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open access

"To Swim In Air Forever Tooloud Laughcrying"

Description: This thesis' focal presentable object – to swim in air – is a mythosystem comprising six iteratively malleable experiential systems of intermedial musical and visual performance works composed by myself between the years 2018 and 2023. Conceived through the lens of Jennifer Walshe's New Discipline, created within my practice cycle's nodal context, and connected by a sub/conscious structure of perceptual timbre, the mythosystem and its parts form the centerpiece of this discussion of context, pr… more
Date: December 2023
Creator: Fristensky, Louise Anne
Partner: UNT Libraries
open access

The Impact of Technology-Based Music Classes on Music Department Enrollment in Secondary Public High Schools in the Northeastern United States

Description: The purpose of this study was to examine if the implementation of a technology-based music class in public high schools in the northeastern United States had any significant impact on the overall music department enrollment and on enrollment in traditional performance ensemble courses, such as band and chorus, as they are the courses most offered in high schools in the United States. The two phases of the study included identifying eligible schools and collecting data from schools. A six-year h… more
Date: August 2019
Creator: Freedman, Barbara Ann
Partner: UNT Libraries
open access

An Initial Study of Binary and Ternary Ti-based Alloys Manufactured Using Laser Engineered Net Shaping (LENSTM)

Description: In this study an initial assessment of the composition – microstructure – property relationships in binary and ternary Ti – based systems are made possible using LENSTM technology. Laser Engineering Net Shaping (LENSTM), a rapid prototyping, directed laser deposition methodology of additive manufacturing (AM) was used to create bulk homogenous specimens that are compositionally graded. Compositionally graded specimens were made possible by incorporating elemental blends of powder during the LEN… more
Date: December 2015
Creator: Gray, Alyn M.
Partner: UNT Libraries
open access

Algorithmic Music Analysis: a Case Study of a Prelude From David Cope’s “From Darkness, Light”

Description: The use of algorithms in compositional practice has been in use for centuries. With the advent of computers, formalized procedures have become an important part of computer music. David Cope is an American composer that has pioneered systems that make use of artificial intelligence programming techniques. In this dissertation one of David Cope’s compositions that was generated with one of his processes is examined in detail. A general timeline of algorithmic compositional practice is outlined f… more
Date: May 2015
Creator: Krämer, Reiner
Partner: UNT Libraries
open access

The Nothingness of Presence: Sound, Ritual, and Encounter in the Music of Into Your Hands

Description: The ritual music written for the Compline service of the Liturgy of the Hours, Into Your Hands, is analyzed using an ontological and phenomenological approach, which seeks to answer how such sound/musical phenomena wed to the specific ritual dynamics of Compline in their own right can create a potential for encounter with the Divine. The Jewish philosopher Martin Buber’s understanding of encounter is used to show that the sound/musical phenomena in itself bears similarities with the nature of t… more
Date: May 2015
Creator: Evans, Eric
Partner: UNT Libraries
transcript

A Day for Dancing: The Life and Music of Lloyd Pfautsch

Description: In January of 2001 Jon Pfautsch, Lloyd’s youngest son, put together a CD collection of performances of as many of his father’s compositions as were known to be extant. Most were from Dr. Pfautsch’s personal collection; the rest were given to him by colleagues and former students. The collection spans nearly 50 years and involved media as varied as paper and acetate reel-to-reel tapes, cassette tapes, LP’s and CD’s. While the fidelity is not always what one would hope, the value is in hearing… more
Date: 2014
Duration: 34 minutes 58 seconds
Creator: Hart, Kenneth W.
Partner: UNT Press
open access

Brass Band History and Idiomatic Writing in Brass Music

Description: The purpose of this research was to explore historical perspective of brass music. There is a brief history of brass bands in Britain. Furthermore, the paper examines the differences between two brass band pieces in the repertoire, A Western Fanfare by Eric Ewazen and Brass Symphony by Jan Koetsier. Both of these pieces were compared and contrasted against the author's newly composed work for brass, Two Companion Pieces for Brass Ensemble. The paper covers different techniques commonly used … more
Date: May 2013
Creator: Kahler, Elyse T.
Partner: UNT Libraries
open access

Fidget, Sway, and Swerve: Three Works Inspired By Movement From the Intricate Maneuvers Series

