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Primary view of Iberian Elements in the Sonatas of Domenico Scarlatti. A Lecture Recital, Together with Three Recitals of L.v. Beethoven, J.S. Bach, J. Brahms, and Selected Works of Other Composers
Edwards, Donna O'Steen
August 1980
Primary view of A Survey of Solo, Chamber Music and Orchestral Excerpts Selected and Organized Pedagogically for the Intermediate Cellist
Zhou, Lejing, 1986-
August 2019
Primary view of Sinfonietta
Au, Siu-ming Stefan
December 1994
Primary view of The Role Of The Piccolo In Beethoven's Orchestration
Teng, Kuo-Jen
December 2011
Primary view of The Poetic and Musical Dialogue of Ambrosini and Cavalcanti: a Study of Claudio Ambrosini’s a Guisa Di Un Arcier Presto Soriano for Solo Flute
Choi, Su-hyun
August 2013
Primary view of A Background and Analysis of Selected Lieder and Opera Transcriptions of Franz Liszt. A Lecture Recital, Together with Three Recitals of Works by Chopin, Schubert, Bartok, Franck, and Other Composers
Gibbs, Dan Paul
August 1980
Primary view of James Wintle's Northwest Miniatures for Flute, Trumpet and Piano (1998): a Performance Guide
Walker, Julee Kim
May 2013
Primary view of A Comparison of the Transcription Techniques of Godowsky and Liszt as Exemplified in Their Transcriptions of Three Schubert Lieder
Cloutier, David, 1948-
December 1987
Primary view of Adaptation of Handel's Castrato Airs for Bass: A Lecture Recital, Together with Three Recitals of Selected Works of J.S. Bach, W. Mozart, M. Ravel, G. Finzi, R. Schumann, A. Caldara, G. Handel, H. Wolf, H. Duparc, C. Ives and S. Barber and an Operatic Role by Verdi
Fern, Terry L. (Terry Lee)
May 1986
Primary view of J.S. Bach's Six Suites for Solo Violoncello, BWV 1007-1012; Their History and Problems of Transcription and Performance for the Trombone, a Lecture Recital, Together with Three Recitals of Selected Works by Paul Hindemith, Georg Christoph Wagenseil, Richard Monaco, Darius Milhaud, Nino Rota, Giovanni B. Pergolesi, and Others
Conger, Robert B. (Robert Brian)
August 1983
Primary view of Analysis for Performance of the Song Cycle Songs of Travel, by Ralph Vaughan Williams
Cole, Richard Porter
May 1977
Primary view of A Suite for Double Bass Transcribed From Pièces à une et à deux Violes, by Marin Marais: A Lecture Recital, Together with Three Recitals of Selected Works of J.S. Bach, Karl Ditters von Dittersdorf, W.A. Mozart, and Others
Swaim, Daniel
December 1982
Primary view of The Influence of Chinese Folk and Instrumental Music on Tcherepnin's "Chinese mikrokosmos": A Lecture Recital, Together with Three Recitals of Selected Works of J.S. Bach, W.A. Mozart, C. Debussy, S. Rachmaninoff, D. Shostakovich, and Others
Luo, Yeou-Huey
August 1988
Primary view of Krzysztof Penderecki’s Divertimento/suite for Cello Solo (1994-2013): a Stylistic Analysis and Performance Guide
Sturman, Esra
May 2014
Primary view of Historical and Analytical Aspects of William Flackton's Sonatas for Viola and Keyboard (OPUS 2. Nos. 2, 4. 6. 8) with Particular Attention to the Sonata in D Maior (OPUS 2. No. 4)
Rosenbaum, George G. (George Gene)
December 1991
Primary view of The Piano Sonatas of Rodolfo Halffter: Transformation or New Techniques?
Harper, Nancy Lee
August 1985
Primary view of Beethoven: The "Eroica" Variations, Opus 35
Hukill, Cynthia
December 1974
Primary view of Comparison of Bach’s Chaconne in D Minor for Solo Violin and Its Piano Transcription by Ferrucio Busoni (1866-1924)
Ku, Hsiao-Hung
August 1979
Primary view of The Flute in the Solo and Chamber Music of Albert Roussel (1869-1937), a Lecture Recital, Together with three recitals of selected works by J.S. Bach, I. Dahl, G. Fauré, H. Genzmer, P. Hindemith, Jolivet, Schubert, and Others
Cooksey, Lynne MacMorran
May 1980
Primary view of Eclectic Style, the Essence of Originality in the Music of Francis Poulenc Discussed Through the Concerto for Piano and Orchestra, 1949
Erftenbeck, Deborah Lee
December 1976
Primary view of An Assessment of the Role of James ”Jimmy” Blanton in the Development of Jazz Bass
Bozarth, Rex O.
December 1981
Primary view of I, Blavatsky: A One-Act Opera
Cooper, Steve, 1951 Dec. 4-
May 1990
Primary view of A Contrast of the Use of the Double Bass in the Chamber Works of G. Rossini and F. Schubert
White, Russell Clark
August 1982
Primary view of The Four Dominating Elements in the Piano Literature of Sergei Prokofieff
Roberts, Elisabeth Euwer
May 1972
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