An Analysis of Pitch Organization in Villa-lobos's Rudepoêma

An Analysis of Pitch Organization in Villa-lobos's Rudepoêma

Date: May 2013
Creator: Kruger, Esthea
Description: Heitor Villa-Lobos (1887-1959) stands central to the music history of the Brazilian twentieth century. His music represents a synthesis of the European art influences he absorbed and his quest to find a true Brazilian identity, which was not rooted in the deliberate imitation of Brazilian folk elements, but rather in the natural assimilation of them in his compositional style. His early compositions embody strong post-romantic, impressionistic tendencies, especially in regard to their harmonies and use of tone color, whereas the works from the 1920's and onwards show Villa-Lobos increasingly asserting his unusual and strong voice. Villa-Lobos's large-scale composition for piano, Rudepoêma, was composed between 1921 and 1926, and stands as one of the most significant contributions to the Latin-American piano literature. Despite of its importance in Villa-Lobos's oeuvre, it has largely eluded analytical attention. Discourse on Villa-Lobos is often marked by a somewhat one-dimensional approach that identifies the folk and rhythmic elements as the most important characteristics of his compositional style, and displays a certain reticence with regard to in-depth analysis of other parameters of his works. This study redresses the imbalance in the general approach to analytical assessment of Villa-Lobos's oeuvre by illustrating that pitch organization plays an indispensable ...
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The Solo Compositions for Trumpet of Fisher Aubrey Tull: An Analysis of Structural, Technical, and Stylistic Elements for Performance Preparation, with Three Recitals of Selected Works by Bozza, Fasch, Haydn, Tomasi, and Others

The Solo Compositions for Trumpet of Fisher Aubrey Tull: An Analysis of Structural, Technical, and Stylistic Elements for Performance Preparation, with Three Recitals of Selected Works by Bozza, Fasch, Haydn, Tomasi, and Others

Access: Use of this item is restricted to the UNT Community.
Date: August 2002
Creator: Wenger, Alan J.
Description: The compositions of Fisher Aubrey Tull are widely performed and many have become standard repertoire. Tull's compositions encompass a multiplicity of performance media including works for orchestra, chorus, symphonic band, jazz band, brass choir, and solo and chamber works. Tull's compositional output for the trumpet is prolific and is acknowledged to be music of high quality. An examination of Trumpet and Brass Programs, compiled and published annually by the International Trumpet Guild, shows Tull's solo and ensemble works for trumpet to be frequently performed. Furthermore, his compositions for trumpet have been performed and recorded by internationally acclaimed artists including Vincent DiMartino, Terry Everson, Håkan Hardenberger, Anthony Plog, Carl "Doc" Severinsen and Allen Vizzutti.This study investigates Fisher Tull's eight solo works for trumpet, which include: Vignette for Trumpet and Piano (1954); Concerto No. 1 for Trumpet and Orchestra (1964); Concerto No. 2 for Trumpet and Band (1974); Three Bagatelles for Trumpet and Piano (1975); Eight Profiles for Solo Trumpet (1978); Rhapsody for Trumpet and Band (1980); Sonata for Trumpet and Piano (1986); and Chromutations for Solo Trumpet (1988). Histories of each composition are chronicled. An analysis of formal organization and significant style features examines musical structure, harmonic language, rhythmic character, instrumentation, ...
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Correlation of Humus and Water Content on Saba Clay, Denton, Texas

Correlation of Humus and Water Content on Saba Clay, Denton, Texas

Date: August 1938
Creator: Wilson, Clyde Byron
Description: This study is an attempt to determine the relationship between humus and the water found in it and how both effect soil in Denton county, Texas.
Contributing Partner: UNT Libraries
The Role of Analysis and Comparison in the Performance of Selected Single-Movement Compositions for Trumpet and Piano by Joseph Turrin with an Interview of the Composer, a Lecture Recital, Together with Three Recitals of Selected Works by Handel, Honegger, Tomasi, and Others

