Consonance, Tertian Structures and Tonal Coherence in Wladimir Vogel's Dodecaphonic World
Description:
Wladimir Vogel's (1896-1984) interest in twelve-tone composition began to develop in 1936 after hearing a series of lectures by Willi Reich, a music critic and supporter of the new music of the Second Viennese School. The transition for Vogel from a large-scale orchestral “classical” style, influenced by his study with Ferruccio Busoni in Berlin in the early 1920s, to a new technique involving dodecaphony is apparent in his instrumental writing, the third and fourth movements of the Konzert für…
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Date:
December 2002
Creator:
Hale, Jacquelyn
Partner:
UNT Libraries