Doctoral Recital: 2006-06-06 - Daniel Stevens, viola

Doctoral Recital: 2006-06-06 - Daniel Stevens, viola

Access: Use of this item is restricted to the UNT Community.
Date: June 6, 2006
Creator: Stevens, Daniel
Description: Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree
Contributing Partner: UNT Music Library
Doctoral Recital: 2007-03-05 - Daniel Stevens, viola

Doctoral Recital: 2007-03-05 - Daniel Stevens, viola

Access: Use of this item is restricted to the UNT Community.
Date: March 5, 2007
Creator: Stevens, Daniel
Description: Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree
Contributing Partner: UNT Music Library
Doctoral Recital: 2008-10-21 - Daniel Stevens, viola

Doctoral Recital: 2008-10-21 - Daniel Stevens, viola

Access: Use of this item is restricted to the UNT Community.
Date: October 21, 2008
Creator: Stevens, Daniel
Description: Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.
Contributing Partner: UNT Music Library
Rebecca Clarke: A Viola Duo Transcription of the Prelude, Allegro, and Pastorale

Rebecca Clarke: A Viola Duo Transcription of the Prelude, Allegro, and Pastorale

Date: August 2010
Creator: Stevens, Daniel Brent
Description: Throughout centuries of great classical music, many viola compositions have been crafted from a wealth of literature for instruments of similar range. Clarinet, violin, and cello concerti and ensemble literature often adapt into challenging literature for the viola. In November 2009, Oxford Music Publishing gave me permission to transcribe and perform the Prelude, Allegro, and Pastorale by Rebecca Clarke in New York's famed Carnegie Hall - Weill Recital Hall. This dissertation explains the process by which I transcribed the Prelude, Allegro, and Pastorale from an original Bb-clarinet/viola duo, to a new arrangement for two violas (approved by Oxford Music Press arrangement license #7007940), and discusses challenges faced throughout the transcription process.
Contributing Partner: UNT Libraries