The Role of Analysis and Comparison in the Performance of Selected Single-Movement Compositions for Trumpet and Piano by Joseph Turrin with an Interview of the Composer, a Lecture Recital, Together with Three Recitals of Selected Works by Handel, Honegger, Tomasi, and Others

Date: December 2005
Creator: Taylor, Robert Louis
Description: Joseph Turrin (b.1947) is a composer, orchestrator, conductor, pianist, and teacher whose wide-ranging activities have contributed greatly to many aspects of contemporary American musical life. His numerous ASCAP awards (1981-20050, as well as his many other awards, document his professional success. His many commissions by various orchestras around the world, bands, brass ensembles, soloists, theatre groups and film scores show his popularity. He is also in high demand as a pianist for orchestras, in theatre productions, in commercials and studio recordings as well as serving as personal accompanist for Jerome Hines, Phil Smith, Joseph Alessi and others. Mr. Turrin's compositions for trumpet and piano have been particularly popular among college and professional players as seen by their frequent performance in those venues as evidenced by the International Trumpet Guild's Trumpet and Brass Programs for the years 1995-2002. The three works selected for the present study include: Elegy for Trumpet and String Orchestra (1971, rev. 1993, piano reduction, 1993), Caprice for Trumpet and Piano (1972), and Intrada for Trumpet and Piano (1988). In this in-depth study, special attention is given to those characteristics which create unity of form, and those traits that seem to be idiomatic of Mr. Turrin's style of ...
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Analysis and Computer Programming of Duncan's New Multiple Range Test

Analysis and Computer Programming of Duncan's New Multiple Range Test

Date: June 1965
Creator: Wheeler, Walter
Description: The primary purpose of this paper is to analyze and evaluate a relatively recently proposed statistic, "Duncan's New Multiple Range Test," for use when the researcher's plans call for a test of significance between three or more group means.
Contributing Partner: UNT Libraries
Myths and Movies: a Mythographical Methodology of Motion Picture Analysis

Myths and Movies: a Mythographical Methodology of Motion Picture Analysis

Date: August 1996
Creator: Preston, Barry A. (Barry Alan)
Description: Over the past decade, cinema studies scholars have begun to recognize the value of mythographical methodologies for motion picture analysis; however, most of the scholarly research in this field has focused either on mythic archetypal images or on monomythic narrative structure, rather than combining the two approaches into a unified theory. This essay addresses the problem by proposing a mythographical methodology of motion picture analysis based on Carl Jung's theory of archetypal images and Joseph Campbell's theories concerning the monomythic structure of heroic narratives. Combining the two approaches of myth interpretation results in a more comprehensive methodology for interpreting the mythic elements of motion pictures. This essay illustrates the application of this methodology through a detailed analysis of Terry Gilliam's film, The Fisher King.
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John Harbison's The Flight into Egypt: An Analysis for Performance

John Harbison's The Flight into Egypt: An Analysis for Performance

Date: May 2008
Creator: Galante, Brian Edward
Description: John Harbison's status as a significant contemporary American composer is confirmed by his numerous appointments, honorary degrees, and awards. He is the recipient of nearly every major composition award, with works performed by major orchestras and in important opera houses spanning the world. This paper examines in detail Harbison's most acclaimed choral work, the 1987 Pulitzer Prize-winning The Flight into Egypt. This study of the score is a "conductor's analysis," offering a musical guide for the conductor who seeks to perform this work. To provide a context for the discussion, Chapter 1 offers a brief biographical sketch of Harbison's life and career. Chapter 2 provides the analysis of the work and includes a history from commission to premier, a discussion of Harbison's selection of text, and an examination of the pitch organization which informs the piece. In Chapter 3, I present important rehearsal and performance implications to consider when undertaking a performance of the work. Interviews with two well-regarded conductors who have performed The Flight into Egypt, David Hoose and Patrick Gardner, and the composer himself, provide valuable insight into this discourse.
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Electronic Sound Analysis with Hardware System and Remote Internet Display

