Moving in a New Direction: An Exploration in Kinetics

Moving in a New Direction: An Exploration in Kinetics

Date: August 2004
Creator: Illy, Etienne
Description: Movement, whether conveyed through an actual motion or a gestured implication, remains an underlying theme in my creative process that started with my earliest works. I explored different aspects of kinetic sculpture, because I am seeking new ways to create motion such as experimenting with circulating air, wind, and the use of water features. I created a series consisting of three to five kinetic sculptures which do not rely on sound or direct viewer manipulation.
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Transplants

Transplants

Access: Use of this item is restricted to the UNT Community.
Date: December 2004
Creator: Holden, Susan Morrow
Description: The body of work originating from this Problem in Lieu of Thesis consists of paintings on canvas that incorporate representations of plant material. The impetus for the paintings was black and white photocopies created from mounds of plant material placed on a copy machine. The resulting copies contained forms that were organic in appearance, but unrecognizable as known objects. Parts of the most interesting and ambiguous copies were used to develop the imagery of the paintings. The new forms served the purpose of creating visual interest from unexpected images. Combined with traditional painting techniques, the selected forms produced paintings of mysterious and playful worlds similar to those parts of the environment not readily accessed, such as galactic space, microscopic organisms, and ocean depths.
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Sequence without Uniformity

Sequence without Uniformity

Date: August 2002
Creator: Woodford, Nicole Yvonne
Description: The inspiration for my undergraduate body of work is derived from my fascination with Henri Matisse, Jacob Lawrence, and the Impressionists. I suddenly became captivated with the Impressionist movement and the independence of abstraction. I set into motion a series of paintings and drawings featuring random African-Americans and African society representatives in vibrant color and abstracting forms, and was specifically concerned with altering the form outside of the realistic area. While in graduate school, I began to think about how the transformation from realism to abstraction combined with the conception of mortal to the immortal. I worked through ideas to see exactly where these views began, and where they would take me as an artist. Almost immediately I experimented with random figures found specifically in the N'debele culture in South Africa. In addition, I incorporated abstraction and expressive marks within the figure and slowly introduced cut paper, flat imagery and abstraction with the realistic figure. This became very challenging but I was determined to unite these ideas successfully. More recently, my work has concentrated on the essential elements that have influenced my work as an artist, which recedes to childhood. The main elements most prevalent within the work is rhythm ...
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Technology, Ontology, and Pop

Technology, Ontology, and Pop

Date: May 2003
Creator: Tosten, Erik
Description: This problem in lieu of thesis outlines a body of work that uses technology and pop elements to discover ways to understand what it means to be human. In doing so it expands the interpretation of technology, ontology, and pop, and allowed the artist to find an essential balance between the three. It details the understanding of these borrowed aesthetics and their connection to the creative process.
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Redefining Beauty

Redefining Beauty

Date: May 2002
Creator: Perrin, Elvia
Description: In an effort to continue the conceptual and aesthetic growth started in graduate school, I have produced a body of work dealing with the relation between the fragmentation of the figure and the self-perception of beauty. I produced twelve prints that have been exhibited at Cora Stafford Gallery. I have analyzed the body of work conceptually and formally and chose to discuss six pieces in a problem- in lieu-of-thesis. My work and book references informed the content of the paper. I divided it into three chapters; Introduction, Description of the Work, and the Conclusion. Within the body of the paper the paragraphs are sectioned into descriptions, methodology and intent of the six pieces. I went into detail of the process and content and addressed the questions posted in the Statement of Problem.
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Experiencing the view.

Experiencing the view.

Date: May 2003
Creator: Madsen, Michael J.
Description: This article discusses the way people experience the landscape. Tracing the progress of landscape photography from the late nineteenth century to the present, the author introduces the way concepts in landscape photography have changed. The author's photographs are discussed regarding how they build on the foundation of this historical precedent. Using photographs of individuals at places they think are special, the author examines their perception of landscape. The positions and actions of the subjects shape the way their attitudes are conveyed. The concept of beauty is discussed as it relates to the appreciation of landscape. By discussing with the subjects why these places are special and photographing with the intent to convey what those reasons are, the author's photographs examine the relationship of people to the landscape.
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Abstract Moments of Art Found in the Ordinary

Abstract Moments of Art Found in the Ordinary

Date: December 2002
Creator: Kraft, Stuart
Description: This paper is an experiment using digital video to locate and identify the abstract in everyday life and nature. The abstract moment occurs when the image that is captured by video loses its connection with the original context, allowing the images to be viewed in an entirely new way. The abstract moment is initiated by a transformative instant, that instant in which perception is altered and the viewer sees the intended content of composition of light and sound. The project contains four digital videos that record the artist's progress and interests.
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Imitating Nature

Imitating Nature

Date: December 2002
Creator: Holden, Linda K.
Description: Through my art I seek to communicate the continuing cycle of change that unites all life forms. I had to find methods of presentation and surface that would enhance my sculptural statements that I had begun to address. Utilizing salt, wood and low temperature sagger firing, resulted in softer, more natural appearing surfaces. These surfaces complimented and completed the organic forms with which I was working. The problems encountered in presentation were rectified by alternately contrasting the surfaces of the presentation with the surfaces of the pieces, while utilizing forms that echoed the natural forms of the pieces. The opposite approach also worked well, using natural presentation materials to create a sense of unity, and geometric bases for contrast. These methods resulted in an increased sense of energy, unity and completion in the work presented.
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Unity: When the Two Become One

Unity: When the Two Become One

Date: December 2002
Creator: Pimolket, Noppakamal
Description: Jewelry has been used as a gift exchange between lovers for many centuries. It has been conveyed in a variety of forms to symbolize the meaning of love. This body of work is associated with glory of love, of sexual experience between lovers representing the idea of unity when two parts become one unit, not only in the physical sense, but also in the psychical sense. The works were divided into three series including three pair of rings, two pair of lockets, and five pair of necklaces. The erotic expression has been addressed on every piece in an abstract way counting design motifs, material used, and interaction within the piece itself. Moreover, each piece has romantic meanings and essential aspects as a symbol of love.
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Industrial Landscapes: Humanity Coexisting with Nature

Industrial Landscapes: Humanity Coexisting with Nature

Date: May 2003
Creator: Espey, Benjamin
Description: The focus of this project was on creating images of our industrial landscape and shows the coexistence of culture and nature. I confronted the landscape from a position that is accepting of our present landscape. While not idealizing the present industrial landscape I wanted to depict it in a way that is not devoid of beauty. I believe that no matter how the land is altered a certain grace still comes through in any landscape. In not idealizing or criticizing I wanted to show industrial areas in an accepting light and reveal the grace and beauty that is within every landscape. It is through my photographs and all the subjective decisions made when creating these images that make it possible for others to see the beauty in these industrial landscapes.
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