Description: Intricate Maneuvers is a series of musical works that were composed using movement as a model for compositional processes and forms. This essay presents in-depth analyses of three works from the series; Fidget, Sway: The Mildest Form of Falling, and Swerve for Chamber Ensemble. The analysis of each work highlights correlations between the musical characteristics of that work and the temporal, spatial, contextual, and psychological implications of the motion after which it was modeled. The third… more
Date: December 2012
Creator: Summar, Sarah Page
Partner: UNT Libraries
open access

Fractures for Clarinet and Computer

Description: Fractures for Clarinet and Computer is a piece for live interactive performance using custom software designed in Max/MSP. the work explores musical borrowing and transformation of music from works such as Tchaikovsky’s Fifth Symphony, Gershwin’s Rhapsody in Blue, and several fragments from synthesizer recordings of the late 1960’s and early 1970’s. the dissertation focuses on both the musical aesthetics that informed the creation of the work and the software programming that enables live sa… more
Date: May 2012
Creator: Dixon, Gregory Hart
Partner: UNT Libraries
open access

Relent: a Composition for Alto Saxophone, Double Bass, Two Percussion, and Interactive Electronics

Description: relent is a sacred work within the genre of interactive electronic music. the 20-minute composition is a multi-movement piece for four instrumentalists (saxophone, double bass, and two percussion) and computer that is inspired by the gospel message. relent is specifically about the gospel message that Christ died for man’s sins, rose from the dead, and through faith in him man can be reconciled to God. This project was an experiment in creating a work with a programmatic extramusical structure.… more
Date: May 2012
Creator: Johansen, Benjamin David
Partner: UNT Libraries
open access

Critical Discussion of Pleroma: A Digital Drama and Its Relevance to Tragic Form in Music

Description: Pleroma is a digital drama: a work composed of digital animation combined with electroacoustic music, presenting an original dramatic narrative. Pleroma's dramatic elements evoke both the classical form of tragedy and the concept of perceptual paradox. A structural overview of the drama and its characters and a plot synopsis are given to provide context for the critical discussion. Analytical descriptions of Beethoven's Coriolan Overture Op.62 and Mahler's Symphony No. 9 are provided to give ba… more
Date: December 2010
Creator: Lucas, Stephen, 1985-
Partner: UNT Libraries
open access

Source-bonding as a Variable in Electroacoustic Composition: Faktura and Acoustics in Understatements

Description: Understatements for two-channel fixed media is a four-movement study of the sonic potential of acoustic instruments within the practice of electroacoustic studio composition. The musical identity of the entire composition is achieved through consistent approaches to disparate instrumental materials and a focused investigation of the relationships between the various acoustic timbres and their electroacoustic treatments. The analytical section of this paper builds on contemporary research in ele… more
Date: December 2010
Creator: Rostovtsev, Ilya Y.
Partner: UNT Libraries
open access

161 Glass: Site Specific Music in an Artistic Context

Description: The composition 161 Glass is a 17-minute musical work with percussion, wind and brass instruments in which the intersection of mid-century architecture, and the art and culture of a dynamic city are inextricably linked. Through this paper, I explore the process of composing a musical work in relationship to the significance of site specific context. The paper begins by defining the concept of site specific art works; then reviews the discourse of the intersection of art, music and architecture.… more
Date: May 2010
Creator: Rusnak, Christina S.
Partner: UNT Libraries
open access

Significant Influences in the Composition of Hendrik Hofmeyr's Song Cycle, Alleenstryd

Description: The poet of this cycle, Sydney Vernon Petersen, was a man who faced great adversity during Apartheid. The title of this cycle, Alleenstryd, is an Afrikaans term for 'a struggle alone.' Petersen was of mixed heritage or "Coloured" and born in South Africa in 1914. He died in 1987. His most important works in Afrikaans poetry were published between 1948 and 1965. This cycle specifically focuses on the relationship between the poet and his community, the isolation he endured within that community,… more
Date: August 2009
Creator: Cupido, Conroy Alan
Partner: UNT Libraries
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Clestrinye [El Carnaval del Perdón]: Traditional Rituals in Intermedia Composition.