Electronic Sound Analysis with Hardware System and Remote Internet Display

Access: Use of this item is restricted to the UNT Community.
Date: August 2010
Creator: McCord, Cameron Forrest
Description: Currently, standards from government agencies such as the National Institute for Occupation Safety and Health exist to aid in safeguarding individuals’ capacity for hearing, but only in factory settings in which large machines often produce loud levels of sound. Neglecting the fact that these preventative measures are only in place in the most limited of settings, no system currently exists to observe and report sound exposure levels in a manner timely or easily recognizable enough to adequately serve its purpose of hearing conservation. Musicians may also incur significant levels of risk for hearing loss in their day-to-day rehearsals and concerts, from high school marching bands to university wind bands. As a result, music school accrediting organizations such as the National Association of Schools of Music and even the European Union have begun taking steps meant to determine the risks associated with music. To meet these goals and improve upon current technologies, a system has been developed that electronically records sound levels utilizing modern hardware, increases the speed of reporting by transmitting data over computer networks and the Internet, and displays measures calculated from these data in a web browser for a highly viewable, user-friendly interface.
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A Comparative Analysis of the Student Body of North Texas State Teachers College During the Fall Semester of the 1942-43 Session

A Comparative Analysis of the Student Body of North Texas State Teachers College During the Fall Semester of the 1942-43 Session

Date: 1943
Creator: Hargrove, Wayne
Description: The problem of this thesis is to make a comparative analysis of the student body of North Texas State Teachers College during the fall semester of the 1942-43 session. This analysis involves a consideration of such factors as chronological age, academic classification and major, parental occupation, scholastic load, membership in campus organizations, grade point average, participation in outside employment, and the interrelationships of these factors as they affect college students.
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A Critical Analysis of the Community School Idea

A Critical Analysis of the Community School Idea

Date: 1943
Creator: McKissick, Elvira Francena
Description: It is the purpose of this investigation to make a careful study of different community schools, and to determine to what extent they are promoting the education of the child and meeting the needs of the community in which he lives.
Contributing Partner: UNT Libraries
Strong Choquet Topologies on the Closed Linear Subspaces of Banach Spaces

Strong Choquet Topologies on the Closed Linear Subspaces of Banach Spaces

Date: August 2011
Creator: Farmer, Matthew Ray
Description: In the study of Banach spaces, the development of some key properties require studying topologies on the collection of closed convex subsets of the space. The subcollection of closed linear subspaces is studied under the relative slice topology, as well as a class of topologies similar thereto. It is shown that the collection of closed linear subspaces under the slice topology is homeomorphic to the collection of their respective intersections with the closed unit ball, under the natural mapping. It is further shown that this collection under any topology in the aforementioned class of similar topologies is a strong Choquet space. Finally, a collection of category results are developed since strong Choquet spaces are also Baire spaces.
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Analyzing Microwave Spectra Collected by the Solar Radio Burst Locator

Analyzing Microwave Spectra Collected by the Solar Radio Burst Locator

Date: May 2007
Creator: Kincaid, Cheryl-Annette
Description: Modern communication systems rely heavily upon microwave, radio, and other electromagnetic frequency bands as a means of providing wireless communication links. Although convenient, wireless communication is susceptible to electromagnetic interference. Solar activity causes both direct interference through electromagnetic radiation as well as indirect interference caused by charged particles interacting with Earth's magnetic field. The Solar Radio Burst Locator (SRBL) is a United States Air Force radio telescope designed to detect and locate solar microwave bursts as they occur on the Sun. By analyzing these events, the Air Force hopes to gain a better understanding of the root causes of solar interference and improve interference forecasts. This thesis presents methods of searching and analyzing events found in the previously unstudied SRBL data archive. A new web-based application aids in the searching and visualization of the data. Comparative analysis is performed amongst data collected by SRBL and several other instruments. This thesis also analyzes events across the time, intensity, and frequency domains. These analysis methods can be used to aid in the detection and understanding of solar events so as to provide improved forecasts of solar-induced electromagnetic interference.
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Di/con[ver(gence/sions)]   for Saxophone Quartet by David Dzubay: A Performance Analysis

