attributable to film content.
Contributing Partner: UNT Libraries
Harbor: The Act of Autobiography

Harbor: The Act of Autobiography

Access: Use of this item is restricted to the UNT Community.
Date: August 1999
Creator: Doeren, Catherine Wallace
Description: This written thesis accompanies a sixteen-minute documentary video, Harbor, in which the filmmaker explores her relationship with her father who has suffered a stroke. Detailed accounts of the pre-production, production and post-production of the video allow the reader to understand the challenging and rewarding process of making an autobiographical documentary. Theoretical issues are also discussed, including the validity, criticisms, artistic nature and ethical concerns of autobiographical filmmaking. The filmmaker stresses the universality of her story, and how, despite the film's very personal nature, it is applicable for anyone who has dealt with the illness and/or disability of a parent.
Contributing Partner: UNT Libraries
Desert victory : the actual story of the rout of Rommel by the British Eighth Army : a full-length feature picture.

Desert victory : the actual story of the rout of Rommel by the British Eighth Army : a full-length feature picture.

Date: unknown
Creator: unknown
Description: Movie poster in brown and red tones, promoting the film, "Desert Victory". At the top is a close-up image of a portion of a typed document: "Directive to General Alexander, Commander-in-Chief in the Middle East" and photographs of Bernard Montgomery (left) and Harold Alexander (right) in uniform; along the left side are three photographs of wartime scenes; and at the lower right is an illustration of a battle scene.
Contributing Partner: UNT Libraries Government Documents Department
Campania In-Felix (Unhappy Country)

Campania In-Felix (Unhappy Country)

Date: May 2011
Creator: Corsale, Ivana
Description: This documentary film explores the damages produced by the illegal dumping of toxic waste in the environment and the rise in health concerns specific to the Campania region in Southern Italy. The management of waste material in the region is in the hands of the Camorra - a mafia organization with vast economic and political power. Through the narration of personal stories, the documentary reveals the broken emotional and cultural balance between the people from the region and their land.
Contributing Partner: UNT Libraries
Pershing's crusaders.

Pershing's crusaders.

Date: [c.1918]
Creator: United States. Army. Signal Corps.
Description: In the foreground is an image of General Pershing on horseback, leading his troops. Two soldiers behind him hold flags: a U.S. flag and a red flag with a gold emblem. Hovering in the background is a hazy image of medieval crusaders on white horses, carrying heart-shaped shields with cross images on them.
Contributing Partner: UNT Libraries Government Documents Department
The Categorization and Use of Three Dimensional Computer Generated Special Effects in Film

The Categorization and Use of Three Dimensional Computer Generated Special Effects in Film

Date: May 2000
Creator: Johnson, Charlie
Description: There has been a growing trend in the film industry in the use of three dimensional computer generated images (3D CGI) for special effects. With the popularity of this relatively new medium comes the need for new terminology. This exploration developed a general system of classification for 3D CGI effects for use in film. This system was based on a study of various writings about the significant films, which employ 3D CGI effects. A three-group system of classification system was developed. The three-group system was composed of the Elements Group, Level of Reality Group, and the Kind Group. These terms were developed to aid in the day-to-day production of 3D CGI special effects in the future.
Contributing Partner: UNT Libraries
Reconstructing Strata Lines of Reality

Reconstructing Strata Lines of Reality

Date: May 2001
Creator: Crawford, William James
Description: This problem in lieu of thesis centers around my work and involves the production of the film trilogy Knife, Fork and Spoon. The methodology for this project comes from my investigation of postmodernist theory and social norms. Three problems are addressed and my professional procedures and practices that helped me find solutions while working on these films are included in chapter two.
Contributing Partner: UNT Libraries
Room 2046: A Political Reading of Wong Kar-Wai's Chow-Mo Wan Trilogy through Narrative Elements and Mise-en-scene

Room 2046: A Political Reading of Wong Kar-Wai's Chow-Mo Wan Trilogy through Narrative Elements and Mise-en-scene

Date: December 2006
Creator: Baldwin, Jillian
Description: As ownership of Hong Kong changed hands from the United Kingdom to the People's Republic of China in 1997, citizens and filmmakers of the city became highly aware of the political environment. Film director Wong Kar-Wai creates visually stimulating films that express the anxieties and frustrations of the citizens of Hong Kong during this period. This study provides a political reading of Days of Being Wild (1991), In the Mood for Love (2000), and 2046 (2004) through analyzing various story elements and details within the mise-en-scene. Story elements include setting, dialogue, character relationships, character identities, thematic motifs, musical references, numerology, and genre manipulation. Wong also uses details within the films' mise-en-scene, such as props and color, to express political frustrations. To provide color interpretations, various traditional aesthetic guidelines, such as those prescribed by Taoism, Cantonese and Beijing opera, and feng shui, are used to read the films' negative comments on the handover process and the governments involved. When studied together the three films illustrate how Wong Kar-Wai creates narrative and visual references to the time and atmosphere in which he works, namely pre-and-post handover Hong Kong.
Contributing Partner: UNT Libraries
Lowest of the Low: Scenes of Shame and Self-Deprecation in Contemporary Scottish Cinema

Lowest of the Low: Scenes of Shame and Self-Deprecation in Contemporary Scottish Cinema

Date: May 2008
Creator: McCracken, Michael
Description: This thesis explores the factors leading to the images of self-deprecation and shame in contemporary Scottish film. It would seem that the causes of these reoccurring motifs may be because the Scottish people are unable to escape from their past and are uneasy about the future of the nation. There is an internal struggle for both Scottish men and women, who try to adhere to their predetermined roles in Scottish culture, but this role leads to violence, alcoholism, and shame. In addition, there is also a fear for the future of the nation that represented in films that feature a connection between children and the creation of life with the death of Scotland's past. This thesis will focus on films created under a recent boom in film production in Scotland beginning in 1994 till the present day.
Contributing Partner: UNT Libraries
A New Circle

A New Circle

Date: December 2001
Creator: Shutt, Jason
Description: This reflexive documentary film explores the Alabama-Coushatta Indian Tribe of Texas and examines questions of cultural identity. The twenty-one minute film uses footage of cultural events, reservation landscape, photographs, and interviews to bring the viewer into the lives of the Alabama-Coushatta people. The written portion of this thesis details the entire processes of making the film, from the proposal stage to the post-production stage. This includes an examination of the film's evolution from using a proposed ethnographic approach to one less scientific and more personal.
Contributing Partner: UNT Libraries
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