Description: In Part I of this thesis, I examine the use of Latin American rituals, ceremonies, and traditional folklore as conceptual and compositional material; studying and re-contextualizing concepts, cultures, and ideologies, and introducing them to foreign audiences. I explore issues such as laptop improvisation, interaction with other performance forces, and the utilization of the social elements of non-western celebrations, as explored in Clestrinye, a work for live and fixed electronics, mixed ens… more
Date: August 2008
Creator: Salazar, Camilo
Partner: UNT Libraries
open access

Blurring the Lines Between Instructor-Led and Online Learning: an Evaluation of an Online Composition Curriculum on the Bleeding Edge

Description: The contemporary classroom currently faces an evolving world of computer based training, online courses, instructor-led learning and several blended approaches in-between. With the increased presence of computers and communication in every facet of students' lives, students have changed to adapt to the continuous presence of technology in their daily lives. These recent rapid developments have changed the relationship between technology and communication. Indeed, communication and technology ha… more
Date: August 2007
Creator: Deranger, Brant
Partner: UNT Libraries
open access

Motives, Allusions, and Eclecticism: A Panametric Analysis of the First Movement of Christian Lindberg's Mandrake in the Corner Based on the Method of Jan LaRue

Description: For more than 20 years, Christian Lindberg has been internationally recognized as the premiere trombone soloist of our time. Few, however, are familiar with his compositions. For over ten years, he has composed many solo and ensemble works for trombone. Many prominent musical organizations in the world have performed Lindberg's music, including the Chicago Symphony Orchestra, the St. Paul Chamber Orchestra, and the University of North Texas Wind Ensemble. Today, Christian Lindberg has commissio… more
Date: May 2007
Creator: Underwood, Michael
Partner: UNT Libraries
open access

The Effect of Individual Versus Collective Creative Problem Solving Experiences on Fourth- and Fifth-grade Students' Compositional Products.

Description: The purpose of the study was to explore the effects that individual vs. collective structured creative musical problem solving tasks had on students' compositional products. Subjects in a convenience sample of 32 fourth-graders and 32 fifth-graders were randomly assigned to either the individual or collective condition. The 3 treatment sessions were characterized by an open-ended creative problem solving task, which included questions intended to guide subjects through 3 stages of the creative … more
Date: December 2004
Creator: Aguilar, Beatriz E.
Partner: UNT Libraries

Voci Lontani for flute, trumpet, percussion, piano, and string quartet: Critical essay and score.

Description: This project consists of an original composition, Voci Lontani, and a critical essay about the composition. In this piece, the idea of musical simultaneity is explored. Therefore, the piece focuses on the idea of contrast: between measured rhythms and indeterminate rhythms, between tonality and atonality, and between musics in separate tempos. In order to explore the significance of musical simultaneity, four important compositional concepts-the simultaneous juxtaposition of different musics, … more
Access: Restricted to the UNT Community Members at a UNT Libraries Location.
Date: August 2004
Creator: Goto, Yo
Partner: UNT Libraries
open access

Loose Id for Orchestra

Description: Loose Id, scored for orchestra (piccolo, 2 flutes, 2 oboes, 2 clarinets in B-flat, B-flat contrabass clarinet, 2 bassoons, contrabassoon, 4 horns in F, 3 trumpets in B-flat, 2 trombones, 1 bass trombone, tuba, timpani, percussion (3 parts), violin I, violin II, viola, violoncello, and contrabass), is an abstract realization in sound of the energy of the Id. Unleashed, without the counterbalance of Ego or Superego, the Id generates unbridled instinctual energy, resulting in an orgiastic frenzy. … more
Date: August 1996
Creator: Bryant, Steven 1972-
Partner: UNT Libraries
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Cadential Syntax and Mode in the Sixteenth-Century Motet: a Theory of Compositional Process and Structure from Gallus Dressler's Praecepta Musicae Poeticae

Description: Though cadences have long been recognized as an aspect of modality, Gallus Dressler's treatise Praecepta musicae poeticae (1563) offers a new understanding of their relationship to mode and structure. Dressler's comments suggest that the cadences in the exordium and at articulations of the text are "principal" to the mode, shaping the tonal structure of the work. First, it is necessary to determine which cadences indicate which modes. A survey of sixteenth-century theorists uncovered a striking… more
Date: May 1996
Creator: Hamrick, David (David Russell)
Partner: UNT Libraries
open access

Temporal Distortions: a Composition for Orchestra

Description: Temporal Distortions is 18-20 minutes in length and is written for an orchestra including 2 flutes (2nd flute doubling on piccolo), 2 oboes, 2 Bb clarinets, 2 bassoons, 2 horns, 2 trumpets, 2 trombones, timpani, 3 percussionists playing tri-toms, vibraphone, snare/tenor drum, medium suspended cymbal, Glockenspiel, bass drum, and large tam-tam; and multiple string parts for violin I a & b, violin II a & b, viola a & b, cello and double bass. Temporal Distortions was inspired by the theoretical c… more
Date: August 1995
Creator: Frank, Robert J., 1961-
Partner: UNT Libraries
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