Di/con[ver(gence/sions)] for Saxophone Quartet by David Dzubay: A Performance Analysis

Date: May 2007
Creator: Dewhirst, Greg
Description: The abstract includes a detailed analysis of the quartet as well as idiomatic aspects of the music. In addition, a background of composer/performer relationships is outlined.
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A Real-Time Electronic Sound Analysis System with Graphical User Interface

A Real-Time Electronic Sound Analysis System with Graphical User Interface

Date: August 2011
Creator: Brgulja, Amir
Description: Noise-induced hearing loss is a serious problem common to musical environments. Current dosimetry technology is primarily designed for industrial environments and not suited for musical settings. At present, there are no government regulations that apply to the educational music environment as it relates to monitoring and prevention of hearing loss. Also, no system exists than can serve as a proactive tool in observation and reporting of sound exposure levels with the goal of hearing conservation. Newly proposed system takes a software based approach in designing a proactive dosimetry system that can assess the risk of sound noise exposure. It provides real-time feedback trough a graphical user interface that is capable of database storage for further study.
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Lack of Evaluation as Evaluation: Analysis of an African American Woman’s Narrative

Lack of Evaluation as Evaluation: Analysis of an African American Woman’s Narrative

Date: August 2011
Creator: van Drunen, Vanessa
Description: This thesis examines an African American woman’s narrative about the day that her daughter was shot. Like many personal narratives of “frightening experiences,” the speaker in this narrative highlights the peak of her story, making sure her point is salient. In earlier analyses, it has been shown that evaluation tends to cluster around the peak of the narrative. In “The day my daughter got shot” we see that this event-filled narrative is not evaluated as predicted as there is no increased usage of evaluative devices at one single point in the narrative. Instead, it is a change in patterning of a number of linguistic and paralinguistic devices that conspire to bring special attention to the peak of the narrative. By examining multiple devices at once, it is seen that they create a cumulative effect that makes the story interesting and exciting, resulting in a successful narrative.
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Uniformly σ-Finite Disintegrations of Measures

Uniformly σ-Finite Disintegrations of Measures

Date: August 2011
Creator: Backs, Karl
Description: A disintegration of measure is a common tool used in ergodic theory, probability, and descriptive set theory. The primary interest in this paper is in disintegrating σ-finite measures on standard Borel spaces into families of σ-finite measures. In 1984, Dorothy Maharam asked whether every such disintegration is uniformly σ-finite meaning that there exists a countable collection of Borel sets which simultaneously witnesses that every measure in the disintegration is σ-finite. Assuming Gödel’s axiom of constructability I provide answer Maharam's question by constructing a specific disintegration which is not uniformly σ-finite.
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Doctoral Recital: 2007-03-28 - Gregory Dewhirst, soprano saxophone

Doctoral Recital: 2007-03-28 - Gregory Dewhirst, soprano saxophone

Access: Use of this item is restricted to the UNT Community.
Date: March 28, 2007
Creator: Dewhirst, Gregory
Description: A Doctoral lecture recital presented at the UNT College of Music Concert Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree
Contributing Partner: UNT Music Library
A Comparative Analysis of the 1915 and 1919 Versions of Symphony No. 5 in E-flat Major, op. 82 by Jean Sibelius

A Comparative Analysis of the 1915 and 1919 Versions of Symphony No. 5 in E-flat Major, op. 82 by Jean Sibelius

Date: May 2010
Creator: Norine, John Richard, Jr.
Description: The initial composition of the Fifth Symphony in E-flat Major, Op. 82 was undertaken as a commission to celebrate the composer's fiftieth birthday. Unhappy with the initial efforts, two revisions were then performed; the first was in 1916 and the final revision in 1919. Despite the larger form of the work seeming to have been changed between the 1915 and 1919 versions, the smaller gestures of thematic expression in both versions remained similar. On the surface, it had appeared that the composer had eliminated a movement, changing the 1919 version into a three movement form. This view was not challenged by the composer at the time, and since the earlier versions had either been withdrawn or destroyed, there was no way to compare the original efforts to the final product until recently. In comparing the 1919 version to the original, a definite strong parallel can be seen between the two - despite the changes to form, rearrangement of melodic material, and the seemingly different number of movements. However, the parallel is enough that the 1915 version can be a guide to classifying the 1919 version, an act that has eluded many scholars since the 1920s. Most importantly, comparing the two ...
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X, An Analytical Approach to John Chowning's Phoné

X, An Analytical Approach to John Chowning's Phoné

Date: May 2010
Creator: Krämer, Reiner
Description: The analysis of computer music presents new challenges to the field of music theory. This study examines the fixed media composition Phoné by John Chowning from its aesthetic perspective, compositional theory and computer sound synthesis techniques. Fast Fourier Transform analyses are used to create spectrograms. The findings from the spectrograms are juxtaposed with compositional philosophies of John Chowning, Jean-Claude Risset, Pierre Schaeffer and Arnold Schoenberg and the techniques are represented via PureData patches.
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Rediscovering Fernande Decruck's Sonate en ut# pour saxophone alto (ou alto) et orchestre: A Performance Analysis

Rediscovering Fernande Decruck's Sonate en ut# pour saxophone alto (ou alto) et orchestre: A Performance Analysis

Date: May 2010
Creator: Cain, Joren
Description: French composer Fernande Decruck (1896-1954) composed over forty works for the saxophone, but her music fell into obscurity soon after her death. In recent years, the Sonate en ut# pour saxophone alto (ou alto) et orchestre (1943) has been rediscovered, performed, and recorded by prominent concert saxophonists. This document takes a historical approach by examining Decruck's biography, as well as a theoretical approach to provide a deeper understanding and appreciation of her work through analysis. The first four chapters of this document provide biographical background on Decruck, her career, professional associations, and her husband, Maurice Decruck, saxophonist and music publisher. Additionally, an examination of her saxophone output includes a brief discussion of her compositional development. Fernande Decruck dedicated her sonata to French saxophone virtuoso Marcel Mule, but a version for solo viola also exists. From the discrepancies between the versions, one might infer that portions of the work were composed originally for the viola. There are also two versions of the accompaniment: one for full orchestra and the other for piano. Analysis comprises the bulk of this study. The work is composed in a traditional four-movement setting: a sonata-form opening movement, a slow second movement, a movement entitled "Fileuse" (spinning ...
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Sun (1966): Eight Poems in One Movement for Solo Voice and Orchestra By Ned Rorem: Background, Analysis, and Performance Guide

Sun (1966): Eight Poems in One Movement for Solo Voice and Orchestra By Ned Rorem: Background, Analysis, and Performance Guide

Date: May 2012
Creator: Jung, Soohee
Description: The purpose of the document is to present Ned Rorem’s Sun (1966): Eight Poems in One Movement for Solo Voice and Orchestra. the eight songs are “To the Sun,” “Sun of the Sleepless,” “Dawn,” “Day,” “Catafalque,” “Full Many a Glorious Morning,” “Sundown Lights,” and “From What Can I Tell My Bones?” the document is divided into four main chapters: 1) Background; 2) Poet and Poem Background; 3) Musical Analysis; 4) Performance Guide. Chapter 1 contains biographical information on Ned Rorem, and basic information of the work, Sun. Here, a relationship between the eight songs is presented. Chapter 2 discusses biography of poet and background of the poem. the poetry is examined to determine the theme and to identify imagery, and metaphor. Chapter 3 offers detailed musical analysis for each of the eight songs and interludes. Chapter 4 provides performance guide which offers assistance in forming personal interpretation and brief specifies to singers who wish to perform this work. Appendix a includes tonality, difficulty, tempo, form, theme, range, and orchestration of each song and interlude. This study serves as a reference guide for performers of Sun.
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A national analysis of faculty salary and benefits in public community colleges, academic year 2003-2004.

A national analysis of faculty salary and benefits in public community colleges, academic year 2003-2004.

Date: December 2006
Creator: Maldonado, José F.
Description: This study provides a detailed description of full-time faculty salary and fringe benefits in US public community colleges by state and by 2005 Carnegie basic classification type for the academic year 2003-2004. This classification is used to analyze data from the National Center for Education Statistics' Integrated Postsecondary Educational Data System (IPEDS). Further analysis clusters states into the following groupings: states with/without collective bargaining agreements, states with/without local appropriations, large megastates versus nonmegastates (using the methodology developed by Grapevine at Illinois State University), and the impact of California on the nation's salaries and fringe benefits. The analysis showed high level of variation of salaries paid by the type of community college (rural, suburban, and urban serving) in the US. The nation's average salary for full-time faculty was $52,598. Rural serving small institutions faculty salary was $18,754 or 45 % less than the nation's average. Salaries in colleges with collective bargaining agreement were higher than in colleges without collective bargaining agreements. Faculty teaching in suburban serving colleges with local taxation had the highest salaries, $61,822 within colleges with access to local support. Suburban serving multiple colleges in megastates had the highest faculty salary average, $64,540 as compared to $42,263 for rural ...
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Selected Songs of Dan Beaty: Background, Analysis, and Performance Guide

Selected Songs of Dan Beaty: Background, Analysis, and Performance Guide

Date: August 2009
Creator: Novak II, Richard A.
Description: Dan Beaty (1937-2002) was a prolific composer, pianist, researcher, educator, and writer. His large compositional output included chamber works, choral works, songs, orchestral pieces, electronic music, and keyboard works. Beaty was well versed in traditional Western music as well as the more avant-garde and perplexing idioms of the twentieth century. Beaty's compositions reflect the many fascinating, if not always popular, musical trends of his time. His music encompasses styles from serial to jazz, shows compositional influences from Arnold Schoenberg to Indonesian music, and demonstrates thought-provoking and highly intellectual craftsmanship. This document explores several of Beaty's songs through a discussion of the composer's life and compositional process. Songs included in this document are Three Weeks Songs, October, November, A Sappho Lyric, Love Song, That Night When Joy Began, and War Lyrics. This document was written to accompany the author's DMA Lecture-Recital at the University of North Texas. Unfortunately, Beaty's vocal music was never published and is mostly unknown. One goal of the project was to initiate interest in Beaty's songs. Through this document, Lecture-Recital, and additional performances, considerable strides have been made to bring Beaty's songs to new audiences throughout the United States. In addition, the author has received permission from ...
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An Overview and Performance Guide to Manuel Ponce's Sonata III for Solo Guitar

An Overview and Performance Guide to Manuel Ponce's Sonata III for Solo Guitar

Access: Use of this item is restricted to the UNT Community.
Date: August 2006
Creator: Smith, Jay
Description: Composed in 1927 and dedicated to Segovia, Ponce's Sonata III, one of the staples of the classical guitar repertoire, is the focus of this paper. To put this piece into proper perspective among Ponce's other works, biographical information leading up to the composition of the piece is presented first. Each of the three movements is then analyzed with regard to formal construction as well as harmonic and melodic language. Analysis is an important precursor to actually playing the piece, as Sonata III is a work that departs from Ponce's previous compositional style. The main portion of this paper addresses the preparation and interpretation of Sonata III. The insight gained through initial analysis of the piece is used to arrive at a musically satisfying interpretation of the work. Specific performance suggestions are included. Technical issues are addressed and possible solutions are presented. Alternate fingerings are provided to alleviate some of the common technical challenges the guitarist will encounter. A transcription and discussion of the Segovia revisions are also present. The paper concludes with general suggestions for improving performance that would be applicable to other works for guitar as well. This synthesis of biographical information, analysis, editorial options and performance suggestions, has ...
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